Vintage Pulp Aug 19 2014
VENUS GUYTRAP
Kill her and she’ll kill you back.


Jesus Franco’s Paroxismus was an Italian erotic mystery known in the English-speaking world as Venus in Furs. Basically, an American jazz musician in Istanbul goes to a party and there sees a woman involved in sadomasochistic sex. Later he finds the same woman’s body on a beach, and at that point flees to Rio de Janeiro. In Rio he plays with a jazz group, but one night sees the dead woman from Istanbul walk into the club where he’s performing. Or is it her? Whoever she is, she seems intent on exacting revenge against those who killed her. Or didn’t. Jesus Franco is a polarizing filmmaker, but if you’re ever going to like one of his films, this may be it. It’s dark and surreal, beautifully shot, has an interesting score, and a compelling cast that includes James Darren, Maria Rhome, and the always arresting Klaus Kinski. The late-1960s hepcat dialogue may amuse or repel, depending on one’s sensibilities, and those hoping for a linear plot or Hollywood ending should give up before even settling into their seats, but as a whole we thought it was quite entertaining.

In terms of understanding the film, it helped when we learned that a chance comment by the jazz trumpeter Chet Baker had been the inspiration for the script. We also discovered, on an unrelated note, that the lead as originally written was supposed to be a Miles Davis type guy, which is to say black, but Franco was shot down because American audiences were thought to be unready to see a black man and white woman in bed together. This led to the ethnic reversals of the lead role into a white jazzman and the character of Rita into his black girlfriend. Too bad for Franco he wasn’t allowed to make the film the way he wanted, but it’s impossible to be bummed with the casting of Barbara McNair as Rita, despite the circumstances. Impossible to be bummed about the art, either. The above promo poster was painted by the awesome Mario De Berardinis, who signed his work MOS, and we also have an ultra-rare alternate poster below, painted by unknown. Paroxismus premiered in Italy today in 1969.

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Vintage Pulp Aug 15 2014
MONROE ITALIAN STYLE
Non ci siamo già visti prima Marilyn mia cara?

Then French call it déjà vu, but in Italian it would be già visto. But while it may seem like you just saw this cover a few days ago, it’s actually entirely different. The Italian magazine Epoca loved Marilyn Monroe, and she was the star of many issues. The last one we shared was from the first anniversary of her death, give or take a few days. This one was published 15 August 1954, eleven years before she died, and again features an extensive set of rare photos. And just to show they weren’t giving short shrift to homegrown talent, Epoca editors also offer a very nice shot of Italian superstar Gina Lollobrigida. Scans below.

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Vintage Pulp Aug 11 2014
EPOCA HISTORY
Italian magazine marks end of Monroe era.

This otherwise unremarkable issue of the Italian magazine Epoca has two things going for it—a cover featuring Marilyn Monroe, and a six-page interior spread featuring some rare photos. It appeared as a tribute issue today in 1963, more or less a year after Monroe had died. The cover text boasts of having found her personal photo album. We can’t confirm that, but the photos are indeed ones we see less often than others of Monroe. That is, if “less often” even applies when talking about probably the most photographed woman in cinema history. Eight scans below.

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Vintage Pulp Aug 7 2014
WANDER LUST
Italian artist Mario De Berardinis finds a perfect Playmate.

Here’s a rarity—a western film for which we can’t find an official English translation, which of course means it likely never played on American or British screens. The film in question is the Italian sex comedy Giro girotondo... con il sesso è bello il mondo, which loosely means something like “wander wandering… with sex it’s a beautiful world.” Or something. Whatever it means, the unwieldy title surely would have been changed for a run Stateside, which is why we’re pretty sure that never happened. But the title isn’t the reason we’re sharing this poster. The reason is it’s by the Italian genius Mario De Berardinis, who we discussed last year. This effort is actually copied from a photo of 1973 Playboy centerfold Cyndi Wood, one of the magazine’s most popular models. And we’d show that image to you, but one thing we are sure of after working at that company is they’ll sue you in a second. So here’s a link to the shot. Did that make your day? Giro girotondo... con il sesso è bello il mondo premiered in Italy today in 1975.

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Femmes Fatales Aug 5 2014
EYES ON MARSH
Marian Marsh makes a vision in sepia.

This photo of American actress Marian Marsh, née Violet Ethelred Krauth, has no year, but we know Irving Lippman shot it as a promo for Warner Bros. Since she was signed by Warner in 1930 and left in 1932, that at least gives us a range. It’s a great image, and Marsh is wearing an absolutely killer outfit.

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Vintage Pulp Aug 1 2014
THE GOOD, THE BETTER, AND THE BEST
Who needs a name when none of your enemies survive to remember it anyway?

There are precious few movies that truly age well, and far fewer series. But like the Clint Eastwood spaghetti western series colloquially known as the Man with No Name Trilogy, these Japanese posters have stood the test of time. From top to bottom they are for A Fistful of Dollars, aka Koya no yojimbo, For a Few Dollars More, aka Yuuhi no ganman, and The Good, the Bad, and the Ugly, aka Zoku yuuhi no ganman. There are some who say Eastwood’s character actually has a name in these films, but we beg to differ. In the first he’s referred to once as Joe, which is a name, yes, but more likely is a tag, like calling him “hotshot,” or “buddy.” In the second he’s referred to as Manco, which colloquially means “one armed” in Spanish. And in the third film he’s referred to as Blondie. But whatever his real name was, probably everyone thought of him the same way—as trouble. 

