|Femmes Fatales||Jul 21 2018|
|Vintage Pulp||Jan 30 2018|
|Intl. Notebook||Mar 24 2017|
|Vintage Pulp||May 7 2015|
|Vintage Pulp||Oct 15 2014|
Brian Donlevy and Veronica Lake’s film noir The Glass Key, which was Hollywood’s second try at Dashiell Hammett’s novel, premiered this month in 1942. To be exact, it opened yesterday in New York City and throughout the U.S. on October 23. The poster most often seen online is the theatrical release version we showed you several years ago, but alternates were produced and two of them appear below. What we really wanted to share, though, is this great paperback cover from UK-based Digit Books. It’s from 1961 and features the art of Italian illustrator Enrico de Seta, who we’ve mentioned before. If you haven’t watched The Glass Key we recommend it, and if you haven’t read the book, just know that it was Hammett’s personal favorite.
|Vintage Pulp||Dec 9 2011|
Today we have a nice, egg-themed cover for the German lifestyle magazine Neues, with a photo-illustration of British actress Hazel Court balanced on an egg. Below are a few of the more interesting interior pages, including scans of Gregory Peck and Veronica Lake. We actually have quite a few mid-century German magazines, including some extremely interesting naturist publications featuring lots of naked men and women frolicking on beaches. So keep an eye out for those. Neues is a much tamer style of magazine, but its focus on celebs and art is something that we appreciate. This one was published in April 1949, and you can see another one here.
|Vintage Pulp||Jan 14 2011|
We checked the movie rating website Rotten Tomatoes for its assessment of the thriller This Gun for Hire and learned that the film scored over 92% among its stable of professional critics. Ninety-two percent? Then surely this must be one of the greatest films ever made, a near flawless work of art. But when you read the reviews more closely, many note the film’s unbelievable plot, reliance upon coincidence, cheesy musical interludes, and less-than-stellar dialogue. So then what’s with the high rating? Well, let’s just say professional critics sometimes rate with their sense of film history rather than their heads. This Gun for Hire helped establish tropes that would be used again and again as the film noir genre developed and flourished, so that’s a big reason film experts like the movie. But is it good? Well…
Now, don’t get us wrong—we aren’t out to slam the flick. Who’d listen to us anyway? We’re just a couple of heavy drinkers who slapped together a website out of sheer boredom. But we’re also fairly bright, and fairly well-versed in film, and we feel confident in saying that any honest assessment of This Gun for Hire would stress the bothersome structural improbabilities. Example A: Veronica Lake plays a San Francisco nightclub performer/magician who happens to catch the eye of a big-timeclub owner, who invites her to perform in L.A., resulting in a train ride that not only coincides with his, but with that of a hired killer he has betrayed, leading directly to an eye-roller in which that very same killer sits in the only empty seat in the carriage—right next to our singer Ms. Lake. Anything that puts Alan Ladd and Veronica Lake together is justified, to an extent, so you’ll probably let that pass. Example B: Lake is engaged to a cop who happens to be part of an investigation into two murders committed by the very same killer sitting next to Lake on the SF/LA night express. Hmm. There’s more, much more, but you get the point.
So what about that 92% rating? Well, Alan Ladd is magnetic and brutally handsome as the ice-cold killer Philip Raven. Veronica Lake is less good as the chanteuse Ellen Graham, but still manages a game performance in a role that could be better written. Robert Preston is note-perfect as the boyfriend detective. So there’s all that. The film looks good, is well-directed by Frank Tuttle, moves quickly and builds a nice atmosphere ofmenace. So there are those things too. And again, the film is a building block in the genre that would later become known as film noir. But if, hypothetically, you’ve never seen a film noir or classic melodrama and This Gun for Hire were to be your first, it would not convert you into a fan. On the other hand, if you already enjoy mid-century cinema, this one will fit snugly in your comfort zone. All in all, we very much appreciate the movie, but a film that rates 92% among professional critics should not be so chock-full of coincidences that even a fourteen-year-old would be incredulous.
At top you see one of the movie’s three French-language posters. The other two are below. This Gun for Hire, which opened Stateside in 1942 but went unseen in Europe due to the inconvenience of World War II, finally premiered in Paris as Tueur à gages or “Hired Killer” today in 1947.
|Vintage Pulp||Jan 10 2011|
Above, a cover of Cine-Mundial, published in Argentina in January 1942, with an illustration of Veronica Lake by Morr Kusnet. Lake was just twenty years old at the time, on the cusp of a big year that would see her star with Alan Ladd in two of her best films—This Gun for Hire and The Glass Key.
|Vintage Pulp||Oct 23 2009|
American promo art for The Glass Key, based on a Dashiell Hammett novel and starring Brian Donlevy, Alan Ladd, and Veronica Lake. We’ll have more on this quintessential noir later, but for now we’re showing you the poster because it’s great, one of the better promos of the period, we think. The Glass Key premiered in the U.S. today in 1942.
|Hollywoodland | The Naked City||Sep 23 2009|
Elizabeth Short was just another girl drawn like a moth to the bright lights of Tinseltown. She dreamed of becoming a star, but instead became the victim of a horrific January 1947 murder. The killing was never solved, and its enduring strange- ness served as creative inspiration for numerous authors, including James Ellroy, who crafted a feverish, violent and definitive crime novel entitled The Black Dahlia.
Short was from Massachusetts, but drifted between there, California, and Florida. In 1946 she made a trip to L.A. to reunite with a boyfriend. Six months later she was dead—sexually mutilated, her mouth slashed open, her torso cut completely in half, the pieces carefully arranged in a vacant lot for passersby to discover. Veronica Lake’s film noir The Blue Dahlia was in cinemas at the time, and so reporters christened dark-haired Betty Short the Black Dahlia.
At Pulp we often speak of people passing from history, but they arrive as well. The moment Betty Short steps onto the stage is in the mug shot above, from today in 1943, when she was arrested in Santa Barbara, California for underage drinking. After the arrest juvenile authorities shipped her back east, but she didn’t stay. They never stay. She returned to L.A.—and became more famous than she ever could have imagined.