Hello there, my dear. Guess what today is.
That look right there. That's the one you never want to see on someone's face, because even if they aren't actually going to kill you, they're for sure thinking about it. In Dana Chambers' Someday I'll Kill You, the heroine Lisa is targeted by a blackmailer who threatens to pin an accidental death on her as murder if she doesn't pony up a hundred grand. She summons help to her enclave in the Connecticut countryside in the form of a rugged pilot and former lover with the unlikely name Jim Steele. He's reluctant to get involved because Lisa jilted him after a Caribbean idyll and married a wealthy psychiatrist. But he can't resist—and really, how can he when asked by “a long-legged, slim-hipped Diana with—startlingly and unforgettably—the breasts of Venus.”? The story unfolds from his perspective—partly obscured by the aforementioned Venusian breasts—as blackmail leads to murder, first thought to be a case of mistaken identity, then understood to be part of the plan. Steele sets about trying to unravel the scheme and to somehow insert himself back into Lisa's bed. Chambers, aka Albert Leffingwell originally published this in hardback in 1939, with the Popular Library paperback edition you see above coming in ’53. There's considerable online debate about who painted the cover art, but for now it remains in the unknown bin.
Just stay over there a minute. I want you to get the full effect of this awesome pose.
In Evan Hunter's 1954 novel Don't Crowd Me an NYC advertising copywriter seeks tranquility in the lake region but instead finds himself encountering two sisters with very different temperaments who both seem to find him irresistible. Then, of course, there's a murder to spoil everything, and it looks like he's the only one who can solve it. The plot may sound improbable, but Hunter, born Salvatore Albert Lombino, was better known by his pseudonym Ed McBain, which means you would expect this to be decently written. And in fact you would be correct. The cover art, which is great, was painted by Walter Popp.
The whole town knew—but was what they knew right?
It's amazing how many mid-century authors were compared to Erskine Caldwell, but such was his influence that any pass at southern smalltown loving, feuding, and corruption prompted reviewers to cite him as the king of the genre. Francis Irby Gwaltney's The Whole Town Knew, originally published as The Yeller-Headed Summer, was compared by many to Caldwell. It deals with the rape and murder of a woman, subsequent efforts to find her killer or killers, efforts to keep the details of her free-spirited ways out of court, local newspaper drama, a not-too-bright lawman in way over his head, and more.
This lawman is the center of the book, and his problems mount tremendously—starting with the fact that he's supposed to leave influential members of the community alone and stick to policing poor and powerless folk. Art imitates life, right? The town of Walnut Creek was close kin to the burgs from Caldwell's oeuvre, as were the antics of the townspeople, but the book was well reviewed, leading to Irby—actually a protégée of Norman Mailer, whose mentorship was instrumental—becoming very famous for a time. We love the cover art on this 1955 Popular Library edition. It was painted by Ray Johnson, who always does great work, as you can see here and here.
Who's the hottest? I'm the hottest. Who's the coolest? I'm the coolest.
David Westheimer's Day into Night is a more serious novel than its cover would lead you to believe. It was originally published in 1950 as The Magic Fallacy, and the fallacy is the one harbored by youth that everything in life is beautiful. Westheimer promptly proves otherwise by telling the tale of a sixteen-year-old boy named Pershing who is stricken when his mother leaves his father, and later absorbs another blow when his father's remarries to a twenty-year-old femme fatale. You know where this leads—the new bride homes in on Pershing's missile. Westheimer went on to publish the hit thriller Von Ryan's Express, source for the movie of the same name. The top notch cover on this Popular Library paperback is by Rudolph Belarski, from 1952.
All right guys, new rules—I've decided to speed this process up by taking you two at a time.
You're familiar with the Mann Act, right? Basically, it's a law that forbids transporting any female across state lines for debauched purposes. Generally, it was applied to men who had sex with underage girls, but not always. In One by One, the hero drives a dancer named Dolly Dawn from Los Angeles to Las Vegas and has sex with her, whereupon she threatens to call police and have him prosecuted under the Mann Act if he doesn't continue to indulge and take care of her. The action revolves around his repeatedly thwarted efforts to extricate himself from her sticky web. One very interesting aspect of the book is that it's a period piece, set nineteen years before its 1951 publication date. Also, if you're looking at the cover blurb and thinking “less morals” sounds weird, you're right that it's grammatically off. Morals is a plural noun, so you'd have fewer morals, not less. We imagine the editors knew that and wrote the blurb colloquially to connect with the reading audience. It probably didn't matter, because the cover art alone pretty much sells this book. But it's uncredited, which is a shame.
Nope. Dead asleep as usual. Looks like I'll be polishing the jewelry again tonight, if you know what I mean.
This book has nothing to do with polishing jewelry—i.e. masturbation—though the cover could be interpreted that way. Or maybe that's just our dirty minds. Anyway, the story deals not with female needs, but with the dawn of the communist witch hunt era in the U.S., and how one man is targeted, with negative effects upon his wife, ex-wife, son, et al. The cover is supposed to depict the dawning of suspicion and distrust in the main character's once stable marriage. The novel originally appeared in hardback in 1949, this Popular Library abridged paperback hit bookstores in 1950, and as is often the case with this publisher, the art is uncredited.
