Vintage Pulp Apr 20 2018
FACE A PROBLEM
It's my ex, if you must know. I was in love, and lower back tattoos were trendy. But then the creep really hurt me.


Reliable old Midwood graces Robert Bruce's sleaze drama The Face of Evil with a nice piece of Victor Olson art. Though it would be funny if the book were about a woman's tattoo mistake, it actually concerns a rich widow named Marguerite who serially dominates and destroys men. Olson's work on her hair, with its turquoise and violet streaks, requires a second glance to really appreciate. It's copyright 1966 

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Vintage Pulp Dec 6 2017
CALLING HER SHOT
Yes, I'd like to report a murder. A man murdered every last bit of my patience.


Above, a nice cover for Day Keene's 1954 thriller Death House Doll, with excellent art by Harry Barton. In the story, a Korean War vet has promised his fatally wounded brother he'd look after his wife and baby daughter, but when he gets back to the world (Chicago) he's stunned to find that she's sitting on death row for murder, and unwilling to spill the truth even if it saves her. The attraction with this one is watching a decorated war hero run riot on hoods and thieves, while up against the always effective ticking clock gimmick—an execution date, which in this case is five days hence. The book was an Ace Double with Thomas B. Dewey's Mourning After on the flipside, and the art on that one, just above, is by Victor Olson. We put together a nice collection of Harry Barton's work back in May that we recommend you visit at this link

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Vintage Pulp Aug 12 2016
BAGGAGE CHECK
A suitcase and a sense of adventure will take you anyplace you want to go (and some places you don't).

As noted in the above post, we've gotten a trip together for this summer, so we thought we'd inspire ourselves by collecting a set of paperback covers featuring characters with suitcases. Just about anything can happen once you leave the comfy confines of home and we're hoping several of the scenes depicted here come true for us. See if you can guess which. Hint: not the one above—we already did that last year when we got caught in a monsoonal downpour that shut the airport on the day we were supposed to fly. No, we're thinking we want something more like the below cover to happen. And actually, that's a guarantee because the Pulp Intl. girlfriends are coming with us. Anyway, this group of covers serves as a companion set to our hitchhiker collection from last year. Art is by Robert McGinnis, Mitchell Hooks, George Gross, and others.

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Vintage Pulp Dec 9 2015
FRIGHT BEFORE CHRISTMAS
My husband is down the chimney right now, but when he gets back you’re definitely going on his naughty list.

Switcheroo is a detective yarn set in the unlikely locale of Louisville, Kentucky, but since author Emmett McDowell lived there most of his life, it’s no surprise. Nearly all his writing featured Kentucky in some form, and he even branched out into non-fiction and wrote a Civil War history of Louisville. Switcheroo was his first book, and originally appeared in 1954 as one half of an Ace Double, with Lawrence Treat’s Over the Edge on the flipside. The edition you see above is from the Australian imprint Phantom Books and was published in 1955. Basically, low rent detective Jaimie McRae is hired to locate a missing woman. All the usual benchmarks are there—unhelpful cops, a hot secretary and girl Friday, and unexpected developments. It earned lukewarm reviews all the way around. The uncredited art for Phantom closely resembles the original Victor Olson art for the Ace Double edition, which you see above and right, but we doubt Olson had a hand in the rooftop makeover. 
 
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Vintage Pulp Sep 19 2015
THE ONLY WAY
The magazine that cried wolf.


For Men Only was launched in New York City by Canam Publishers Sales Corp., but changed ownership several times over the years, and was even acquired at one point by pulp kingpin Martin Goodman. This particular issue is from September 1956 and contains art from Rudolph Belarski, Frank Cozzarrelli, Elliot Means, Ben Thomas, Victor Olson, and Ken Crook. Actually, it’s a miracle all the art is credited. It doesn’t happen as often as it should in these magazines. The stories accompanying those art pieces range from espionage to wilderness adventure, including non-fiction from Jim Thompson about “America’s first murderer,” a man named John Billington who came to the New World on the Mayflower. After making trouble for years in Plymouth Colony, he was finally hanged for the slaying of John Newcomen. We checked, and Billington did in fact exist. His execution in September 1630 was the first of a colonist—but certainly not the last.

And another story caught our eye. It discusses an incident on the set of an Italian movie in which a wolf got loose and tried to attack actress Silvana Mangano. According to For Men Only, co-star Guido Celano rushed the wolf, grabbed it and threw it into the air, whereupon a rifle-toting crew member nailed it like he was skeet shooting. We’re calling bullshit on that one. A while back we wrote an article about guaranteed hunt farms and were able to see some rescued gray wolves up close. They’re big—about three feet high at the shoulder. European wolves are even bigger. No movie production would use one. Also, we don’t picture fifty-two-year-old, five foot three Guido Celano heaving a wolf into the air like a sack of laundry. No, it was just a dog—a German Shepherd, looks like. But it’s a good story, appropriate publicity for a movie—Uomini e lupi, aka Men and Wolves—that was still months from its premiere. We have about twenty scans below and an inexhaustible supply of magazines still to share.

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Vintage Pulp Jul 7 2014
BRUSH FIRE
Blaze consumes acres of grassland. Authorities seek cause.

Above, the cover of March Hastings’ The Heat of the Day, one of many lesbian themed novels published by Midwood-Tower. It’s the story of two girls whose blackened skeletons are found in a fire-scorched field. Well, not really. It’s actually about two girls who meet at a summer camp and develop a scorching attraction for each other. 1963 on this one, with art by Victor Olson. 

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Vintage Pulp Dec 19 2013
CAN'T TALK, HANDS FULL
Actually darling, the moment you left I starting having this tremendous stiffness in my lower body.

Another day, another ripe Midwood cover. The art on these are always like visual punchlines, which is why people love them so much. This particular effort is from Victor Olson, who painted covers for many men’s magazines, including Saga, Stag, Male and others. Laura Duchamp was a pen name used by author Sally Singer, one of the few sleaze writers who was actually female. She was also prolific as March Hastings. Goodbye, Darling appeared in 1964.

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History Rewind
The headlines that mattered yesteryear.
October 19
1989—Guildford Four Exonerated
The men known as the Guildford Four, who were imprisoned for a series of bombs attacks on British pubs that left five dead and 100 injured, are decreed not guilty after an investigation reveals that police colluded in doctoring statements that appeared to incriminate the defendants.
October 18
1968—Olympic Committee Suspends Carlos and Smith
The U.S. Olympic Committee suspends African-American track & field athletes Tommie Smith and John Carlos for saluting the crowd with raised, gloved fists during a medal ceremony at the Mexico City games. The salutes represented the black power and civil rights movements in the United States. Both athletes also received their medals shoeless to represent black poverty.
October 17
1933—Capone Sentenced to Prison
Chicago organized crime boss Al Capone is convicted of income tax evasion after all other attempts to tie him to an assortment of crimes, from the mass murder of the St. Valentine's Day Massacre to widespread violations of the Volstead Act, fail. He is sentenced to eleven years in federal prison and, cut off from the outside world while on Alcatraz Island, his power is finally broken.
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