She makes lame parties better.
Above, a very nice Italian poster for Raquel Welch's 1975 dramedy Party selvaggio, aka The Wild Party, an alternate promo to one we shared a few years back. The film wasn't good, but hey—it has Welch, and that's never a total waste of time. You can read about it and see the other poster here.
Even a dose of song and dance from Raquel Welch can’t kick this fiesta into gear. Party Selvaggio, aka The Wild Party, is an interesting attempt to capture the decadence and glamour of 1920s Hollywood. The screenplay is based on a Joseph Moncure March poem, which in turn is loosely based on the infamous Fatty Arbuckle scandal of 1921. In brief, Arbuckle was accused of sodomizing an actress named Virginia Rappe with a bottle, an act which led to her death due to a ruptured bladder. No such thing happened, but sensational news reports portrayed Arbuckle as a fat lecher who routinely used his bulk to overpower helpless women. These fairy tales proliferated to the extent that morality groups—which were about as restrained and reasonable back then as they are now—were calling for Arbuckle to be put to death. He was acquitted at trial, but his reputation, career, and life were destroyed. In Party Selvaggio, the Arbuckle role is played by James Coco, who decides to throw a bash for major Hollywood players in hopes of revitalizing his ailing career. Unfortunately, the shindig goes horribly wrong. Coco earned some praise for his portrayal, but the star of the film is really Raquel Welch. Or perhaps it’s more accurate to say she’s the draw. The poster lists her second but places her image front and center, and she gets top billing in the official trailer. This was Welch stepping away from overtly sexual roles and being given a chance to act, which we mentioned was her driving ambition during the mid-point of her career. So how did she do? Well, despite the presence of legends-to-be Merchant-Ivory in the producer-director roles, this is a party you can miss. Welch gives her all in what is essentially a musical role, but the film never strikes the right chords. Don’t you just love this Italian poster, though? Party Selvaggio opened in Italy this month in 1975.
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The headlines that mattered yesteryear.
1967—First Space Program Casualty Occurs
Soviet cosmonaut Vladimir Komarov dies in Soyuz 1 when, during re-entry into Earth's atmosphere after more than ten successful orbits, the capsule's main parachute fails to deploy properly, and the backup chute becomes entangled in the first. The capsule's descent is slowed, but it still hits the ground at about 90 mph, at which point it bursts into flames. Komarov is the first human to die during a space mission. 1986—Otto Preminger Dies
Austro–Hungarian film director Otto Preminger, who directed such eternal classics as Laura, Anatomy of a Murder, Carmen Jones, The Man with the Golden Arm, and Stalag 17, and for his efforts earned a star on Hollywood's Walk of Fame, dies in New York City, aged 80, from cancer and Alzheimer's disease. 1998—James Earl Ray Dies
The convicted assassin of American civil rights leader Martin Luther King, Jr., petty criminal James Earl Ray, dies in prison of hepatitis aged 70, protesting his innocence as he had for decades. Members of the King family who supported Ray's fight to clear his name believed the U.S. Government had been involved in Dr. King's killing, but with Ray's death such questions became moot. 1912—Pravda Is Founded
The newspaper Pravda, or Truth, known as the voice of the Communist Party of the Soviet Union, begins publication in Saint Petersburg. It is one of the country's leading newspapers until 1991, when it is closed down by decree of then-President Boris Yeltsin. A number of other Pravdas appear afterward, including an internet site and a tabloid. 1983—Hitler's Diaries Found
The German magazine Der Stern claims that Adolf Hitler's diaries had been found in wreckage in East Germany. The magazine had paid 10 million German marks for the sixty small books, plus a volume about Rudolf Hess's flight to the United Kingdom, covering the period from 1932 to 1945. But the diaries are subsequently revealed to be fakes written by Konrad Kujau, a notorious Stuttgart forger. Both he and Stern journalist Gerd Heidemann go to trial in 1985 and are each sentenced to 42 months in prison.
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