And now, just because we came across them (and about two-hundred others), here are fifteen terms for female masturbation, ranging from the absurd to the sublime:
15: Muffin buffin'
14: Manual override
13: Clicking the mouse
12: Reading braille
11: Playing with Mrs. Palmer's daughters
10: Backslappin' the beaver
9: Driving Miss Daisy
8: Visiting the magic kingdom
7: Making soup
5: Searching for Spock
4: Beating around the bush
3: Soloing on the clitar
2: Tip-toeing through the two lips
1: Fingering the accused*
*also useful for communist witch hunts
I'll get mine, yours, and everyone else's I can lay my little hands on too.
Set initially at San Quentin Prison, then in the wider environs of Oakland, California, I'll Get Mine follows a do-gooder prison shrink down the rabbit hole of Latino gang culture, where he becomes involved in a murder mystery and takes on the role of potential savior to a beautiful druggie ensnared in Pachuco culture. It was originally published in 1951 as Cure It with Honey, which you see at right.
Thurston Scott was a pseudonym for the team of Jody Scott and George Thurston Leite, and what they put together was racy stuff for the time, with hetero sex achieved, gay sex alluded to, various flavors of drugs inhaled and injected, and some violence. The mix of elements worked well—the novel was nominated for an Edgar Award. The 1952 Popular Library edition at top was illustrated by A. Leslie Ross, and its resemblance to a cover we shared last month puts us in mind of assembling a collection of women leaning against lamp posts and street signs. Stay tuned.
That's fine, mister—I want the other one anyway. Before the school got bombed she was my sex ed teacher.
This cover depicting a grown man and a pre-teen boy browsing a pair of working girls is kind of creepy, we know, but it's also well executed. Originally titled A Convoy Through the Dream and published in 1948, Torment appeared in this Popular Library edition in 1953. Author Scott Graham Williamson tries for Hemingway with a story set in various sites around the Mediterranean during World War II, including Gibraltar, Algeria, and particularly Palermo, Sicily. Basically, a radio officer on a warship and his wife try to maintain their love and fidelity in a time of chaos and separation. This comes complete with that familiar war novel plot device—one last incredibly dangerous mission before the hero can go back home. The cover art is uncredited.
Early television design rejected as a little too hypnotic.
We're doing a double on artist Mitchell Hooks with this cover for Gene Stackelberg's thriller Double Agent. Hooks was working this time for Popular Library, also in 1959 (we neglected to put the copyright in yesterday's post). CIA agent is accused of treason and can only clear his name with the help of the sister of a known informer. Gene Stackelberg was a pseudonym for Ouida Adams, a female writer who doubtless chose her pen name because it sounds so dry and serious, and likely because readers would be prejudiced against a female espionage author. As far as we can tell this was her only foray into fiction.
You know what's really tough? Watching you spill good liquor all over my new shag carpet.
Above is a cover for James Howard's 1955 thriller I Like It Tough, with a nice wraparound illustration from an uncredited artist. The novel deals with an ace reporter named Steve Ashe who has inside information on the “vice syndicate” and finds himself marked for murder when the crooks get wind of his snooping. It was first in a series of Steve Ashe novels, which of course means the hero survives this one to sleuth again. Hope that didn't spoil anything.
The headlines that mattered yesteryear.
1944—G.I. Bill Goes into Effect
U.S. president Franklin D. Roosevelt signs the Servicemen's Readjustment Act into law. Commonly known as the G.I. Bill of Rights, or simply G.I. Bill, the grants toward college and vocational education, generous unemployment benefits, and low interest home and business loans the Bill provided to nearly ten million military veterans was one of the largest factors involved in building the vast American middle class of the 1950s and 1960s.
1940—Smedley Butler Dies
American general Smedley Butler dies. Butler had served in the Philippines, China, Central America, the Caribbean and France, and earned sixteen medals, five of which were for heroism. In 1934 he was approached by a group of wealthy industrialists wanting his help with a coup against President Franklin D. Roosevelt, and in 1935 he wrote the book War Is a Racket, explaining that, based upon his many firsthand observations, warfare is always wholly about greed and profit, and all other ascribed motives are simply fiction designed to deceive the public.
1967—Muhammad Ali Sentenced for Draft Evasion
Heavyweight boxing champion Muhammad Ali, who was known as Cassius Clay before his conversion to Islam, is sentenced to five years in prison for refusing to serve in the military during the Vietnam War. In elucidating his opposition to serving, he uttered the now-famous phrase, “I ain’t got no quarrel with them Viet Cong.”
It's easy. We have an uploader that makes it a snap. Use it to submit your art, text, header, and subhead. Your post can be funny, serious, or anything in between, as long as it's vintage pulp. You'll get a byline and experience the fleeting pride of free authorship. We'll edit your post for typos, but the rest is up to you. Click here
to give us your best shot.