When you toast them the aroma is mouthwatering.
Since we neglected to share any Technicolor lithographs for several months before we got back to them recently, here's another one close on that one's heels entitled “Fair and Warmer,” from A. Fox Corp., circa 1955, with an unidentified model. We've wondered in the past whether a single ass comprised one bun or two buns. For example, should our header be “bun warmer” or “buns warmer”? It's a subject that requires deep exploration, and we've already put substantial thought into it.
A Dors of a different color.
Diana Dors is the star of the above Technicolor lithograph, which was tinted pink for fun by the vendors at Corp. A. Fox, an outfit that churned out thousands of similar prints during the mid-century period. They picked up the images wherever they were able, and this one was originally made as a promo for the 1957 film noir The Unholy Wife, without the garish pink tinge. Dors had already been in movies for ten years, so she wasn't actually a new box office figure, as the promo declares, but maybe she was newish to U.S. audiences. The photo was also sold as a horizontally oriented lithograph, again without the overdone blush, also below. You can see a couple dozen more prints featuring various known and unknown models from A. Fox and other litho companies by clicking the keywords at bottom. We also shared a Dors litho from 1964, which you can see here. And you can read about The Unholy Wife here.
Never say Neva when it comes to tigerskin rugs.
This Technicolor lithograph, which is titled “Tiger Lil” and was printed by Champion Line, shows Neva Gilbert, a Playboy model who was the magazine's July 1954 centerfold. The litho, which also dates from 1954, is generally identified as originating with Playboy, but it actually came from a group of photos first owned by the Baumgarth Calendar Company. Back then Hugh Hefner often paid outside photographers for images. For that reason it's possible the photo is pre-1954, but if so, not by much.
Gilbert herself had forgotten about the shots. She was busy trying to establish an acting career and never saw her own centerfold until 1979. She had no idea Hefner had culled some shots for Playboy. In fact, she had no idea what Playboy was until someone told her she was in it. Speaking of culling, we are not fans of killing rare animals to turn into gaudy home decorations, but we imagine that if you had one of these on your floor back then they greatly increased your odds of a woman doing exactly what Gilbert has done. The Pulp Intl. girlfriends doubt it, but they always do. And of course, we want to prove them wrong. Anyone got an extra tiger rug they want to sell?
Sigh. Just pose and get paid. And remember—nobody I know will ever see these photos.
This Technicolor lithograph published by Champion Line features Dolores Del Monte, Playboy magazine's centerfold for March 1954, in a shot entitled “Radiant Beauty.” Del Monte began her modeling career posing for the legendary photographer Bruno Bernard and the acclaimed pin-up painter Zoe Mozert, at times making as much as $50 a day. That was in 1951, when that pay rate was the equivalent of about $500 in today's money. A year later Del Monte quit modeling. In 1954 the above photo was offered to Playboy. Though Bruno Bernard shot it, the centerfold credited the John Baumgarth Company of Melrose Park, Illinois. Such are the entanglements of copyright. When Del Monte received a letter asking permission to use her likeness she assumed Playboy was a standard pin-up magazine, and the images requested were from a shoot she recalled where she wore a leopard pattern bathing suit. Wrong on both counts, and one can only imagine her reaction when the centerfold hit newsstands, since she was not only married but a mother by then. Well, at least she got the $50. And the world? It got something priceless. We have lots more classic Technicolor lithos, and you can see those by clicking here.
We guarantee this won't be the last Waltz.
This Technicolor lithograph doesn't have the blank advertising banner at top the way our many other examples do, but it's the same idea, manufactured by Copr. C. Moss and titled “Rhapsody in Red.” This was a particularly popular image, and it was picked up by more than one company. While the above version is from C. Moss, we've also seen a version from the mid-1950s manufactured by J.S.J. and titled “Sandra.” But the model is not Sandra—she's Playboy centerfold Margaret Scott, who was also known as Marilyn Waltz, and that fact goes a long way toward explaining why this image became so popular.
