Vintage Pulp Jan 29 2019
A KISS HELLO
Kubrick makes filmgoers and critics eager for more.


Even legends have to start somewhere. Killer's Kiss isn't Stanley Kubrick's first movie, but it's an early effort made with novice actors, not much gear, and a simple script. The story follows a declining boxer played by Jamie Smith whose existence is given new purpose when he becomes the protector of his neighbor, Irene Kane, a taxi dancer who's being tormented by her sleazy boss. The two live on the same floor of a tenement on opposite sides of a lightwell, and can see into each other's apartments. But they don't interact until Smith tries to save Kane from an attack. The emergency breaks the wall of studious anonymity they had maintained, and they quickly decide they want to leave town together and start new lives on a farm. But in film noir planning and execution are always light years apart.

Because Killer's Kiss was made on a shoestring budget it has an indie feel to it, which extends into the areas of acting and sound. Reviews were mixed, and we agree, but nearly all cheapie indies get mixed reviews. Kubrick probably did better than he had any right to, and he ingeniously manages to juxtapose two sides of New York City—the dark, deserted, cobblestone warehouse districts, and the blindingly dazzling Times Square. Killer's Kiss is worth it for those scenes alone. It's also worthwhile to be reminded that the best way to make a movie, in the end, is to gather up some cash from wherever you can get it and simply shoot. If there's talent involved, it will shine through, and people may notice. With this feature, flaws and all, Kubrick made people want more.

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Vintage Pulp Sep 28 2018
SAD SACK
Why the hell didn't I think to have the bank teller double bag this?


We keep sharing posters for Stanley Kubrick's thriller The Killing because each one we see is unique and interesting. Above is an Italian poster we missed when we shared three other promos from Italy last year. This one, with its broken sack of cash symbolizing the futility of the central robbery, was painted by Giuliano Nistri. It's impressive that the Italian distributors commissioned three completely different masterful promos for the film, but that was the golden era of cinematic art. These days in Italy, as everywhere, movie posters are merely photographs with text emblazoned across them, but once upon a time they produced amazing things like what you see above, and here. Rapina a mano armata, aka The Killing premiered in Italy today in 1957.

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Vintage Pulp Oct 3 2017
A DOUBLE KILLING
Theft becomes death in the blink of an eye.


Last week we shared a brilliant Italian poster for Stanley Kubrick's The Killing, and today you see the French and Belgian posters. The title is a double entendre that refers not only to murder but also to killing in the sense of a big score, which is why in France the movie was called L'ultime razzia, or “the last raid,” and in Belgium it was Coup manqué, which translates as “mis-hit,” as in badly striking a ball—i.e. missing a target. The Belgian poster also has a banner at the bottom with the title in Dutch—Mislukte opzet, or “failed set up.” Those titles, taken together, reveal exactly what happens in the film—a robbery goes terribly wrong. Both of these are very nice posters, fitting ror Kubrick's early masterpiece. The Killing opened in France today in 1956, and in Belgium shortly thereafter. 

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Vintage Pulp Sep 28 2017
KILL OR BE KILLED
If you think armed robbery is tough try surviving as a poster artist.


Rapina a mano armata is a title that would translate as “armored rampage,” but the movie being promoted by these spectacular Italian posters is actually none other than Stanley Kubrick's famed thriller The Killing. After debuting in the U.S. and Britain in early 1956, it opened in Italy today that same year. We discussed the film in detail a while ago. If you take a look at that post you'll immediately notice that once again the foreign promo art destroys the U.S. version. This is consistently true for most movies made after the mid-1960s because the studios began to jettison top notch promo artists in favor of simpler—and we assume cheaper—visual approaches. The foreign companies would follow suit, but not until later. European posters began to lose their pizzazz by the 1970s, and Japanese promos went the same direction by the early 1980s. Which leaves us where we are today—besieged by Photoshop jobs, all of which seem to feature a couple of large heads against some uninspiring background.

But we're here at least partly to celebrate the glories of vintage art, which means what you really want to know is who painted these particular masterpieces, right? It was Renato Casaro, whose work is consistently amazing. In fact he was so good that he survived as an illustrator well into the 1980s, painting iconic promos for the Arnold Schwarzenegger vehicles Conan the Barbarian and Red Sonja, and somewhat less iconic but no less brilliant posters for Sylvester Stallone's Cliffhanger and Over the Top. The Rapina a mano armata poster you see below is unsigned but we can be reasonably sure it was also a product of Casaro's hand, as it was common practice in Italy's movie industry for the commissioned artist to produce more than one version. If the above pieces aren't the best we've seen from Casaro they're sure close. You can see several more of his efforts by clicking his keywords below.

