Vintage Pulp Nov 12 2013
SWEDE TEMPTATION
Anita Ekberg single-handedly changes the ethnic makeup of an entire country.

The cover of this November 1956 issue of True Adventures is great by itself, but as a bonus readers are treated inside to a photo feature on superstar Anita Ekberg, who had been filming the adventure flick Zarak Khan. The movie concerned the exploits of an Afghani outlaw (or resistance fighter, depending on one’s point of view), and Ekberg, rather amusingly, played an Afghani girl named Salma. Criticisms were voiced concerning the blue-eyed Swede’s casting in the role, but these rang hollow, considering the presence of Kentucky-born Victor Mature in the lead. In any case, the film’s producers Irving Allen and Cubby Broccoli didn’t care if Ekberg made an unlikely Afghan—to them having her shimmy around in a midriff-baring harem outfit was worth it. Were they right? You can be the judge of that for yourself by checking this link.

diggfacebookstumbledelicious

Vintage Pulp Oct 11 2013
X AND THE CITY
There’s just no escaping the past.

This understated but great poster was made for the Swedish release of Robert Siodmak’s film noir Cry of the City, which starred Victor Mature. In Sweden it was retitled Ond stad, which means “vicious city,” and in getting across that idea we like how the art positions Mature atop an X, or perhaps a crossroads, which we guess represents his presence at the center of a clash of difficult circumstances. This is a great movie that we talked about in detail back in 2009, and today we’re reiterating that it’s one to see. It opened in Sweden today in 1948. 

diggfacebookstumbledelicious

Vintage Pulp Jan 15 2013
SHANGHAI SURPRISE
Westerners undone yet again by the inscrutable Chinee.


The Shanghai Gesture is a movie we were excited to see. It’s a Josef von Sternberg directed vehicle adapted from a John Colton play (though neutered due to Hays Code worries), with Gene Tierney starring alongside Victor Mature, Walter Huston, Ona Munson, and Phyllis Brooks. Von Sternberg makes almost fetishistic use of his main asset—the luscious Tierney—by showing her in such extreme close-up you’d almost think it’s her breath fogging the lens, rather than one of the diffusion filters mid-century filmmakers utilized to shoot their female stars. A few minutes after she appears, as she observes the decadent tableau inside a Shanghai casino, she pulls out this line: “The place smells evil, like a place where anything can happen.” We’d suggest that if a place smells evil, something already happened. Blame the nearest person. Or the dog. Anyway, when Tierney makes her observation we understand pretty quickly that it’s going to be about her, a flower of Western purity, and her headlong descent into Oriental flooziedom.

All well and good, but the filmmakers fall prey to the type of easy characterizations that the best movies of the period were learning to avoid. When you observe, for example, the mostly respectful depiction of a character like Sam in 1942’s Casablanca, it becomes difficult not to cringe at such excesses here as Ona Munson's Chinese character MotherGin Sling entering rooms to the sound of a gong, or Walter Huston’s Sir Guy Charteris—a supposed old hand in Asia—querying Mike Mazurky with, “You speakee Chinee? Cantonee? You breakee window?” Did Westerners in China back then really say things like that? We’re dying to know. Mazurky gets the last line in the film, tossing off a smug echo of one of Huston’s earlier questions, and at that moment he’s a sort of stand-in for all Shanghai, which by now we know is a place where white people meet their ruin, but still—“You speakee Chinee?” The unintentional humor of such moments undermines the believability of the entire enterprise.

Another problem for us is that Victor Mature comes across as singularly unappealing. He’s not supposed to be a nice guy, but depriving him of any shred of charm makes it hard to believe Tierney would desire him. In any case, the script requires this and other indignities of poor Gene, and soon her fall from grace is so complete she even loses her mellifluous upper class accent and starts braying like a donkey. Yes, there’s some good here. Tierney is spellbindingly beautiful (one reason so many people thinkthis movie is better than it really is, we suspect). Some of the interiors are excellent, especially Mother Gin Sling’s baroque circular casino. A couple of the set pieces are striking, such as when young women are hoisted in baskets above a crowd of men clambering to buy them for their flower boats—i.e., floating brothels. And Huston is solid in his portrayal of Charteris. But all in all, The Shanghai Gesture is strictly so-so.

Incidentally, the movie is widely labeled a film noir, but it really isn’t. Yes, it can be difficult to say definitively whether a film fits into a certain category because “genre” is a nebulous concept to begin with, but we submit that this one is well off the mark, no more a noir than is The Lost Weekend, or for that matter Casablanca. If we’d known in advance it was a run-of-the-mill melodrama—yes, an exotic one, but also clunky and unengaging—we would not have expected the cutting cynicism and visual wit that characterize so many film noirs. If you go into it expecting something more along the lines of a B-picture, then The Shanghai Gesture might entertain. But whatever you expect, don’t think you're goingto see von Sternberg or Tierney doing their best work. At top you see the original American promo poster, and below that some production photos. The Shanghai Gesture premiered in New York City on Christmas 1941, and went into national release today in 1942.

diggfacebookstumbledelicious

Vintage Pulp Sep 29 2009
WHEN THUGS CRY
In noir you can run but you can’t hide.

