Without getting too technical, you have a condition known as vaginitus neglectus. But there's a treatment for that.
More for the medical pulp bin, sleaze subset: Doctor Paradise, by Jay J. Dratler, with a physician who likes to practice internal medicine with his patients. Check a couple of other fun medical examples here and here.
Here's to us waking up bewildered and trying to piece together tonight from fragmentary memories and vague sensations of shame.
Above, a cover for Robert Tallant's Mrs. Candy and Saturday Night. Basically, a woman who runs a New Orleans boarding house filled with unusual renters and a ghost decides to throw a party, which turns out wilder than she expected and leads to some startling revelations about the occupants. Written to span twenty-four hours, the book was well received enough to spawn two sequels, Love and Mrs. Candy and Mrs. Candy Strikes It Rich. The success was not a surprise. Tallant was born in New Orleans, was already experienced writing about it through other published books, and obviously loved the place, quirks and all. If you're looking for real Crescent City feel in a mid-century novel, with jambalaya, voodoo, and all the rest, Mrs. Candy and Saturday Night is it. It's originally copyright 1947, with this Popular Library paperback with Earle Bergey cover art coming in 1951.
We both said many things last night. By light of day and from a perspective of total sobriety let's admit none of them were true.
The couple on this cover for Gertrude Walker's So Deadly Fair look less than thrilled to be together, but that happens, right? It was painted by Rafael DeSoto, and the book tells the story of a femme fatale who frames a guy for murder—her own. That sounds like we just spoiled the plot but the bulk of the narrative actually deals with what happens when the protagonist is paroled ten years later and has not, shall we say, reached a state of closure about how things went down. Revenge is a dish best served cold, especially when the recipient is your ex. Originally published as a hardback in 1948, this Popular Library edition appeared in 1952.
We're both starving, and frankly, the way he's behaved he's given us absolutely no reason not to eat him.
During the mid-century period, high quality cover art was seen as the key to paperback sales, thus many types of books received makeovers. Aussie novelist Ronald McKie's The Survivors is an example. You'd assume it was fiction but it's actually the true story of the Battle of Sunda Strait, which occurred in Indonesia between the islands of Java and Sumatra during World War II and pitted two Aussie cruisers against a major Japanese naval force. During a battle in which the outgunned Aussie ships fared better than could have been reasonably expected, both were sunk. In the aftermath a group of stranded men battled innumerable hazards in an attempt to survive. The book sprang from the handwritten account of an Aussie sailor who spent four years in a Japanese POW camp. He was a friend of McKie's, and when the author read the dairy pages he immediately decided to write a full accounting of the battle. As far as we know nobody ate anyone, but raft rides get pretty rough. The Survivors came out in hardback in 1953, with this Popular Library paperback appearing in 1954.
I could stop coloring it, I guess. But then I'd be a brunette again, and that's worse than dying young.
Above, an uncredited cover for Blondes Die Young by Bill Peters. The author is aka William P. McGivern, and the book is hard boiled action in Chicago's jazz clubs and dope dens, as the sleuth protagonist Bill Canalli tries to track down the culprit who murdered his girlfriend. Who by the way has barely cooled to room temperature before slick Bill beds another woman, but what's a hard boiled guy to do? Anything to get to the bottom—of the case. The hero's treatment of this woman will raise some eyebrows in this day and age, but this is still an involving tale and we like that it doesn't get too moralistic about the drugs angle. And we got it for four bucks, which is an absolute steal. It was written in 1952 originally, with this Popular Library paperback edition appearing in 1953.
Well, technically I belong to Lester back there, but if you've got the money I'm available as a rental.
Sam Ross was the pen name of Samuel Rosen, a Russian born writer who was brought to the U.S. by his parents, attended school, joined the army, served during World War II, and turned both his immigrant and war experiences into journalism, fiction, and screenplays. He was immediately successful, and later shared his valuable insights by teaching at UCLA. You Belong to Me is a wrong-side-of-the-tracks tale of a married man who gets involved with another woman while his wife is out of town and finds himself in all sorts of trouble. The backdrop for his descent into craziness and danger is Manhattan, and often Harlem, which rarely fails in literature to provide writers the tools they need to craft a picturesque tale. Ross takes his protagonist through jazz clubs and all the rest. The book appeared as a paperback original from Popular Library in 1955, and the top notch cover art is by Owen Kampen.
Don't! That's only for salads or desserts!
This is very nice cover work for Everett and Olga Webber's U.S. Civil War novel Bound Girl. The art is by Sam Cherry, one of the best. After a 1949 hardback debut the book came out as this Popular Library paperback in 1950. The bound girl of the novel is an indentured servant living on the Kansas-Missouri border who experiences both war and various romantic ups and downs. Possibly her love problems stem from bad manners. After all, who'd want to date someone who doesn't even know that a three prong fork isn't for meat courses?
