The women they talked about then.
It took us a while but we finally find out where the covers of O Século Ilustrado we've been sharing came from. They originate at a Wordpress blog called Ilustração Portugueza. It hasn't been active since January 2017, so it looks like we missed our chance to send them some traffic, but at least the images remain up for now. The above cover hit newsstands today in 1947 and features a triptych of Vera Zorina, Yvonne DeCarlo, and Lucille Ball labeled as “Tres mulheres de quem se fala,” which means “Three women we're talking about.” They were so good we're still talking about a couple of them. If you want to see the other covers we posted just click the magazine's keywords below.
You know how movie stars sometimes say they wish they could be anonymous? Welcome to the cover of V.
This issue of V was published today in 1948 and features art by Jean David, which accompanies, as always, celeb content and bit and pieces of French culture. As we've noted before, writers like Hilary Conquest and others often don't bother to identify the movie stars in these issues because they're ancillary to the text. For example, the story “Pour l'amour de Tex Julia,” talks about actual women of the Old West, with photos of Jane Russell and others serving merely to illustrate. However the magazine does at least identify Barbara Bates, Juliette Greco, Yvonne DeCarlo, and Olga San Juan. You can probably guess where we're heading with all this—the person on the cover is unidentified. The editors always did this, and it's a bit maddening. Yes, we know—we should recognize this person, us being a nostalgia website and all, but there are a lot of vintage actresses. It's difficult to know all their faces definitively. Have an idea on this one? Drop us a line at email@example.com. The photo is a Warner Bros. promo, and you already have the year.
Why did Lancaster cross the mob? To get to DeCarlo's side.
This is a beautiful poster for Doppio Gioco, better known as the U.S. film noir Criss Cross, with Burt Lancaster and Yvonne DeCarlo. We were unable to determine who painted the piece, but it's a bang-up job. As for the movie, Burt Lancaster comes up with one of the classic terrible ideas in film noir history, and that's really saying something, because the genre practically hinges on cockamamie schemes. We talk about it in our brief write-up of the film here. Doppio Gioco opened In Italy today in 1949.