Reader Pulp Mar 16 2013
SOMETIMES A CRATE NOTION
French painter Jacques Puiseux returns with another batch of pulp influenced contemporary art.



Last year we shared some unusual pulp influenced crate paintings from a French artist named Jacques Puiseux, and this morning we received more scans of his Marxist themed pieces via email. Last time we shared Puiseux’s work, we mentioned that we avoid posting modern art, and that’s true, but we didn’t want to leave you with the impression that we find it inferior to vintage art (if that were true we wouldn't bother to have a "Modern Pulp" category on the website). What we find inferior is modern promotional art—e.g., book covers, movie posters and the like. And obviously we find modern movies inferior, but then who doesn’t? However modern fine art is something we very much like, and more to the point, we like the relationship it has to the viewer. We aren’t art majors or anything, so bear with us while we try to explain ourselves.

When it comes to classic art all the hard work is already done for you by the time you see it. You can go see Picasso’s blue portraits or Monet’s lilies or any run-of-the-mill Diego Rivera and know before you see it that you’re about to experience great art. But with contemporary art the viewer plays a role in deciding its ultimate worth. Certainly gallerists and museum curators have plenty of say, but the public is extremely important, and its influence can cut both ways. Sometimes, the public is wrong, as in the case of artists that never sold anything while alive, but whose flames were kept burning by critics and experts, eventually leading to a reevaluation of the work. Conversely, sometimes art is critically dismissed, but sustained public support brings about a reevaluation. That’s almost a description of the entire field of pulp art.
 
So, while we glorify vintage art on this website, and in the case of promotional art we don’t think there’s any possible doubt that 99% of today’s efforts are just lame (maybe they should try letting actual artists do the work), we do like contemporary art, which means that when Jacques Puiseux sends us something that exhibits such a strong pulp influence we feel like we might as well throw it out there for you to have a gander at. It’s different from looking at a famous artist’s work—in this case, you actually have a say. And that’s the beauty of contemporary art. So at top is a piece featuring Leon Trotsky called “Embrouille à Tijuana,” just below is our favorite, “Fidèle-au-poste,” and under that are four more interesting efforts, including the last—“Tsar bomba.” For some context on that one, go here. Enjoy.

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Vintage Pulp Jan 2 2012
PORTRAIT OF ELIZABETH
Whisper shows it’s still happy to wallow in the muck.

Hy Steirman’s Whisper magazine is generally considered to be less racy than when it was owned by Robert Harrison, but this issue from January 1959 shows a little of the old spark. It slams Elizabeth Taylor for stealing Eddie Fisher from Debbie Reynolds, with staff scribe Orson C. Green spewing forth this venom: But then Liz made clear to the whole world that beneath that lovely exterior there beats a heart of purest gall. She repaid the infinite kindness of her two friends by breaking up their marriage. Green goes on to describe Taylor trying to soak down New York’s PlazaHotel for two weeks of room charges, and then, when asked to pay, phoning up Montgomery Clift and getting him to help her trash the room. The article concludes: In short, Miss Taylor and friend Clift repaid [the Plaza] for its hospitality by deliberately making a mess for some forlorn chambermaid to clean up. Ingrate!

Whisper also takes on ex-King Farouk I of Egypt—who was a favorite tabloid target of the time—describing him as “Fatso Farouk”, “the roly-poly playboy of the Nile”, “the balding balloon boy” and worse. Readers are told that he was at Maxim’s in Paris one night and saw Coccinelle do a song accompanied by a striptease that left her in only a beaded g-string. Farouk, who was famously amorous, was so smitten that he sent his card and a bouquet of flowers backstage. Coccinelle came to say thanks, and when asked by Farouk agreed to go to dinner. Moments after she left thetable one of the ex-king’s aide’s hastily scurried over and explained that Coccinelle had once been a man. Allegedly, Farouk flipped. Whisper describes overturned tables, broken bottles, the works. Readers are told: The whole Riviera rocked with laughter. The bulging butt of the joke fled to Rome.

Whisper goes on to discuss sperm banks, state prisons, Vladimir Lenin, Josip Tito, and “white” slavery, but probably our favorite story is the one headlined: Do Ex-Prostitutes Make the Best Wives? A pertinent question. And whom did they get to write the answer? The byline says: by an Ex-Prostitute. We just love that. As far as whether Whisper gets any of its facts straight, we can’t really offer a guess, but this issue proves that even ten months after the sale from Harrison to Steirman, it hadn’t quite lost its spark. Things apparently went downhill pretty fast in the next few years, but we’ll judge that for ourselves as we examine more issues. Visit our entire Whisper collection by clicking its keyword at bottom. 

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History Rewind
The headlines that mattered yesteryear.
June 25
2009—Farrah Fawcett Dies
American actress Farrah Fawcett, who started as a model but became famous after one season playing detective Jill Munroe on the television show Charlie's Angels, dies after a long battle with cancer.
June 24
1938—Chicora Meteor Lands
In the U.S., above Chicora, Pennsylvania, a meteor estimated to have weighed 450 metric tons explodes in the upper atmosphere and scatters fragments across the sky. Only four small pieces are ever discovered, but scientists estimate that the meteor, with an explosive power of about three kilotons of TNT, would have killed everyone for miles around if it had detonated in the city.
June 23
1973—Peter Dinsdale Commits First Arson
A fire at a house in Hull, England, kills a six year old boy and is believed to be an accident until it later is discovered to be a case of arson. It is the first of twenty-six deaths by fire caused over the next seven years by serial-arsonist Peter Dinsdale. Dinsdale is finally captured in 1981, pleads guilty to multiple manslaughter, and is detained indefinitely under Britain's Mental Health Act as a dangerous psychotic.
Featured Pulp
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Reader Pulp
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