You can’t explore film noir without getting acquainted with director Robert Siodmak. We mentioned him before when we showed you the Swedish promo art for his great film The Killers, and today we have the U.S. poster for his also brilliant Cry of the City. The story involves two friends who both grew up in good families, but ended up on opposite sides of the law—one as a cop, the other as a criminal. Victor Mature plays the cop, and we have to say, we wish he hadn’t gone on to do all those sword and sandal epics, because we kept picturing him covered with bronzer, splitting Philistines’ heads with the jawbone of an ass. But his performance here is good, a perfect counterbalance to the intense Richard Conte’s ailing crook, who opens the film wounded in a hospital bed. Conte eventually escapes to track down the real perpetrator of a jewel heist the police have pinned on him. After a few twists and turns, he finds the real thief, but in noir, you can't buy off fate even with a last act of selflessness. Conte is still a bad man, and he's still gotta pay the piper. Cry of the City premiered in the U.S today in 1948. 

diggfacebookstumbledelicious

Featured Pulp
japanese themed aslan cover
cure bootleg by aslan
five aslan fontana sleeves
aslan trio for grand damier
ASLAN Harper Lee cover
ASLAN COVER FOr Dekobra
Four Aslan Covers for Parme
History Rewind
The headlines that mattered yesteryear.
March 03
1959—Lou Costello Dies
American comedian Lou Costello, of the famous comedy team Abbott & Costello, dies of a heart attack at Doctors' Hospital in Beverly Hills, three days before his 53rd birthday. His career spanned radio and film, silent movies and talkies, vaudeville and cinema, and in his heyday he was, along with partner Abbott, one of the most beloved personalities in Hollywood.
March 02
1933—King Kong Opens
The first version of King Kong, starring Bruce Cabot, Robert Armstrong and Fay Wray, and with the giant ape Kong brought to life with stop-action photography, opens at Radio City Music Hall in New York City. The film goes on to play worldwide to good reviews and huge crowds, and spawns numerous sequels and reworkings over the next eighty years.
1949—James Gallagher Completes Round-the-World Flight
Captain James Gallagher and a crew of fourteen land their B-50 Superfortress named Lucky Lady II in Fort Worth, Texas, thus completing the first non-stop around-the-world airplane flight. The entire trip from takeoff to touchdown took ninety-four hours and one minute.
1953—Oscars Are Shown on Television
The 26th Academy Awards are broadcast on television by NBC, the first time the awards have been shown on television. Audiences watch live as From Here to Eternity wins for Best Picture, and William Holden and Audrey Hepburn earn statues in the best acting categories for Stalag 17 and Roman Holiday.
March 01
1912—First Parachute Jump Takes Place
Albert Berry jumps from a biplane traveling at 1,500 feet and lands by parachute at Jefferson Barracks, Missouri. The 36 foot diameter chute was contained in a metal canister attached to the underside of the plane, and when Berry dropped from the plane his weight pulled the canopy from the canister. Rather than being secured into the chute by a harness, Berry was seated on a trapeze bar. It's possible he was only the second man to accomplish a parachute landing, as there are some accounts of someone accomplishing the feat in California several months earlier.
1932—Lindbergh Baby Is Kidnapped
The twenty-month-old son of aviator Charles Lindbergh, Charles Augustus Lindbergh III, is kidnapped from the family home in East Amwell, New Jersey. Over two months later the toddler's body is discovered in woods a short distance from the home. A medical examination determines that he had died of a massive skull fracture. A German carpenter named Bruno Hauptmann is arrested, tried, and convicted for the crime. He is sentenced to death and executed in April 1936.

Advertise Here
Reader Pulp
It's easy. We have an uploader that makes it a snap. Use it to submit your art, text, header, and subhead. Your post can be funny, serious, or anything in between, as long as it's vintage pulp. You'll get a byline and experience the fleeting pride of free authorship. We'll edit your post for typos, but the rest is up to you. Click here to give us your best shot.

Pulp Covers
Pulp art from around the web
frenchbookcovers.blogspot.com/2012/03/le-rayon-populaire.html booklikes.com/nude-croquet-and-other-stories-of-the-joys-and-terrors-of-marriage-w-somers/book,5213247
lesbianpulp.blogspot.com/2015/01/lesbian-pulp-and-media-mail.html illustrated007.blogspot.com/2015/01/book-covers-from-greece.html
www.printmag.com/publication-design/skull-art-when-death-covered-the-newsstand/ https://archividiuruk.wordpress.com/2014/07/01/la-regina-dei-ladri/
Pulp Advertising
Things you'd love to buy but can't anymore
PulpInternational.com Vintage Ads
aligemker-books.blogspot.com
bullesdejapon.fr
bolsilibrosblog.blogspot.com
thelastdrivein.com
derangedlacrimes.com
www.shocktillyoudrop.com
www.shocktillyoudrop.com/
http://www.shocktillyoudrop.com
http://www.shocktillyoudrop.com/
www.thesmokinggun.com
www.deadline.com
www.truecrimelibrary.co.uk
www.weirdasianews.com
lovecraftismissing.com
doplacebo.blogspot.com
muller-fokker.blogspot.com
salmongutter.blogspot.com
www.glamourgirlsofthesilverscreen.com
tsutpen.blogspot.com
creepingirrelevance.tumblr.com
thepulpfictionproject.blogspot.com
burleskateer.tumblr.com
darwinscans.blogspot.com
superwoobinda.tumblr.com
www.cinemaretro.com
aucarrefouretrange.blogspot.com
eldesvandelabuelito.wordpress.com
www.nationalroadbooks.com
sangreyakuza.blogspot.com
menspulpmags.com
killercoversoftheweek.blogspot.com
About Email Legal RSS RSS Tabloid Femmes Fatales Hollywoodland Intl. Notebook Mondo Bizarro Musiquarium Politique Diabolique Sex Files Sportswire