Vintage Pulp Oct 9 2016
HAREM OF ONE
Who needs an entire bouquet when you already have a Lili?

We've talked before about Horwitz Publications' habit of using celebrities on its Carter Brown paperback covers. Previous examples include Elke Sommer, Joan Collins, and Senta Berger. Above you see another borrowed celeb—none other than Lili St. Cyr—fronting Brown's 1965 thriller Homicide Harem in a cone bra outfit that brings to mind the fashion of Jean Paul Gaultier. There's no doubt it's her. We've spent a lot of time on her and recognized her high arching eyebrows and cleft chin immediately. But just to assuage any doubts you may have, we found a photo of her wearing the same outfit (though with different shoes), which you see below. We think Horwitz used unlicensed handout photos of moderately famous stars to create their covers. Lili was pretty famous by 1955, but perhaps not in Australia, since she wasn't really in movies to the extent that anything she'd done would have played there. Possibly 1955's Son of Sinbad made it there, but we have no data on that. Anyway, we're still a bit baffled why Horwitz didn't just use local models. It isn't as if there has ever been a shortage of beautiful women down under. This will remain a mystery, we suspect.

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Vintage Pulp Sep 19 2016
DARE TO BE DIFFERENT
Miniature magazine packs its pages with maximum cheesecake.


Above and below, the cover and interior scans from pocket sized Dare magazine published this month in 1954, with several photos of Italian actress Sophia Loren—weirdly referred to as a "spaghetti-eating starlet"—as well of images of American burlesque dancers Lili St. Cyr, June Randy, Marjorie Vann, and Lee Sharon. Dare was launched as a normal sized magazine in May 1950 by New York City based Career, Inc., quickly switched to mini format, and lasted until the late 1960s. The cover promises shots of a Martian, but we're just showing you the girls. Enjoy.

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Vintage Pulp Sep 7 2016
REGAL TREATMENT
Yes, I’d like to order a pair of curtains, immediately please.


The French had a wide array of nudie—er, we mean, art—magazines during the mid-century period, including Paris-Hollywood and Folies de Paris et de Hollywood, which are the two we’ve focused on up to now. Regal was another popular publication—digest sized, light on text, and put together by Éditions Extentia, an outfit based out of 38 Rue du Monte-Thabor in Paris that also published Sensations, Chi-Chis, Paris-Broadway, and Paris-Tabou. It was a far-flung enterprise, even distributing issues in distant French Indochina via the loftily named Société Franco-Asiatique located in Saigon. Or if one preferred, issues could be obtained direct from France through the use of “envoi discret,” or discreet shipping, by which we expect they mean in a plain brown wrapper. This issue of Regal, with its voyeur themed cover photo suggesting a woman spied through an open window, was published in 1952. We have twenty-five scans below.

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Hollywoodland Jul 8 2016
FREE LILI
It's the single life for St. Cyr... again.


This photo shows burlesque icon Lili St. Cyr today in 1964, leaving the Los Angeles courthouse where she had just divorced her sixth and final husband, Joseph Zomar, a special effects technician who had worked on such films as Space Probe Taurus and The Addams Family. The grounds for the split? St. Cyr said her man was drunk every night and always angry. Once knowledge leaked out to American women that drunkenness and anger were legit grounds for a split, the divorce rate shot up 50%. It's totally true—look it up.

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Vintage Pulp Jun 22 2016
TAKING A PEEK
French musical comedy looks at the follies, foibles and failures of a terminally chaotic burlesque production.


This beautiful and rare Japanese poster was made to promote the French burlesque comedy Ah! Les belles bacchantes, which was known in English by the titles Peek-a-Boo and Femmes de Paris. We managed to locate a copy and basically you get a musical about a local cop who decides to look into reports of sexual dancing at a local cabaret. The movie stars Louis de Funès as the cop, Colette Brosset as an aspiring dancer, and Les Bluebell Girls du Lido. The image on the poster features one of those Bluebell Girls personifying La nuit, or the Night, and as impressive as she looks on paper, you should see her in the movie. Other dancers portray the Sun, the Moon, and so forth. We'd go so far as to say that sequence alone was worth the time spent watching Ah! Les belles bacchantes. But is it actually a good movie? Sure—if you like ventriloquists, leopards, pratfalls, brawls, and sputtering doubletakes. In other words, it's very silly, and very likeable. It opened in France in 1954 and reached Japan yesterday in 1955.

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Vintage Pulp Jun 1 2016
CABARET RIDE
Bal Tabarin is a movie that's a real kick.


