|Vintage Pulp||Nov 11 2013|
|Vintage Pulp||May 29 2012|
|Hollywoodland | Vintage Pulp||Nov 30 2010|
This nice poster was made for the Yugoslavian release of The Legend of Marilyn Monroe, a 1966 documentary about her life and death. The film was shown on television in the States, but seems to have had a cinematic run overseas. It was narrated by John Huston, who had directed her, and featured clips and interview snippets with colleagues like Robert Mitchum and Shelley Winters, as well as her acting teacher Lee Strasberg. These days, more is known about Monroe’s life than was the case in 1966, and so those looking for dish on the Kennedys or the alleged sexual abuse Monroe suffered as a child will be disappointed. But it’s a good movie, not least because it was made within two years of her death and gives a clear picture of her stature as a celebrity at that time. The Legend of Marilyn Monroe premiered on American television today in 1966. As a bonus, below are some images of the legend at her most alluring.
|Vintage Pulp||Aug 5 2010|
Hush-Hush magazine goes for broke in this issue from August 1963, offering up a slate of tales narrated in their usual breathless style. First, they tell us how Roddy McDowall took nude photographs of Elizabeth Taylor on the set of Cleopatra and tried to sell them, but was thwarted when she “erupted like Mount Vesuvius”. They then demonstrate the limits of their imaginations by telling us that Italian singer Silvana Blasi reacted like “an uncontrollable Mount Vesuvius” when an African-American dancer was hired at the Folies Bergère. Two volcano similes in one issue is bad enough, but the same mountain? For investigative journalism, Hush-Hush shows us photographs of a dead Carole Landis and an unconscious Susan Hayward, and concludes that sleeping pills are bad. And finally, the magazine stokes the fires of paranoia with two stories: in the first, they explain how Fidel Castro plans to conquer America with heroin, which he’s growing with the help of two-thousand Chinese advisors; in the second, they reveal that the second wife of Dr. Sam Sheppard is a Nazi who plans to revive the Third Reich, and that she’s being helped by—you guessed it—Fidel Castro, who is somehow a communist and a Nazi. Neat trick that. As we’ve mentioned before, though these stories are laughable, people actually believed them, and believed them by the millions, as evidenced by Hush-Hush’s sales figures. The lesson is clear: the choice between popularity and truth is really no choice at all.
|Hollywoodland | Vintage Pulp||Jun 19 2009|
We have another issue of On the Q.T. today. The cover subject, Beverly Aadland, was a teenaged actress who earned notoriety for being Errol Flynn’s last lover. Flynn always preferred young girls—oftentimes too young, depending on whom you believe. When he wrote his disappointingly bland (at least to us) autobiography My Wicked, Wicked Ways, the dedication read: To a small companion. We would have guessed Flynn meant his cock, since it got him into so much trouble during his life, but more informed sources than us say the companion he meant was Beverly Aadland. We stand corrected, and she stands explained for those who didn’t know who she was.
Moving on, On the Q.T. also mentions a person named Giesler. This would be Jerry Giesler, who is little known now, but was once Tinseltown’s lawyer-to-the-stars. To say he possessed secrets is an understatement considering he represented the likes of Charlie Chaplin, Edward G. Robinson, Marilyn Monroe, Shelley Winters, Lili St. Cyr, Busby Berkeley (from triple manslaughter charges), Zsa Zsa Gabor, Errol Flynn (again, with Flynn), and too many more to name. But of all his exploits, the most famous was his sensational defense of fourteen year-old Cheryl Crane from murder charges.
It’s one of the most lurid stories in Hollywood history. Crane was the daughter of megastar Lana Turner, and had endured many difficulties early in life, including alleged molestation and rape by Turner’s fourth husband, actor Lex Barker. Turner had an abusive situation of her own with mob enforcer Johnny Stompanato, a violent man who slapped her around but clung onto her for dear life no matter how hard she tried to dump him. On April 4, 1958, Cheryl Crane stabbed Stompanato to death. She claimed the mobster was beating her mother and she had no choice but to attack him. Not to be morbid, but oh to have been a fly on the wall as this fourteen year-old girl went Benihana on a feared mobster. What an astounding scene that must have been, especially to Stompanato, who you see in peaceful repose above. Anyway, Cheryl Crane said the stabbing was done in her mother's defense, and Jerry Giesler convinced a jury she was right.
Already famous enough to command what were at the time enormous retainers, Giesler's reputation was forever sealed after the Crane trial. He was simply the best, the go-to attorney for a celeb in a town that was always boiling with trouble. As a result of Giesler's exploits, Hollywood coined a catchphrase, a collection of magic words believed to possess the power to solve even the toughest problems. The phrase? "Get me Giesler."