Above are selections from a March 1952 Adam magazine, with interesting cover art of a blonde being narrowly missed by several rounds of machine-gun fire. By the 1970s Australia’s Adam was publishing pages of fully nude women, as you can see for yourself here and here, but in this early issue there’s exactly one photograph—American actress Sally Forrest, who you see in panel two. Forrest is pretty much unknown now, but she appeared in notable films such Fritz Lang’s noir While the City Sleeps, Joseph Pevney’s horror flick The Strange Door, and Hard, Fast and Beautiful, which was directed by Ida Lupino, who as a woman director during the forties and fifties kicked open some of the doors that led to Kathryn Bigelow’s Oscar win last night. More Adam magazines soon. 

We love Bond stuff here, as you’ve probably figured out already. So we were pretty excited to find this Japanese advert for Imai’s scale model Aston Martin DB-5, a car which appeared in the James Bond films Goldfinger, Thunderball, Goldeneye, Tomorrow Never Dies, and Casino Royale. The painting is a lot more impressive than the actual model, but we could be convinced to buy it anyway, as long it’s equipped with a tiny ejector seat. 

The Los Angeles Police Department has apolo- gized to the family of Robert Kennedy and pulled from display items of clothing worn by the Senator the night he was shot in L.A. in 1968. The items—a tie, shirt, and jacket stained with blood—had been part of an exhibit hosted at the Palms Casino, and created for the 2010 California Homicide Investigators Assn. Conference.

The Kennedy family claims to have requested the return of Robert Kennedy’s effects more than ten years ago, to no avail, and called the LAPD’s official apology "insufficient." Department spokesmen claim to have been trying merely to put together a professional and educational display, not a “freakshow.” The exhibit does contain crime scene evidence rarely seen in public, including hundreds of photographs dating back as far one hundred years, but it also features sensational items such as the rope used to restrain Sharon Tate the night of her murder, and various O.J. Simpson artifacts.

Asked whether they would agree to the request made by the Kennedy family and return the items—a move that would comply with California state law regarding personal effects of murder victims—a spokeswoman for the L.A. County District Attorney’s office declined to answer in the affirmative about the potentially valuable collection, instead saying only that they were “looking into it.”

“… swing your partner round and round, till the room is a blur and her skull hits the ground, doe-si-doe and don’t you know, shake her round till she bleeds out her nose, swing her round just a little bit more, till she loses her bra and her hair sweeps the floor, promenade and go round the hall, crazy zebra skin on the wall…” 

American actress Debra Feuer seen here in a promo still from one of our favorite movies, Leben und Sterben in L.A., aka To Live and Die in L.A., 1985 

Above is a Hush-Hush from March 1960 with a spotlight on Errol Flynn’s “perverse fling with his Lolita.” They’re talking about fifteen-year old Beverly Aadland, left, who we’ve mentioned before. The article is the beginning of a long tradition of journalists writing the truth—or at least their version of it—about Flynn. Since his death he’s been tagged as a bisexual, a fascist, and a Nazi spy. As recently as 1988 Aadland offered her truth about Flynn in a People interview, and a 1990 book by biographer Tony Thomas rejected the fascist claims, pointing out instead that Flynn had left-leaning politics, though he had made racist comments in letters and conversation. But Thomas claimed Flynn’s true feelings were evidenced by his support for the Loyalists during the Spanish Civil War, and his friendship with Fidel Castro. Flynn has also been depicted with assorted personality quirks in films such as 1996’s The Australian, with guy Pearce, and 2004’s The Aviator, with Leonardo DiCaprio. So, suffice it to say that he’s never gone out of style. But as far as whose story to believe concerning who Flynn was, we can’t say. We doubt the conflicting accounts will ever truly be settled—with the passing of Beverly Aadland just last month, all the people who knew Flynn personally are dead.

February 1934 issue of the humorous movie monthly Film Fun, with a cover by the legendary Enoch Bolles. Shown on the interior pages are Toby Wing, Johnny Weissmuller, Maureen O'Sullivan, Harriette Mendel, Ginger Rogers and others. You can see all the issues of Film Fun you ever wanted at the web archive filmfun.info. 

In Britain, a growing scandal has ensnared Rupert Murdoch, head of News International, and Andy Coulson, who was editor of the News International paper News of the World before becoming communications director for Conservative Party leader David Cameron. In short, News of the World hacked into voicemail accounts and computerized police records, and also extracted confidential information from banking computers. Murdoch claims to have known nothing about it, but yesterday a committee of MPs concluded an investigation into the matter by accusing News International execs of engaging in “obfuscation” and suffering from “collective amnesia.”

While Murdoch has taken some heat for the mess, the investigation into the hacking has increasingly turned toward Andy Coulson, who, while editor of News of the World, employed four private investigators to dig up dirt on public figures. Nineteen victims of the hacking have been identified, but records show that ninety-one were targeted. To make matters worse, Scotland Yard resisted investigating the matter, has refused to comply with Freedom of Information requests concerning the investigation, and failed to notify those whose cellphone pin codes were found in possession of one of News of the World’s PIs. This means that public figures who suspect being targeted by News of the World have been forced to launch their own investigations to discover whether they were victims.

If all this seems to point toward a culture of criminality within News of the World, also consider that the paper recently paid a £792,000 settlement to a reporter who experienced harassment at the hands of Coulson, and last year paid out another large settlement to Professional Footballers Association head Gordon Taylor for illegally intercepting his phone records. Back then News International and Rupert Murdoch issued statements assuring the public that the reporter responsible for the phone tampering, Clive Goodman, was an “aberration” within the company. Now, half a year later, a bipartisan committee of MPs has described the hacking as having taken place “on an industrial scale.”

Perhaps most interesting is the fact that, while Murdoch claims to have no knowledge of these matters, his newspapers, which he touts as exemplars of balanced reporting, hid the story in their Thursday editions. While The Guardian and other papers devoted multiple pages to what is one of the biggest scandals of the year and quoted directly from the official report, Murdoch’s Sun buried 135 words on the matter between an ad and a weather map of Ireland, his Times printed a mere 230 words, and his Daily Telegraph was able to manage only 325.

Above is a publicity still of Darren McGavin, star of the short-lived American television show The Night Stalker. The series ran in 1974, and featured the character of Carl Kolchak as a world weary newspaperman investigating macabre and supernatural doings in Chicago. Over the course of twenty episodes Kolchak tangled with a vampire, a mummy, a werewolf, and even a killer android. It comes across a bit clunky now, but at the time the series was acclaimed for its deft writing and humor. Despite the good reviews, the American public didn’t get it, and the show suffered from poor ratings that only got worse with each week. McGavin, feeling constrained by the character and format of the series, eventually asked to be released from his contract and the network granted his wish. But some creations are simply ahead of their time and The Night Stalker, which should have been forgotten forever, continued to attract fans and today has a fierce cult. Even X-Files creator Chris Carter admits the show was a direct influence. He asked McGavin to reprise Kolchak on The X-Files as a running character—a turn that would have been momentous for fans of the macabre—but McGavin declined and the dream team of Kolchak and Mulder never materialized. Darren McGavin, forever to be remembered as Carl Kolchak, died today in 2006.