We've been doing a lot on exotic dance of late, so keeping with that theme, above are two posters for Bal Tabarin, an American crime drama from Republic Pictures revolving around the Bal Tabarin cabaret in Paris. A Los Angeles secretary witnesses her boss's murder and flees to Paris to hide with a close friend. She's an aspiring singer, so naturally she soon receives a job offer from the owner of the cabaret. Add in a bit of romance and her Paris idyll is going better than expected, but the bad guys soon catch up to her, clued in by the many Paris postcards mailed to her apartment over the years. Standard ’50s drama with a good location gimmick and nice dance scenes, Bal Tabarin premiered today in 1952. But anyone going to Paris after that to visit the cabaret might have been disappointed. It closed in 1953.

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Vintage Pulp May 29 2016
CANCAN GOODS
Filled with everything a body needs.

Above, the cover and interior scans from the mid-century burlesque magazine Cancans de Paris, with Sophia Loren, Martine Beswick, Laya Raki, and Senta Berger, who the magazine mistakenly calls Santa. Well, ho ho ho—if you want to be even more naughty this Sunday click the links for the other two Cancans de Paris we posted here and here.

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Sex Files May 8 2016
FREEDOM DANCE
From stripteaser to legal trailblazer.


After being arrested two weeks earlier, topless burlesque dancer Carol Doda was acquitted of obscenity charges today in 1965, along with fellow dancers Yvonne D'Angers, Kay Star, and Euraine Heimberg. The above photo shows her standing outside San Francisco's Condor Club, where the arrest had taken place. The court case marked the legalization of topless dancing not just in San Fran, but helped usher in the practice elsewhere. Doda went on to push the envelope further when she graduated into totally nude dancing in 1969. Three years later the city passed an ordinance prohibiting total nudity in establishments that served alcohol. Such laws remain the norm even today in nearly the entirety of the U.S. Doda continued performing regularly until the 1980s, then opened a shop in San Francisco called Carol Doda's Champagne and Lace Lingerie Boutique. She died last year due to kidney failure. You can read a bit more about her trial and acquittal here.
 


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Vintage Pulp May 4 2016
THE ART OF BURLESQUE
Mid-century paperbacks and the many sides of erotic dance.


We've seen more paperback covers featuring dancers than we can count. No surprise—they are after all an essential element of crime fiction, and many of the covers depicting them are excellent. But as you might imagine, novels that feature strippers, showgirls, and burlesque dancers as characters also fall into the sleaze genre quite often, which in turn makes for a lot of low budget cover work. So we have the full range for you today in a collection depicting the kinetic art of stage dancing, with illustrations from Bernard Safran, Robert Maguire, Robert McGinnis, Gene Bilbrew, Doug Weaver, and others, as well as numerous unknowns. Enjoy.


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Intl. Notebook May 4 2016
DANCERS GOTTA DANCE
It's a hard job but they make it look easy.


What better way to complement the collection of paperback covers above than with photos of actual dancers doing what they do best—making their strenuous and often unglamorous work look easy and fun? We present assorted burlesque dancers, showgirls, and strippers from the 1950s, 1960s, and 1970s, both onstage and off, photographed in such hot spots as London, Paris, Tokyo, Rome, New Orleans, and of course New York City. Among the performers: La Savona, Lilly Christine, Lynne O'Neill, the gorgeous Misty Ayres, Patti Cross, Tina Marshall, Carol Doda, Nejla Ates, Lili St. Cyr, Wildcat Frenchie, and more. If you like these, check out our previous set of dancers here. 

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History Rewind
The headlines that mattered yesteryear.
May 20
1916—Rockwell's First Post Cover Appears
The Saturday Evening Post publishes Norman Rockwell's painting "Boy with Baby Carriage", marking the first time his work appears on the cover of that magazine. Rockwell would go to paint many covers for the Post, becoming indelibly linked with the publication. During his long career Rockwell would eventually paint more than four thousand pieces, the vast majority of which are not on public display due to private ownership and destruction by fire.
May 19
1962—Marilyn Monroe Sings to John F. Kennedy
A birthday salute to U.S. President John F. Kennedy takes place at Madison Square Garden, in New York City. The highlight is Marilyn Monroe's breathy rendition of "Happy Birthday," which does more to fuel speculation that the two were sexually involved than any actual evidence.
May 18
1926—Aimee Semple McPherson Disappears
In the U.S., Canadian born evangelist Aimee Semple McPherson disappears from Venice Beach, California in the middle of the afternoon. She is initially thought to have drowned, but on June 23, McPherson stumbles out of the desert in Agua Prieta, a Mexican town across the border from Douglas, Arizona, claiming to have been kidnapped, drugged, tortured and held for ransom in a shack by two people named Steve and Mexicali Rose. However, it soon becomes clear that McPherson's tale is fabricated, though to this day the reasons behind it remain unknown.
1964—Mods and Rockers Jailed After Riots
In Britain, scores of youths are jailed following a weekend of violent clashes between gangs of Mods and Rockers in Brighton and other south coast resorts. Mods listened to ska music and The Who, wore suits and rode Italian scooters, while Rockers listened to Elvis and Gene Vincent, and rode motorcycles. These differences triggered the violence.
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