| Modern Pulp | Sep 17 2012 |


And speaking of amazing posters, check out this masterwork for the neo-pinku actioner Sukeban hantâzu: Sôkatsu nagurikomi sakusen. It was released internationally as Yakuza Busting Girls: Final Death Ride Battle, is known in the U.S. as Yakuza Hunters Final Death Ride Battle, and was released on DVD as Yakuza Hunters 1: The Ultimate Battle Royale. That last title implies more films are to come, and in fact we understand there’s already a sequel, but we haven’t seen the first one yet. However, the poster, painted by the genius Japanese graphic artist who calls himself Rockin’ Jellybean, has convinced us to seek the movie out. We’ll get back to you.
| Vintage Pulp | Aug 12 2012 |




| Vintage Pulp | May 24 2012 |


Posters for Miki Sugimoto’s 1973 pinku flick Sukeban–Kankain Dasso, aka Girl Boss: Escape from Reform School abound online, but Toei Studios routinely had more multiple versions of their promos and, as far as we can tell, this particular door length sheet has not appeared before. At least, not uncensored. Sugimoto starred in the movie when she was a pinku icon, yet today it is obscure. It has no IMDB entry at all, and has only a filmography listing on both English and Japanese Wikipedia. We saw the movie several years ago and can’t remember it well enough to give a real summary, but the title tells the story. Besides, if you know anything about pinku, then you already know what happens. Sukeban–Kankain Dasso premiered in Japan today in 1973.

| Vintage Pulp | Jan 19 2012 |




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Above are nine vintage Japanese pinku posters from our large collection, for films featuring that scourge of evil men everywhere—Reiko Ike. These are circa 1971 to 1974, and they are, top to bottom, 1: Sukeban burûsu: Mesubachi no gyakushû, aka Girl Boss Blues: Queen Bee’s Counterattack; 2 & 3: Sukeban: Taiman shobu, aka, Girl Boss: Mano a Mano; 4: Black Leopard M (we don’t know the Japanese title for that one); 5 & 6: Kyôfu joshikôkô: bôkô rinchi kyôshitsu, aka Terrifying Girls’ High School: Lynch Law Classroom; 7: a rare and valuable round poster for Sukeban, aka Girl Boss Revenge; 8: Sukeban gerira, aka Girl Boss Guerilla; 9: Furyo bancho: Norainu kidotai, aka Wolves of the City: Alley Dog Commando.
A quick word about the last one: that is Reiko Ike on the poster, with a machine gun at lower right. We’ve seen this debated on a couple of websites, but there’s no debate—it’s her, beauty mark next to her mouth and all. Besides, her name is on the poster, left column, fifth line. We’ll have more Reiko Ike posters down the line (no, we haven’t run out yet), and we’ll upload promos from other pinku stars as well. To see our entire Reiko Ike collection, click here. Also, we still have some very provocative posters of pinku stars Miki Sugimoto, Naomi Tani, Meg Flower and others that have never appeared online before, as far as we know. We promise we will get those up soon-ish.
| Vintage Pulp | Oct 28 2011 |


Above is a nice panel length poster for 1972’s Sukeban berûsu: mesubachi no chosen, aka Girl Boss Blues: Queen Bee’s Challenge, the second entry in the Girl Boss series made by Toei Studios in the early 1970s. This one stars Reiko Ike (before the tattoo), along with Chiyoko Kazama, and Miki Sugimoto in an appearance just lengthy enough for her to get a couple of bottles of cola sprayed up her ya-ya. If you can wrest your eyes from the constantly recurring tableaux of perfect skin, there is a plot, and it involves a pair of girl gangsters/bitter rivals captured by a yakuza boss and subjected to various sadistic tortures (including that old Japanese favorite—rope bondage, aka kinbaku-bi). Of course, the abuse in these films is inevitably followed by much deserved revenge against the evil males, up close and bloody. But it isn’t all violence and vengeance. There are some effective moments of comedy, and of course, the film is beautifully shot. All-in-all, Sukeban berûsu: mesubachi no chosen is a must-see for pinku fans. You’ll learn exactly how effective a handful of soap foam can be for covering a woman’s bush.












| Vintage Pulp | Jan 13 2011 |


There’s quite a bit of information about Norifumi Suzuki’s pinku masterpiece Sukeban, aka Girl Boss Revenge: Sukeban on the web already, so we don’t need to add to it. And if you’re looking for posters, the promo art for this film is also abundant. But we can’t really call ourselves one of the go-to spots for pinku art without featuring this classic, so we have said poster above, with avenging angel Miki Sugimoto sporting a rose tattoo on her thigh, and co-star Reiko Ike lurking in the background. You can read a detailed review of the film and see a trailer at the website Spinning Image. Also, keep an eye out on Pulp Intl.—we have an amazing nude promo poster of Sugimoto, never before seen on the internet, that we’ll be sharing in the next few weeks. Sukeban premiered in Japan today in 1973.
| Vintage Pulp | Jan 4 2010 |


Above is a poster for Sukeban: kyoku totsuki asobi, aka Girl Boss: Crazy Ball Game, seventh in a series of Girl Boss movies. Earlier films featured Reiko Ike and Miki Sugimoto, but this entry stars lovely Yuko Kano as—stop us if you’ve heard this one before—a gang leader who takes on the local yakuza. Like the earlier Girl Bosses, it’s got plenty of girl fights and nudity, as well as (bonus) a pretty cool speedboat chase. True, we’ve seen better movies, but we’ve also seen a lot worse. Sukeban: kyoku totsuki asobi premiered in Japan in January of 1974.
| Vintage Pulp | Aug 19 2009 |


Sometimes you just have to have a little Reiko Ike, so we brought her back today on a poster from her 1971 sword opera Sukeban Blues: Mesubachi no Gyakusyû, aka Girl Boss Blues: Queen Bee’s Counterattack. In this first installment of the Girl Boss series, Reiko plays the leader of a motorcycle gang who angers the local yakuza by daring to engage in sex for sheer pleasure, rather than for profit. As usual, she’s pushed to the breaking point and juliennes her enemies with the help of several accomplices, including fellow pinky queen Miki Sugimoto. While this isn’t the strongest of director Norifumi Suzuki’s films, it’s got the requisite portions of sex, violence, and audacious shock. For fans of the genre like us, that’s more than enough.






















































