All roads lead to Renato.
Today we have yet another excellent cover from Benedetto Caroselli—Anima e corpo, aka Body and Soul, written by Lucien Le Bossu for Edizioni Periodici Italiani’s I Capolavori della Serie KKK Classici dell’Orrore, 1965. Le Bossu, perhaps unsurprisingly, was one of about twenty literary pseudonyms belonging to Renato Carocci. In fact, Carocci even wrote under the name Tom Ewell, who was a well-known American actor of the period. How he got away with that we don’t know. Anyway, you can find out a bit more about Carocci here, and see more art from Caroselli by clicking his keywords below.
You can eat an apple a day but it won’t keep this doctor away.
Above is I Capolavori della Serie KKK Classici dell’Orrore number 127, entitled Gli esperimenti del Dott. Hass, aka The Monster, published in 1969, written by Patty North, who was really Franco Marotta. And of course the brilliant art is by Benedetto Caroselli, whose work you probably recognize by now. Marotta also wrote Il robotto maledetto, which means so far he’s written about an evil doctor and an evil robot. The book also has a short story beginning on page 121 called “Violenza,” which was penned by Roland Greaves, who was really Renato Carocci. That’s a lot of entertainment for just a few euros, and well worth it.
, Grandi Edizioni Internazionali
, I Capolavori della Serie KKK Classici dell’Orrore
, Gli esperimenti del Dott. Hass
, Franco Marotta
, Benedetto Caroselli
, Roland Greaves
, Patty North
, Renato Carocci
, cover art
Another obscure Italian artist produces a masterpiece.
Some random goodness today, a cover for Sangre de toro (“blood of the bull”), book 109 of I Capolavori della Serie KKK Classici dell’Orrore (KKK Masterpieces Series of Classic Horror), a popular collection published by Grandi Edizioni Internazionali beginning in 1962. This entry arrived in ’68, and was written by R.C. Perez, or in reality the Italian author Renato Carocci, who inhabited an array of pseudonyms that included René du Car, Christian Busch, Harry Carren, Roland Graves, Lucien Le Bossu, James Darren, and Elizabeth Cronin. The incredible art is by Benedetto Caroselli, who, believe it or not, is a fairly obscure figure—at least if we’re to judge by the extreme dearth of info about him online. This isn’t the first time this has happened with Italian art. What the heck is going on over there in Italy, guys? Surely you must love these artists as much as we do. Build a webpage or two (actually, there is one, but you don't get a good look at the art). Well, in any case, we’ll definitely have more on Caroselli soon. We won’t stop looking until we do. Too bad we can’t remember where we found this piece. We bet there’s some info there. But now a search brings up nada. Stay tuned.
Sharon Tate was the unknowing model for at least two more pulp covers.
A long while ago we showed you a pulp cover that featured a painting of Sharon Tate. That book specifically used Tate both as cover art and interior subject matter. In contrast, the two figures above aren’t explicitly supposed to be Tate, but it just so happens that both unknown artists modeled their work from an on set photograph from her 1966 Dracula spoof The Fearless Vampire Killers. The photo was shot by Roman Polanski, who also directed the film. As you can see, it was used on John Dexter’s sleaze pulp Chuck-a-Lust, painted by Darrel Millsap, and on Paul Collins’s, aka Renato Carocci's giallo Ordine di uccidere, painted by Bendetto Caroselli. The former was published in 1967, and the latter in 1968. One year later, Tate was gone.
, The Fearless Vampire Killers
, Ordine di uccidere
, Sharon Tate
, Paul Collins
, Renato Carocci
, Darrel Millsap
, Benedetto Caroselli
, John Dexter
, Roman Polanski
, cover art
The headlines that mattered yesteryear.
1919—United Artists Is Launched
Actors Charlie Chaplin, Mary Pickford, Douglas Fairbanks, along with director D.W. Griffith, launch United Artists. Each holds a twenty percent stake, with the remaining percentage held by lawyer William Gibbs McAdoo. The company struggles for years, with Griffith soon dropping out, but eventually more partners are brought in and UA becomes a Hollywood powerhouse.
1958—U.S. Loses H-Bomb
A 7,600 pound nuclear weapon that comes to be known as the Tybee Bomb is lost by the U.S. Air Force off the coast of Savannah, Georgia, near Tybee Island. The bomb was jettisoned to save the aircrew during a practice exercise after the B-47 bomber carrying it collided in midair with an F-86 fighter plane. Following several unsuccessful searches, the bomb was presumed lost, and remains so today.
1906—NYPD Begins Use of Fingerprint ID
NYPD Deputy Commissioner Joseph A. Faurot begins using French police officer Alphonse Bertillon's fingerprint system to identify suspected criminals. The use of prints for contractual endorsement (as opposed to signatures) had begun in India thirty years earlier, and print usage for police work had been adopted in India, France, Argentina and other countries by 1900, but NYPD usage represented the beginning of complete acceptance of the process in America. To date, of the billions of fingerprints taken, no two have ever been found to be identical.
1974—Patty Hearst Is Kidnapped
In Berkeley, California, an organization calling itself the Symbionese Liberation Army kidnaps heiress Patty Hearst
. The next time Hearst is seen is in a San Francisco bank, helping to rob it with a machine gun. When she is finally captured her lawyer F. Lee Bailey argues that she had been brainwashed into committing the crime, but she is convicted of bank robbery and sentenced to 35 years imprisonment, a term which is later commuted.
1959—Holly, Valens, and Bopper Die in Plane Crash
A plane crash near Clear Lake, Iowa kills American musicians Buddy Holly, Ritchie Valens, and The Big Bopper, along with pilot Roger Peterson. The fault for the crash was determined to be poor weather combined with pilot inexperience. All four occupants died on impact. The event is later immortalized by Don McLean as the Day the Music Died in his 1971 hit song "American Pie."
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