|Intl. Notebook||Dec 6 2012|
Above is a photo of Manhattan, New York City, in the year 1947, looking from Battery Park toward midtown. Here you see everything—the Staten Island Ferry Building at bottom, Wall Street to the right, the 59th Street Bridge crossing Welfare Island at upper right, and in the hazy distance, the Empire State Building—at that time arguably America’s most recognized symbol. In the aftermath of a war that had destroyed Europe’s and Japan’s industrial capacity, the U.S. was the unquestioned power on the planet, with massive economic might, a military that had taken up permanent residence in dozens of countries, and a growing stock of nuclear weapons. Two years later the Soviets would detonate their first nuclear bomb, shaking the American edifice to its core. Meanwhile, all around the world, the seeds of change were taking root. Below is a look at the world as it was in 1947.
Firemen try to extinguish a blaze in Ballantyne’s Department Store in Christchurch, New Zealand.
American singer Lena Horne performs in Paris.
The hustle and bustle of Hong Kong, and the aftermath of the execution of Hisakazu Tanaka, who was the Japanese governor of occupied Hong Kong during World War II.
Sunbathers enjoy Copacabana Beach in Rio de Janeiro, and a military procession rumbles along Rua Catumbi.
Assorted Brooklyn Dodgers and manager Leo Durocher (shirtless in the foreground) relax at Havana, Cuba’s Estadio La Tropical, where they were holding spring training that year. Second photo, Cuban players for the Habana Leones celebrate the first home run hit at Havana’s newly built Estadio Latinoamericano.
Thousands of Muslims kneel toward Mecca during prayer time in Karachi, Pakistan.
A snarl of traffic near St. Paul’s Cathedral in London.
The city hall of Cape Town, South Africa is lit up to celebrate the visit of the British Royal Family. Second photo, during the same South African trip, the royals are welcomed to Grahamstown.
A wrecked fighter plane rusts in front of Berlin’s burned and abandoned parliament building, the Reichstag. Second photo, a shot of ruins in Berlin’s Tiergarten quarter, near Rousseau Island.
A crowd in Tel Aviv celebrates a United Nations vote in favor of partitioning Palestine.
Men and bulls run through the streets of Pamplona, Spain during the yearly Festival of San Fermin.
Fog rolls across the Embarcadero in San Francisco; a worker descends from a tower of the Golden Gate Bridge.
Detectives study the body of a woman found murdered in Long Beach, California. Two P-51 Mustang fighters fly above Los Angeles.
Danish women from Snoghøj Gymnastics School practice in Odense.
Tens of thousands of protesters in Cairo demonstrate against the United Nations vote in favor of partitioning Palestine.
A beauty queen draped with a sash that reads “Modern 1947” is lifted high above the boardwalk in Coney Island, New York.
A woman in Barbados holds atop her head a basket filled with fibers meant for burning as fuel.
Mahatma Gandhi, his bald head barely visible at upper center, arrives through a large crowd for a prayer meeting on the Calcutta Maidan, India.
Major League Baseball player Jackie Robinson is hounded for autographs in the dugout during a Brooklyn Dodgers game.
|Vintage Pulp||Jun 22 2012|
Ever notice how often pulps and noirs are centered on circuses and carnivals? We noticed it too, which is why we put together a collection of circus posters from the U.S.A., Belgium, Holland, Britain, the Soviet Union, et.al., circa 1930s to 1960s. Which circus would we see? The dynamite tossing clowns just below are enticing, but Big Otto the blood-sweating hippopotamus is by far the star attraction of this group. Otto and more below, and check out a collection of magic posters here.
|Intl. Notebook||May 23 2012|
Above and below we have a collection of World War II propaganda posters from the U.S., Russia, Britain, Japan, and other participating nations. Some of these are artistically adept, and yet intensely ugly. You’d almost wonder if artists—who have so much power over the imagination—shouldn’t adhere to a version of the Hippocratic oath that forbids doing harm in the practice of the craft. Unfortunately, World War II itself teaches us that such oaths don't work for doctors either—re: cruel medical experiments in Germany, the U.S., and other countries resulting in numerous deaths for the purpose of morbid curiosity.