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Vintage Pulp Jan 23 2017
ANATOMY OF A ROBBERY
Making a killing at the track is harder than they think.

Tonight the Noir City Film Festival is also screening Stanley Kubrick's 1956 crime procedural The Killing. The title refers not to murder but to making a killing—i.e. a highly profitable score. Sterling Hayden leads a cast that includes Coleen Gray, Elisha Cook, Jr., and Marie Windsor. Hayden and crew hope to rob a race track, and to do this they lay out a precise plan that includes causing a brawl at the track bar as one distraction, and shooting a horse mid-race as another. What could go wrong, right? But the crazy plan makes sense, and if you have trouble following it a stentorian narration breaks down the action for you. We didn't mind that so much—the entire premise of the movie is that it's a faux-documentary, so the voiceover is something you have to accept. But the trumpets and tympani on the soundtrack—wow—are way overcooked. Still, this is a nice piece of noir, occasionally running on parallel timelines, with plenty of directorial style from a twenty-eight-year-old Kubrick. Some might take issue with the film's heavyhanded irony, but it's all somewhat redeemed by the perfection with which Hayden delivers his final line. The Killing didn't do well at the box office, however as often happens with films from directors who later become icons, opinions have shifted over the decades. But even if modern day critics are in agreement that The Killing is a top effort, it still won't be everyone's cup of tea. You'll just have to judge for yourself.

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Femmes Fatales Jul 12 2016
LYON EYES
Look who's all grown up.


Above, a promotional photo of Iowa born actress Sue Lyon, who played Dolores Haze in the film version of Lolita. In Vladimir Nabokov's shocking but excellent book Haze was a pre-teen, but for Stanley Kubrick's 1962 adaptation the character was made into a teen. Lyon was fourteen at the time of shooting, but this nice shot was made when she was twenty-one in 1967. She went on to good parts in Night of the Iguana and Tony Rome, but managed only about a dozen cinematic roles before leaving movies behind for good in 1980.

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Modern Pulp Jan 6 2009
ICE T.
Author Jack Torrance redefines writer’s block by turning into one.

Remember Stanley Kubrick’s classic horror film The Shining, in which we see Jack Nicholson’s character Jack Torrance spending weeks writing his great American novel, only to learn near the climax that the entire manuscript consists of a single repeated sentence? Well, now you can buy Jack Torrance’s masterpiece. It’s called, of course, All Work and No Play Makes Jack a Dull Boy, and consists of that sentence over, and over, and over. Quick to read but slow to comprehend, this confounding but ultimately visionary work will likely secure an honored place for Torrance alongside other fictional fiction writers, such as Paul Sheldon and Joan Wilder. All Work is available online here. Get ’em while they’re hot.

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History Rewind
The headlines that mattered yesteryear.
February 16
1937—Carothers Patents Nylon
Wallace H. Carothers, an American chemist, inventor and the leader of organic chemistry at DuPont Corporation, receives a patent for a silk substitute fabric called nylon. Carothers was a depressive who for years carried a cyanide capsule on a watch chain in case he wanted to commit suicide, but his genius helped produce other polymers such as neoprene and polyester. He eventually did take cyanide—not in pill form, but dissolved in lemon juice—resulting in his death in late 1937.
February 15
1933—Franklin Roosevelt Survives Assassination Attempt
In Miami, Florida, Giuseppe Zangara attempts to shoot President-elect Franklin D. Roosevelt, but is restrained by a crowd and, in the course of firing five wild shots, hits five people, including Chicago, Illinois Mayor Anton J. Cermak, who dies of his wounds three weeks later. Zangara is quickly tried and sentenced to eighty years in jail for attempted murder, but is later convicted of murder when Cermak dies. Zangara is sentenced to death and executed in Florida's electric chair.
February 14
1929—Seven Men Shot Dead in Chicago
Seven people, six of them gangster rivals of Al Capone's South Side gang, are machine gunned to death in Chicago, Illinois, in an event that would become known as the St. Valentine's Day Massacre. Because two of the shooters were dressed as police officers, it was initially thought that police might have been responsible, but an investigation soon proved the killings were gang related. The slaughter exceeded anything yet seen in the United States at that time.
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