|Vintage Pulp||Jul 30 2018|
Focusing on the poster for a moment, you can see it's a high quality piece of art, but it's attributed to nobody. We checked around and came up with zip. You'll notice it says La Parisienne was Bardot's first big picture. We doubt that—it was her eighteenth movie. We can find no evidence anywhere that this one was different budgetwise than her other headlining efforts. Possibly, “big” is a reference to the plot's focus on international politics and diplomacy. The film does seem to have a larger scope, and take place against a larger backdrop than usual. So maybe that's it. Or maybe the American distributors meant that it was the first of Bardot's films to receive a big promotional push in the U.S. We just don't know. But here's what we're sure about: after a successful run in Europe beginning in late 1957, La Parisienne premiered in New York City today in 1958.
|Modern Pulp||Oct 15 2016|
This beautiful and unusually designed poster was made for a 2008 Brigitte Bardot film retrospective in Japan. The event focused on her romantic movies and the slate consisted of Et Dieu... créa la femme, aka ...And God Created Woman, En effeuillant la marguerite, aka Plucking the Daisy, Une Parisienne, Les bijoutiers du claire de lune, aka The Night Heaven Fell, and Doctor at Sea. This is a frame-worthy piece of modern graphic design. Note how all the lines of text are set at slight angles, just a little something to dazzle the eye. Top work.
|Vintage Pulp||May 24 2010|
Ciné-Revue with Brigitte Bardot on the cover, published today in 1957, with a shot from her film Une parisienne.