Vintage Pulp | Musiquarium Mar 3 2017
BLOWING HIS FUTURE
Work hard, play hard, die young, live forever.

Dorothy Baker's hit 1938 novel Young Man with a Horn tells a story inspired by jazz cornetist Bix Beiderbecke, who, along with Louis Armstrong, was one of the most important early jazz soloists, but who drank himself to death in 1931, when he was only twenty-eight. Baker's protagonist is Rick Martin, who gets to live a couple of years longer than Beiderbecke before she knocks him off. Hope that didn't give too much away. The book was optioned by Hollywood and became a 1950 movie starring Kirk Douglas, which we talked about last year. The great cover, our primary interest today, was painted by British artist Josh Kirby, a legendary illustrator who during his long career did fronts for westerns, crime thrillers, James Bond novels, and non-fiction books, as well as creating many fronts and interior illustrations for sci-fi magazines. As you can see, he had a bold vision and a very confident hand. We'll keep an eye out for more of his work. This one is from 1962, for Corgi Books.

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Vintage Pulp Jan 27 2016
TORTURED ARTISTS
If only their taste in mates matched their taste in music.


The Noir City Film Festival continues its challenging 2016 slate when it screens another pair of classics tonight—Love Me or Leave Me and Young Man with a Horn. Both are musical dramas, and though neither is a noir, both take viewers to dark places. In the 1920s period piece Love Me or Leave Me velvety-voiced Doris Day stars as a struggling chanteuse given a break by gangster James Cagney. He quickly becomes her manager and uses force to launch a national career, blind to the fact that she has real talent and can succeed with no strongarm man to back her. But Cagney doesn't see her talent—show business is gangsterism for him, and bullying is how he operates. When he finally bullies his way into marriage with Day his constant rage transforms her into an indifferent and isolated woman.

This is one of those movies that will, especially in a full house in San Francisco, trigger groans of distaste as Cagney ticks all the worst boxes of reprehensible human beings—treating women like meat, slapping them around, trying to obtain sex by force, dispensing emotional abuse, and using violence as a tool in every situation, against both women and men. But the audience may be just as hard on Day by the final reel forpossessing a level of forgiveness that is alien to people circa 2016. Love Me or Leave Me is an excellent movie—cringe inducing in parts, but deeply involving, and perhaps destined to be the most discussed film of the festival.
 
Day stars in Young Man with a Horn as well, singing again, this time with Kirk Douglas, who plays a gifted child musician who grows up to be an ace trumpet player thanks to the tutelage of an elder jazzman. Unfortunately he has a congenital inability to conform, particularly when it means playing dance band music over improvisational jazz. The arrival of a femme fatale—in the person of the awesome Lauren Bacall—brings a whole new set of troubles. The gender roles are reversed from Love Me or Leave Me, but the films each explore how a bad relationship saps the joy from the soul of an artist, and Day is winningly sweet in both.
 
Perhaps by now you’ve noticed the theme that has emerged with this year’s Noir City offerings—they are all about artists or their artistic output. In Rear Window and The Public Eye it’s photographers, in The Two Mrs. Carrolls it’s a painter, In a Lonely Place and The Bitter Stems deal with a screenwriter and journalist, Deception and Humroresque look at classical musicians, and The Dark Corner and Crack Up deal with art ascommerce and contraband respectively. The theme is nice, but once again two films will be screening tonight that present yet another challenge to noir purists attending this year’s fest. Both films are great, but we’ll be surprised if organizers stray this far from the form next year.

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History Rewind
The headlines that mattered yesteryear.
March 27
1958—Khrushchev Becomes Premier
Nikita Khrushchev becomes premier of the Soviet Union. During his time in power he is responsible for the partial de-Stalinization of the Soviet Union, and presides over the rise of the early Soviet space program, but his many policy failures lead to him being deposed in October 1964. After his removal he is pensioned off and lives quietly the rest of his life, eventually dying of heart disease in 1971.
March 26
1997—Heaven's Gate Cult Members Found Dead
In San Diego, thirty-nine members of a cult called Heaven's Gate are found dead after committing suicide in the belief that a UFO hidden in tail of the Hale-Bopp comet was a signal that it was time to leave Earth for a higher plane of existence. The cult members killed themselves by ingesting pudding and applesauce laced with poison.
March 25
1957—Ginsberg Poem Seized by Customs
On the basis of alleged obscenity, United States Customs officials seize 520 copies of Allen Ginsberg's poem "Howl" that had been shipped from a London printer. The poem contained mention of illegal drugs and explicitly referred to sexual practices. A subsequent obscenity trial was brought against Lawrence Ferlinghetti, who ran City Lights Bookstore, the poem's domestic publisher. Nine literary experts testified on the poem's behalf, and Ferlinghetti won the case when a judge decided that the poem was of redeeming social importance.
1975—King Faisal Is Assassinated
King Faisal of Saudi Arabia dies after his nephew Prince Faisal Ibu Musaed shoots him during a royal audience. As King Faisal bent forward to kiss his nephew the Prince pulled out a pistol and shot him under the chin and through the ear. King Faisal died in the hospital after surgery. The prince is later beheaded in the public square in Riyadh.
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