|Musiquarium||Nov 28 2016|
On the cover of Looks Like Fun!, a Café Society Series album by comedian Cliff Ferré, both models have decided to test the far limits of 1956 fashion with their dresses. Diane Webber, on the right, gets all Vikki Dougan with her asscrack, while her unidentified friend goes the more conventional route with a neckline that plunges so far it becomes a navel line. Not that we're complaining. The only thing we're unhappy about is not being able to name the model on the left. She's the same person as in this Technicolor lithograph, and we know that the photo was made by Tom Kelley. Beyond that we got nada. We would love to know who she is because we have her on three more lithographs we're reluctant to share without info.
|Vintage Pulp||Jan 13 2013|
Above, the latest page of the Goodtime Weekly Calendar of 1963, with a Tom Kelley image of a model that is unknown to us. This is Kelley's fourth page in the calendar, and you can see his others by clicking his keyword below.
Jan 19: “A girl wants to buy a referee’s whistle, because she has a date with a basketball player.”—Quin Ryan
|Vintage Pulp||Dec 1 2012|
Because the end is near as regards the Goodtime Weekly Calendar (the last pages will come up in February) we’ve been looking high and low for another weekly calendar to post. We found only one. It was on Amazon, it was the calendar we already have, and it was priced at $75. Even though we scored ours for three bucks from the Denver Book Fair last time we were in the U.S., we probably shouldn’t have been surprised someone was trying to sell it for so much. Nearly every Goodtime Weekly photo we’ve posted, including shots of Brigitte Bardot and Jayne Mansfield, as well as work from photographers like Russ Meyer and Ron Vogel, have been images that have never appeared online before. The same is true of this week’s effort from Tom Kelley, who also shot the most famous Marilyn Monroe photo of all time. His model, whose identity is unknown to us, is rather provocatively posed. In fact the Pulp Intl. girlfriends said it was the most sexual pose of any of our calendar shots. She does look a bit as if she’s sitting on a Sybian. Maybe that’s why she has such a satisfied expression on her face.
|Vintage Pulp||Jun 30 2012|
|Vintage Pulp||Jun 2 2012|
The Goodtime Weekly Calendar of 1963 opens the month of June with a tropical-themed shot by Tom Kelley, whose name may be unfamiliar but whose work isn’t, if you’ve ever seen those famous nudes of a young Marilyn Monroe stretched on red velvet. Kelley shot those timeless photos in May 1949 for a pin-up calendar, and they were acquired by Playboy for its debut issue in 1953. The model above is unknown to us, but we love the shot. Kelley uses a standard-issue studio backdrop, but makes magic with a hammock and a great reclining pose. Kelley has another page in this calendar but it won’t come up until December. Guess you’ll have to keep visiting our website, right? Don’t answer that. The quotations this week focus on the institution of marriage. See below.
|Hollywoodland | Vintage Pulp||Apr 26 2011|
By now we shouldn’t be surprised where Marilyn Monroe turns up. Still though, we never thought we’d see her befrocked and befrilled, fondling livestock in a field. Yet there she is on the April 26, 1946 cover of the women’s magazine The Family Circle. At the time, Monroe was modeling just about anywhere she could find work, going by her real name Norma Jeane Daugherty. She was twenty years old, one year away from her first film appearance, and two years away from her first minor film contract with Columbia Pictures. The year after that, in 1949, still trying to make ends meet, she posed nude for photographer Tom Kelley. In 1952 one photo from that session ended up on a Western Lithograph Co. pin-up calendar. Monroe was a contract player with 20th Century Fox by then, and the studio feared the photos would cause a scandal. They were wrong. Monroeadmitted posing nude to pay the rent, and the public was fine with it. The next month she appeared on the cover of Life. Said Monroe: “Oh, the calendar’s hanging in garages all over town. Why deny it? You can get one anyplace. Besides, I’m not ashamed of it. I’ve done nothing wrong.”
Monroe’s career took off from there, but there’s a modern postscript to the story—namely, with the internet being what it is (a massive repository of misinformation the likes of which we never could have imagined a mere fifteen years ago), there are many shots of Monroe out there that are misidentified as the one that ended up on that 1952 calendar. So we took the liberty of posting a scan of the Life story, with its inset of the Monroe calendar. The shot you see there—and not the several others appearing on assorted websites—is the one that scandalized Monroe’s bosses but was shrugged off by the public. The nude image is pretty small in Life, but the internet being what it is (a massive repository of nakedness the likes of which we could never have imagined—but always hoped for), we were able to simply grab a larger version of Kelley’s shot and post it below so that, for purely academic interest, you can have a closer look. The photo will disappear if we get a cease and desist order, but for now it’s there.