Scott/Waltz posed for the C. Moss shot in 1950 when she was nineteen but didn't hit Playboy's pages until 1954, when she was the centerspread for April. The magazine then brought her back as a playmate in April 1955, so obviously Hefner loved her. After either the first or second Playboy appearance, we suspect the enterprising owner of the 1950 negative recognized her and decided to sell her image for a fresh run as a lithograph. J.S.J. stepped up, bought the neg, and called her Sandra. This is an amazing image. Waltz has another litho we haven't shared yet, but we'll get around to that at some point. Bonus shots below. Click her keywords and you'll see our other posts on her.
Funny, when I ordered these I actually thought they'd give me a bit more privacy.
We haven't had Virginia Gordon around these parts since we posted a spectacular record sleeve starring her in 2014, so here she is today on a nice Technicolor lithograph entitled “Baubles and Beads” that dates from 1958. See the earlier image here.
First you need my shirt, now my pants? I believe you when you say we'll go faster. My question is faster at what?
Technicolor lithograph queen and nudist icon Diane Webber, aka Marguerite Empey returns on this print from A Fox. Corp from 1957 entitled “Clear Sailing Ahead.” We've shared three other lithos of hers, which you can see here, here, and here, and we have a couple more in reserve we'll get up later.
They say less is more, but in this case more is less.
Our ongoing exploration of mid-century Technicolor lithographs continues with this nice image from A. Fox featuring an unknown model in lingerie that simultaneously covers nearly her entire body yet is sheer enough to show nearly everything. The image is titled “Naughty Nightie” and it dates from around 1960. If you want to see dozens more of these just click the appropriate keywords below.
You wouldn't know it, but hair once covered this entire part of my face. I owe my modeling career to depilatories.
It's been awhile since we've shared a Technicolor lithograph, and the main impression we have of this one is that in glamour photography some of the poses display the body in a nice way while still looking, objectively speaking, totally ridiculous. Like this one. But that's an important aspect of professional photography—knowing what works and what doesn't. We can just hear the lensman behind this shot telling the model, “No, believe me. It'll look good. Elbows higher. That's it. Now give me a biiiig smile.” And she's thinking, “What the fuck have I gotten myself into?” But the pose works. The image, titled “Just Teasing,” is from Champion Line and the model is unknown—though no doubt very trusting. No date on this, but figure around 1960. You can see about fifty more of these colorful lithos. Just click the keywords below then scroll down.
Hello there, Righty. Don't tell Lefty this, but you're my favorite.
Above is a Colortone Line lithograph entitled “Beautiful Gems,” which we guess is a double entendre, since the model's jewelry isn't really the most noticeable element of the photo. She's unknown to us, but is far too beautiful to have been unknown to the world. She was somebody famous, we're sure. But who? No idea. We also don't have the year on this. So basically, we know nothing. But we had to share it anyway. Recognize her? Let us know.
The headlines that mattered yesteryear.
1916—Rockwell's First Post Cover Appears
The Saturday Evening Post publishes Norman Rockwell's painting "Boy with Baby Carriage", marking the first time his work appears on the cover of that magazine. Rockwell would go to paint many covers for the Post, becoming indelibly linked with the publication. During his long career Rockwell would eventually paint more than four thousand pieces, the vast majority of which are not on public display due to private ownership and destruction by fire.
1962—Marilyn Monroe Sings to John F. Kennedy
A birthday salute to U.S. President John F. Kennedy takes place at Madison Square Garden, in New York City. The highlight is Marilyn Monroe's breathy rendition of "Happy Birthday," which does more to fuel speculation that the two were sexually involved than any actual evidence.
1926—Aimee Semple McPherson Disappears
In the U.S., Canadian born evangelist Aimee Semple McPherson disappears from Venice Beach, California in the middle of the afternoon. She is initially thought to have drowned, but on June 23, McPherson stumbles out of the desert in Agua Prieta, a Mexican town across the border from Douglas, Arizona, claiming to have been kidnapped, drugged, tortured and held for ransom in a shack by two people named Steve and Mexicali Rose. However, it soon becomes clear that McPherson's tale is fabricated, though to this day the reasons behind it remain unknown.
1964—Mods and Rockers Jailed After Riots
In Britain, scores of youths are jailed following a weekend of violent clashes between gangs of Mods and Rockers in Brighton and other south coast resorts. Mods listened to ska music and The Who, wore suits and rode Italian scooters, while Rockers listened to Elvis and Gene Vincent, and rode motorcycles. These differences triggered the violence.
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