All of these posters are circa 1939 to 1945, except the nasty anti-Jewish, anti-Russian poster, which dates from 1937, but which we’ve included to illustrate how racism was used to pave the way for a war nobody realized—foolishly—would be a generation killer. It's an effective piece in the sense that it portrays other humans as inhuman based on a perception of otherness. It was painted by Horst Schlüter, a prominent graphic artist of the time. And for an idea how unkillable such ideas are, consider the fact that we saw that poster commented upon favorably on a neo-nazi forum.
World War II is just a school term for most people on the planet today, and is often thought of as a romantic time. Perhaps—but it’s worth noting that, more or less, 27,500 humans were slaughtered every day for about six years, eventually totaling more than 60 million lives snuffed out. Many of those people would have been orators, musicians, teachers, artists, writers, and even pulp writers, that we would remember today. Check our previous collection of war posters here.
|The Naked City | Vintage Pulp||Feb 16 2012|
Above is an Inside Detective published February 1963, containing a feature on Albert Nussbaum and Bobby Wilcoxson, a pair of armed robbers who were among the most sought after fugitives of their time. Nussbaum was the brains of the operation, and was adept at chess and photography, and was a locksmith, gunsmith, pilot, airplane mechanic, welder, and draftsman. With his spatial and mechanical aptitude, many careers would have been available to him, but he chose instead to become a bank robber. Predictably, he was good at that too.
|Sportswire||Nov 8 2011|
Above is a photo of American heavyweight boxing champ Joe Frazier between rounds of an early 1970s sparring session, and at right is a 1971 shot of Frazier having a training run along with his dog. Frazier won the heavyweight title by defeating WBA champ Jimmy Ellis in 1970. Little known fact about Frazier: in 1967 when then-champ Muhammad Ali was stripped of his title for refusing to be inducted into the armed forces during the Vietnam War, the WBA held a tournament for Ali’s vacated belt. Frazier refused to take part in that tournament though he quite possibly could have won. Whether he refused to fight as a gesture of solidarity with Ali, or only with his anti-war stance, we don't know. Anyway, Ellis had won that tournament, and in their 1970 bout Frazier pounded him mercilessly, knocking him down for the first two times in his career. Frazier held the belt through several title defenses until 1973, when he faced a colossal figure named George Foreman in Kingston, Jamaica. Foreman destroyed the tough, gritty Frazier, knocking him down six times in two rounds to win the title by TKO. It was a devastating beating, and the imagery of knockdowns number two and four are indelible. Still though, during an era that included several rare boxing talents, Frazier showed that he more than belonged. Another little known fact, at least to casual boxing fans: Frazier was a singer as well as a fighter, releasing several singles during the 1970s, including “If You Go, Stay Gone” and the very good “Try It Again.” Frazier died yesterday in Philadelphia, U.S.A.
|Intl. Notebook||Oct 31 2011|
These two shots show two wider angles of the Ivy Mike nuclear test detonated 31 October, 1952 (1 November in some time zones) at Eniwetok Atoll in the South Pacific. We’re reposting this test not because we’re running out of nuclear images (that’s not even remotely possible), but because it’s the only test we can find that occurred on the scariest day of the year, Halloween. But if it doesn’t frighten you, consider this—an independent, non-partisan report released today reveals that the U.S., Russia, France, Israel, China, Pakistan, India and North Korea are all expanding their nuclear arsenals.
