Vintage Pulp Apr 18 2018
UNORIGINAL GANGSTERS
Two bunglers cook up a kidnapping scheme that goes disastrously awry.


It's been a couple of years, so today we're getting back to one of Italy's greatest poster artists—the prolific and eclectic Sandro Symeoni. He painted movie posters, book covers, album sleeves, and ads, and was excellent at all of them. He painted the above poster for the comedy Noi gangster, which was originally made and released in France as Le grand chef, but based on the U.S. writer O. Henry's short story “The Ransom of Red Chief.” We took a look at the film and it's a screwball comedy starring Fernandel and Gino Servi as two bumbling gas station workers who concoct a kidnapping plot in hopes of escaping their poverty. Kidnapping schemes never work. Too many variables. They aren't clued in to this fact but quickly learn when they snatch a millionaire's young son and are dismayed to find that the little terror is too much for them to handle. He climbs onto a high rooftop, goes renegade on a hospital trolley, and generally drives them insane with his unpredictable behavior. Think Martin and Lewis in French with one of the Little Rascals on the side and you'll know what to expect.

This was Fernandel's and Cervi's second team-up after 1955's Don Camillo e l'on. Peppone, and this go-round is inferior to the previous film in every way, but even the dumbest screwball comedies have good moments. An extended gag involving a slippery block of ice works—or maybe we liked it because we too live in a building with a spiral staircase and no elevator, and the scene reminded us of the time we dropped a bottle of wine and it bobsledded all the way to the ground floor. The neighbors don't take kindly to that at 1 a.m., but that's the problem with wooden stairs—most anything you drop survives the entire downward journey. Consider Noi gangster a spiral stair—it sort of goes monotonously in a circle but once it ends you'll have a nice sense of accomplishment. It premiered in Italy today in 1959. Incidentally, are you wondering why there's a smiling woman on the poster? We suppose because Symeoni wanted her there. She sure isn't in the movie. You can see plenty more art from him by clicking here.

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Vintage Pulp Jun 28 2016
SHARPER VISION
Focus on both the writing and the art.


Focus was Arthur Miller's first novel, written in 1945, with this Ace Books edition appearing in 1960. If you haven't read it, basically it tells the story of a man who buys a new pair of glasses that alter his appearance to the extent that he is constantly mistaken for being Jewish. From harboring the same prejudices as others, he is suddenly cast as an enemy, as the hatreds around him are revealed. It's a very good, very earnest book. We've actually shared this, though, because the cover was painted by the Italian artist Sandro Symeoni, and it's the first time we've found his work on a paperback. The art reflects nothing of the book's content, but it's amazing just the same. 

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Vintage Pulp Apr 11 2016
GAME WARDEN
In the women-in-prison movie genre one trend holds true—the man in charge will fail to keep his dick in his pants.

These two posters were painted by Sandro Symeoni for the Italian release of Rivolta al braccio d, which was originally made in the U.S. and released there as House of Women. The movie isn't lesbian sexploitation, despite what the poster portrays. It's actually a serious if b-budget black and white drama dealing with female felons and their children who are housed on site with them until age three. At that point the kids are sent to foster care or the women are paroled, whichever is appropriate. Thus the fear of losing their children is always a worry, and that of course comes to the fore when a cruel new warden takes charge of the prison. But is he cruel really? Or is it that he's just lonely and wants the right slinky feloness to thaw his heart? We won't go so far as to recommend Rivolta al braccio d, but we'll admit it's far better than it has any right to be. It premiered in Italy today in 1962.

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Vintage Pulp May 24 2015
GENIUS ITALIAN STYLE
Symeoni brings bad things to life.

Italian artist Sandro Symeoni painted posters for all genres of film, from zany comedies to spaghetti westerns, but we like him in thriller mode best. Above are five examples of his work promoting 1950s and 1960s crime and horror movies. Their English titles are, top to bottom, The Mistresses of Dr. Jekyll, Deadly Inheritance, Scandal Incorporated, Grisbi, and The Revenge of Frankenstein. Plenty more Symeoni to see—just click his keywords below. 

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Vintage Pulp Jun 17 2014
LA STRADA SYMEONI
Sandro Symeoni presents an Italian vision of Japan.

