Vintage Pulp Feb 22 2017
HARBORING A CRIMINAL
If it's gotta be cleaned it's gotta be tide.

This is the fiftieth issue of Adam we've shared, which is a milestone of sorts for our website, considering how hard the magazine is to obtain. The cover illustration depicts the moment in John P. Gilders' story “Girl Trap” when a body is dumped in Sydney Harbor, theoretically to be carried out to sea on a receding tide. The hero had intervened to stop a woman from being beaten by her violent boyfriend only to stand by in horror as she shot the guy dead. He soon discovers that the woman is actually a prostitute and the boyfriend was her pimp. Cops eventually get involved but the hero skates because the police “just know” he isn't a murderer. The story is as bad as it sounds, but on the plus side it's short.

Inside the issue is glamor model Lois Mitchell, who appeared in numerous magazines during the late 1960s and early 1970s. We last saw her inside an Adam from January 1972, and also highlighted her role in the 1971 sexploitation flick The Godson, where she had a bit role alongside sci-fi writer Harlan Ellison. Adam editors were so taken with her they not only gave her a three-page spread, but plopped a beret on her head brought her back for another shot later. We've been thinking about bringing her back too, because she made a lot of nice photos during her career. We may get around to that a bit later. Stay tuned. We have twenty-plus scans from Adam below.

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Vintage Pulp Nov 17 2011
THE WRATH OF GODSON
He only seems mean until you get to know him.

When we first saw this poster for 1971’s The Godson, we were of course struck by its brutal nature. Then our realty filter kicked in and we realized that, though the art is a photo-illustration, an actress (Orita de Chadwick) probably wouldn’t sign up for that kind of abuse. Thankfully, our assumption was confirmed. The film frame used on the poster has been slightly but crucially altered to achieve a more violent effect. The reasons why an instance of sexual violence would be made to look even worse on a promo poster raises some disturbing marketing-related questions, but we’ll leave those for another time.

Moving on to the actual film, The Godson is just a sexploitation flick with bad direction (William Rotsler), bad scripting (William Rotsler), bad editing (William Rotsler), and astoundingly bad acting (everyone). It’s the story of an ambitious mafia thug trying to succeed in his godfather’s organization, and it all goes wrong in the end and everyone dies. Is that giving away too much? Well, at least we saved you 90 minutes. We'll say this much for Rotsler, though—he did nothing halfway, as a visit to his website will illustrate.

Perhaps we should note that Uschi Digart and the awesomely beautiful Lois Mitchell appear in this film, super hot Debbie McGuire from Black Starlet and Supervixens gets a bit of screen time, and legendary sci-fi writer and firebrand Harlan Ellison pops up briefly (copping a feel of Mitchell, just below). Also, some of the film was shot at Ellison's bachelor pad. Does any of that make it worth watching? No. Besides, why bother when we've uploaded all the best parts for you? The Godson premiered in Japan today in 1972. 

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History Rewind
The headlines that mattered yesteryear.
September 25
2002—Mystery Space Object Crashes in Russia
In an occurrence known as the Vitim Event, an object crashes to the Earth in Siberia and explodes with a force estimated at 4 to 5 kilotons by Russian scientists. An expedition to the site finds the landscape leveled and the soil contaminated by high levels of radioactivity. It is thought that the object was a comet nucleus with a diameter of 50 to 100 meters.
September 24
1992—Sci Fi Channel Launches
In the U.S., the cable network USA debuts the Sci Fi Channel, specializing in science fiction, fantasy, horror, and paranormal programming. After a slow start, it built its audience and is now a top ten ranked network for male viewers aged 18–54, and women aged 25–54.
September 23
1952—Chaplin Returns to England
Silent movie star Charlie Chaplin returns to his native England for the first time in twenty-one years. At the time it is said to be for a Royal Society benefit, but in reality Chaplin knows he is about to be banned from the States because of his political views. He would not return to the U.S. for twenty years.
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