Gary Lovisi's guide to mid-century paperback cover art Dames, Dolls and Delinquents: A Collector's Guide to Sexy Pulp Fiction attributes this cover to George Gross but many online sources say it's the work of Howell Dodd. Though the internet is incredibly useful for replicating errors, we think the onliners are right this time. While the femme fatale here has some Gross-like elements to her, she has some Dodd traits too. For instance, Dodd's hair is a bit more sculptural than Gross's and his women's faces tend to be more severe.

And speaking of faces, we think we know this one. Doesn't it belong to legendary red-headed actress Ann Sheridan? Yup, it's her—right down to the little bump in her classic nose. And he used her more than once, we think. A basically identical face appears in several other pieces of his. We're taking full credit for this discovery. Unless of course we're wrong, in which case we deny making any Sheridan related statements. Hey, if it works for presidential candidates it can work for us, right?

Above is a nice George Gross cover for Nora’s No Angel by Tom Stone, aka Florence Stonebraker, aka Ted Stratton. This came in digest format from Rainbow Books and you can see that Gross has his femme fatale dressed in the same style of off-the-shoulder drawstring blouse we pointed out before. We own the book, but our cover is a little jacked, so we borrowed one from online and touched it up a bit. Below, though, you see two interior pages we scanned (shots posed by models are common with these digests), plus the rear cover. We'll update this post when we get around to actually reading the book. It's 1951 copyright.

Right, so we're writing in 2021 now, and here's your update. The surprise with this novel that took us years to finally read is that it's not the light sleaze you'd suspect, but a detective yarn starring a private dick named J. Gordon Ivers—Gordy to his pals. He takes a case for a rich woman who wants her son's tawdry affair broken up, but the girlfriend turns up dead and Ivers figures he needs to solve the murder in order to have an alibi. The Nora of the title doesn't appear until several chapters in, and indeed, the thrice divorced bombshell is no angel. This is a standard crime novel from Stonebraker, nothing special, but in branching away from sleazy romances she now seems like an author worth more exploration. We'll do that at the earliest opportunity.