We often share Japanese movie posters, but today we thought we’d look at Japan through the eyes of Italian illustration master Sandro Symeoni. This poster is for La strada della vergogna, which was a Japanese movie made by Kenji Mizoguchi entitled Akasen chitai, aka Street of Shame. No shame in this art. 1956 on the original film, 1959 on this poster.

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Vintage Pulp Jun 7 2013
PROFONDO SYMEONI
Sandro Symeoni comes down with a case of Vertigo.


After focusing on Italian paperback artists lately, we thought today would be good for getting back to poster artists—namely Sandro Symeoni, who we’ve marveled at before. Symeoni veered from the realistic to abstract in style, and this very graphic poster for Dario Argento’s Profondo Rosso, aka Deep Red, sees him working in the latter mode, which we’ve also noted on pieces like the Suono Libero album sleeve, viewable in panel four here. This is also a clear homage to Saul Bass’s famed Vertigo poster. For a look at many more Symeonis, just click his keywords below. Profondo Rosso, by the way, premiered in the U.S. this week in 1976, and is well worth a look for fans of Argento and/or giallo. 

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Vintage Pulp Feb 2 2013
SANDRO SUPPLEMENTS
Time for another dose of one of the greatest poster artists of all time.

Above, five more posters from Italian master illustrator Sandro Symeoni. And if those don’t get you topped up you can get more doses here, here, here, and (our favorite) here.

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Vintage Pulp Jun 8 2012
A FISTFUL OF TALENT
Sandro Symeoni proves once again that his poster art is unparalleled.

While we’re aware that web searches generate different results depending on the where and when, we were still a bit thrilled when we did a random search today on Italian poster artist Sandro Symeoni and came up as the number one result. That has to do with having featured his art in three different posts over the last couple of years. Today, we have another rare Symeoni, a piece of production art he painted for the Clint Eastwood western Fistful of Dollars in 1964. It’s truly brilliant. We also located several more of Symeoni’s posters and uploaded those below. Symeoni died in 2007. There was a posthumous exhibition in Italy last year that raised his profile a bit, and we suspect collectors will focus on his work even more in the coming years. If you want to see a bit more on him, definitely do so at our previous posts here, here, and here. 

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Vintage Pulp Feb 1 2011
ITALIAN JOBS
A Symeoni six-pack.

You already know from our previous posts on the subject that we’re big fans of Italian poster artist Sandro Symeoni, so today we have six more pieces from this prolific master. Above you see Un’idea per un delitto (aka Brainstorm), and below are Gli amanti del chiaro di lunaNude… si muore (aka Naked You Die), Gli altri racconti di Canterbury (aka The Other Canterbury Tales), L’altra casa ai margini del bosco (Behind the Shutters), and La strage di Frankenstein (aka I Was a Teenage Frankenstein). See more Symeoni here and here.

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Musiquarium Oct 19 2009
BEAT GOES ON

Cover art from an assortment of sixties and seventies soundtracks and collections from Beat records, Italy. Note the Sandro Symeoni art in panel nine. If you missed our earlier post on this master's work, you can find it here.

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History Rewind
The headlines that mattered yesteryear.
September 25
2002—Mystery Space Object Crashes in Russia
In an occurrence known as the Vitim Event, an object crashes to the Earth in Siberia and explodes with a force estimated at 4 to 5 kilotons by Russian scientists. An expedition to the site finds the landscape leveled and the soil contaminated by high levels of radioactivity. It is thought that the object was a comet nucleus with a diameter of 50 to 100 meters.
September 24
1992—Sci Fi Channel Launches
In the U.S., the cable network USA debuts the Sci Fi Channel, specializing in science fiction, fantasy, horror, and paranormal programming. After a slow start, it built its audience and is now a top ten ranked network for male viewers aged 18–54, and women aged 25–54.
September 23
1952—Chaplin Returns to England
Silent movie star Charlie Chaplin returns to his native England for the first time in twenty-one years. At the time it is said to be for a Royal Society benefit, but in reality Chaplin knows he is about to be banned from the States because of his political views. He would not return to the U.S. for twenty years.
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