|Vintage Pulp||Aug 19 2011|
Above, a rare poster for the Republic Pictures drama The Red Menace, which as you might guess was a cheeseball propaganda film designed to instill terror into Americans about communism’s plans for global domination. You get plenty of subterfuge here, along with lots of betrayals and a few brutal beatdowns, and one of the commies would later portray purest evil by voicing Cruella De Vil in Disney’s 101 Dalmations. Ironically, when The Red Menace premiered the U.S. government was entering into a period during which it would sponsor numerous anti-democratic coups in Latin America, Asia, and the Middle East. This was unknown to most Americans, but it’s debatable whether they would have been concerned. The years immediately following World War II marked a rising anti-communist wave in the U.S., a movement that would create fertile conditions for the political stardom of witch hunting senator Joseph McCarthy. He would flame out within a decade, but at the beginning of his crusade he had substantial public support. For its part, Republic Pictures was interested not in propaganda but in profit, and Menace was rush-released to take advantage of the public mood. The haste showed—the movie was spectacularly, hilariously bad, and is considered today by many to be the Reefer Madness of anti-communist films. It premiered this month in 1949.
|Intl. Notebook||Aug 2 2011|
The good folks at Continental Baking Co., in addition to teaching all of America to love its Wonder Bread, produced the above Army-Navy Insignia Guide, which educated youngsters about rank in the armed forces. All you had to do was spin the wheel, and two ranks would appear in the chevron-shaped cut-outs, along with their corresponding insignias on the two warriors’ uniforms. This particular Insignia Guide doesn’t line up perfectly, but you can still see how it functions by comparing the two scans. Continental Baking also produced a guide to Army-Navy service ribbons, a guide to enemy aircraft (for bombings of the American mainland that never came), and other tchotchkes related to World War II. Such items are all collectible now, of course, selling at auction for a pretty penny. Oh, the Wonder of it all. Click here to see a similar gadget we posted way back in 2009.
|Intl. Notebook||Jul 18 2011|
The unusual image you see above, which probably has you just a rarin’ to book a hotel room in Los Alamos before they’re all gone, appears in authors John O’Brien and Jeremy Borsos’ recently published Atomic Postcards: Radioactive Messages from the Cold War. The book features a wide array of nuclear themed mid-century postcards, some of which were produced for educational purposes, some to influence political debate, and some—like this one—to boost tourism. All the images we’ve seen from Atomic Postcards are fascinating, and we have a feeling this will be the hottest nuclear coffee table book since Michael Light’s stunning collection of atomic images 100 Suns. Historical note: the above photo is actually from an atomic test at the Nevada Proving Ground in 1952, but as far as the Los Alamos chamber of commerce was concerned, any old mushroom cloud would do as long as it was irresistibly enticing. Mission accomplished, chamber guys. Our bags are packed. If you’d like to see more of Atomic Postcards, there’s a slideshow here, and if you’d like to see Pulp Intl.’s collection of nuke images, just click the fallout shelter icon in the sidebar.
|Intl. Notebook||Jul 11 2011|
What you’re looking at above are six issues of the Japanese World War II-era propaganda magazine Shashin Shuho, aka Pictorial Weekly, published by Japan’s Naikaku Johobu, or Information Department of the Cabinet. The interiors are a mix of military and lifestyle stories, which is to say, in addition to glorifications of the armed forces, you might encounter pieces as diverse as a profile on a swim team or a photo essay of a fishing trawler hauling in a catch. Whatever the specific subject matter, all the content projects the image of an industrious nation on the upswing. When Shashin Shuho launched in February 1937, Japan was headed for war. By July of that year (with economic help from Germany, the Soviet Union and the U.S.) it would be fighting China. When that conflict folded into World War II (and sides were swapped so that the U.S. was now an enemy of Japan) Shashin Shuho continued to publish. As the war turned against Japan the patriotic tone of the magazine remained consistent, and it only closed its doors in July 1945, when it was clear to the entire population that the Allies would win. The U.S. hit the Japanese mainland with two atomic bombs a month later. We can easily identify Shashin Shuho as propaganda, but of course, we’re outside observers with more than half a century of hindsight on our side. What’s perhaps a bit more difficult—but is a worthwhile exercise for those inclined—is to spot propaganda being pushed at you, in your own culture, today. We have more Shashin Shuho, which we’ll share down the line.