|Hollywoodland||Apr 11 2016|
The UPI photo above was shot today in 1959 and shows Italian actress Gina Lollobrigida hula hooping between takes on the set of United Artists' biblical epic Solomon and Sheba. La Lollo was apparently a big fan of the hula hoop—according to the info on the back of the photo she owned this one and brought it from her home in Rome. Interestingly, she was costumed almost exactly like this—in a glittery bra and skirt while showing a bare midriff—in 1950's Vita di cani, 1952's Les belles de nuit, and wore a circus performer's outfit of very similar style in 1956's Trapeze. Her most famous physical trait was her hair (lollo rosso lettuce is so named because it resembles the curly 'do she wore for much of her career), but it seems producers preferred her navel. Can't say we blame them.
|Vintage Pulp||Apr 15 2013|
Above is a brilliant poster for the film musical Gentlemen Marry Brunettes starring Jane Russell and Jeanne Crain. Both Brunettes and 1953’s Gentlemen Prefer Blondes had begun as novels written by Anita Loos, in 1927 and 1925 respectively. Blondes (it was actually the second time the book had been filmed) was of course a smash with Marilyn Monroe and Jane Russell in the leads. A year later Monroe was unavailable to reprise her role as Lorelei Lee, so both leads were rescripted into entirely new characters and Jeanne Crain scored the new part opposite Russell. Gentlemen Marry Brunettes appeared in 1955, but the result wasn’t quite as electric as Gentlemen Prefer Blondes. Same old story—it’s almost always pointless trying to capture lightning in a bottle twice, and a sequel without Monroe was destined to disappoint, at least artistically. But it did become one of the top box office movies of 1955. Amazing, considering it’s almost forgotten today. Seems the audience has stated its preference rather clearly. Well, even if Brunettes fell short of Blondes in the memorability department, there’s nothing forgettable about its Japanese poster.
|Vintage Pulp||Dec 26 2011|
Sean Connery makes as many appearances in sixties and seventies tabloids as just about any celeb of the time, so here he is again in an article promoting his role in Diamonds Are Forever, which would premier just a couple of weeks after this December 1971 National Police Gazette hit newsstands. Connery talks about his futile struggle to portray James Bond as a balding hero, and quips about making his stylist thin his wigs so there was almost no point in wearing them at all. Connery said about Bond’s aging, “No one is immortal—not me, not you, and not James Bond.” It was a commendable sentiment, but naïve. Seems as though Connery didn’t realize United Artists had already branded Bond well beyond the point where the character was tethered to any concept of aging. The studio proved that when it brought the much younger Roger Moore on the scene for 1973’s Live and Let Die. Moore would later give way to Dalton, who gave way to Brosnan, who gave way to Craig, as Bond himself remained eternally forty-ish through the passing years. Elsewhere in the Gazette you get a report on the hash capital of the world, the world’s greatest racing systems, and the usual assortment of random beauties in bathing suits. All that, plus hashish toasted cheese, below.
|Musiquarium||Oct 25 2011|
We ran across a rare, Japanese-issued James Bond theme song collection and decided to steal a few photos because inside was this brilliant poster of George Lazenby by Frank McCarthy. Lazenby took over the Bond role for 1969’s On Her Majesty’s Secret Service, in which the character got married only to see his new wife gunned down at film’s end. We’ve been involved in some spirited debates about where Lazenby fits in the Bond pantheon—some of his defenders even say he was the best Bond. We wouldn’t go that far, but he did have one of the best theme songs, Louis Armstrong’s “We Have All the Time in the World,” which opens this compilation. Ironically, Lazenby didn’t have much time—United Artists booted him out of the Bond role the next year when Sean Connery returned to film Diamonds Are Forever. If you haven’t seen On Her Majesty’s Secret Service we recommend it. And you can listen to “We Have All the Time in the World” here.
|Femmes Fatales||Mar 20 2010|
Spanish model and actress Natividad Abascal, aka Nati Abascal, seen here in a United Artists publicity photo, 1971.
|Femmes Fatales||Jun 2 2009|
Above is a United Artists promo image of American actress Thelma Todd, who appeared in many full length and short films beginning in 1926. In December 1936 she was found dead in her car, a victim of carbon monoxode poisoning. The death was ruled a suicide, but today many biographers believe she was murdered. This image dates from 1931.