*sob* I thought it stood for horse. Oh, it does? Well, that was the worst ride ever.
This is another one we ran past the Pulp Intl. girlfriends, and guess what? They had no idea horse is a word for heroin. One of them said, “I thought it was called smack.” Well, yeah, that too, but smack doesn't start with “h,” and wouldn't have helped us come up with a header for this cover. Anyway H is for Heroin involves a girl in mythical Coast City, California who starts with the dreaded gateway drug—i.e. marijuana—and slides down the slippery slope until she's riding the white horse, is married to an addict, and crosses the line into dealing. H is for Heroin is both drug-scare and juvenile delinquent fiction, narrated by Amy herself, who digs deep and manages to achieve redemption—lest readers get too bummed out by the story and need to get high to wash away the sadness. The real high with this comes from Rafael DeSoto's iconic cover art, painted for Popular Library, 1954.
Oh, I need the gun, trust me. You'd be surprised how people react when I deny their coverage.
There are more than a few gun toting insurance investigators in mid-century literature, and they tend to be as tough as any regular private eye or cop. In Cleve F. Adams' thriller What Price Murder insurance stud Steve McCloud is tasked with recovering a fortune in stolen diamonds insured by his company West Coast Indemnity. Along the way he deals with crooks, cops, and assorted women, including one named Kay Mercedes—which we think is one of the better handles for a femme fatale. Originally published in 1942, Popular Library issued this paperback version in 1952 with highly effective cover art by Sam Cherry.
Geez, everyone's a damn critic. I mean, look around. I play the blues for a reason.
Chicago based author William Attaway's Blood on the Forge is another of those highly serious literary novels that got the good-girl-art cover treatment. Numerous previously published authors were repackaged in this way during the 1950s. We're talking everyone from George Orwell to Aristarchus of Samos. This Popular Library edition is from the heyday of the makeover era—1953—but the book first appeared in 1941. It's about African American sharecroppers during the early twentieth century leaving their agrarian existence in Kentucky and heading to West Virginia, where they seek better lives and something closer to equality (the rear cover says Pennsylvania, but that happens much later in the story). This era is known historically as the Great Migration, when a lot of blacks got the hell out of the South and the increasingly vicious Jim Crow culture that thrived after slavery. The characters in Blood on the Forge find, like most real life migrants did, that the North is also unfair and difficult.
The cover art isn't as much of a stretch as it often is with these pulped up versions. The guitar player is Melody Moss, a major character, and the woman is Anna, who in the narrative is a Mexican girl of fourteen, but is depicted as well above the age of consent here. It's a pretty nice piece of art, though by an unknown (Ray Johnson? Owen Kampen?). As for the actual fiction, it was neglected for decades but it's now considered a literary classic and Attaway is recognized as an important figure of the Black Chicago Renaissance. Fitting, because Attaway was a real Renaissance man. He stopped writing novels after Blood on the Forge and moved into music and writing screenplays for radio, films, and TV. In 1957 he published the Calypso Song Book, a compendium of tunes he had collected. He also wrote for Harry Belafonte, including the classic "Banana Boat Song (Day O).” By the end of his career he had penned over 500 songs. You have to be impressed.
The headlines that mattered yesteryear.
1945—Flag Raised on Iwo Jima
Four days after landing on the Japanese-held island of Iwo Jima, American soldiers of the 28th Regiment, 5th Marine Division take Mount Suribachi and raise an American flag. A photograph of the moment shot by Joe Rosenthal becomes one of the most famous images of WWII, and wins him the Pulitzer Prize later that year.
1987—Andy Warhol Dies
American pop artist Andy Warhol, whose creations have sold for as much as 100 million dollars, dies of cardiac arrhythmia following gallbladder surgery in New York City. Warhol, who already suffered lingering physical problems from a 1968 shooting, requested in his will for all but a tiny fraction of his considerable estate to go toward the creation of a foundation dedicated to the advancement of the visual arts.
1947—Edwin Land Unveils His New Camera
In New York City, scientist and inventor Edwin Land demonstrates the first instant camera, the Polaroid Land Camera, at a meeting of the Optical Society of America. The camera, which contains a special film that self-develops prints in a minute, goes on sale the next year to the public and is an immediate sensation.
1965—Malcolm X Is Assassinated
American minister and human rights activist Malcolm X is assassinated at the Audubon Ballroom in New York City by members of the Nation of Islam, who shotgun him in the chest and then shoot him sixteen additional times with handguns. Though three men are eventually convicted of the killing, two have always maintained their innocence, and all have since been paroled.
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