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Femmes Fatales Jul 26 2014
PAST KIM PERFECT
Hmm, I think maybe I’ll just keep this for myself.

Above, a promo image of the beautiful Kim Novak from the 1958 Academy Awards at the Pantages Theatre in Hollywood. She wasn’t nominated that year, though her hit film Vertigo was eligible. Instead she accepted the statuette for Best Screenplay Based on Material from Another Medium on behalf of winner Pierre Boulle, who had written the script for The Bridge on the River Kwai. No word on whether she ever actually gave him the Oscar.

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Vintage Pulp Jul 21 2014
CLAMMY HANDS
Dive-in cinema at its best.

This poster is for Shiofuki ama, aka Clam-Diving Ama. You of course remember that an ama is a woman who dives for valuable undersea items, typically abalone or pearls. Like the other ama movies we’ve discussed, this one is from Nikkatsu, and it stars Akiko Hyûga as a neglected ama named Saki whose truck driver husband is inconveniently away for long periods. When he dies in an accident the men of Saki’s village turn their attention to her, and a resultant affair leads to trouble. This one has a secret pregnancy, a miscarriage, and betrayal, and while Hyûga is the lead it’s actually co-star Yûko Asuka who does most of the down and dirty. For those interested in viewing the movie, it will prove impossible to find, probably, but at least we can show you the poster. Oh, and the promo shot below. Shiofuki ama premiered in Japan today in 1979.

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Vintage Pulp Jul 9 2014
STIRRING IT UP
Rub-a-dub-dub, a girl and her tub…

By now you know we’re really into these promos for Japanese ama movies, so here’s one for Kuikomi ama: Midare-gai, aka Marked Ama: Stirred Up Shell. The poster is instructive because it’s the only one we’ve seen that offers a good look at one of the ama’s most important tools. No, not that, silly. We mean her wooden tub, which floats on the water's surface attached to its owner by a rope. Typically they’re a bit larger than the one pictured, and are used to hold whatever she finds. One source said they were used as buoys that she clung to in order to rest between dives, but we’re not too sure on that. By chance we ran across some black and white ama photographs from the 1950s and we’ll put those up soon. But getting back to the movie, basically you get the standard plot here of illicit sex in a small fishing village triggering jealousy and revenge, and upsetting the delicate local equilibrium. The movie stars Ryoko Watanabe and was directed for Nikkatsu Corporation by Atsushi Fujiura. It premiered in Japan today in 1982.

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Vintage Pulp Jul 1 2014
AFTER THE FALLS
Monroe may wobble but she won’t fall down.


Marilyn Monroe shows up just about everywhere, and here she is yet again where we didn’t expect to see her—fronting a Malaysian film publication that appeared today in 1953. The magazine, called Filmalaya, is in English, which marks it as aimed at the British colonial community that occupied the upper stratum of society in Malaysia and Singapore. The cover photo is from a publicity series made when Monroe filmed the movie Niagara in Ontario, Canada in late 1952, and let’s just assume her perch is not as precarious as it seems and there’s a handy ledge or lawn behind her in case she goes heels up. But if she does, there are other stars in the magazine, such as Joan Collins, Betty Grable, Rhonda Fleming, Ava Gardner, and Nat King Cole.

Filmalaya represents an interesting snapshot into colonial society, as in the article about Queen Elizabeth’s coronation in London, which describes the thrills and excitement in Malaysia during the event. Doubtless, the mood around the Commonwealth probably seemed festive when viewed from inside the colonial bubble, but we doubt actual Malaysians were particularly moved. Needless to say, this magazine is rare, but luckily items from Asia are often a bargain, so this cost a mere six U.S. dollars. While the inside is nothing special visually speaking, that doesn’t matter when the magazine has this great cover and is such an informative slice of history. We’ve uploaded a few of the best pages below. Enjoy. 

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History Rewind
The headlines that mattered yesteryear.
September 18
1919—Pollard Breaks the Color Barrier
Fritz Pollard becomes the first African-American to play professional football for a major team, the Akron Pros. Though Pollard is forgotten today, famed sportswriter Walter Camp ranked him as "one of the greatest runners these eyes have ever seen." In another barrier-breaking historical achievement, Pollard later became the co-head coach of the Pros, while still maintaining his roster position as running back.
1932—Entwistle Leaps from Hollywood Sign
Actress Peg Entwistle commits suicide by jumping from the letter "H" in the Hollywood sign. Her body lay in the ravine below for two days, until it was found by a detective and two radio car officers. She remained unidentified until her uncle connected the description and the initials "P.E." on the suicide note in the newspapers with his niece's two-day absence.
September 17
1908—First Airplane Fatality Occurs
The plane built by Wilbur and Orville Wright, The Wright Flyer, crashes with Lieutenant Thomas Selfridge aboard as a passenger. The accident kills Selfridge, and he becomes the first airplane fatality in history.
1983—First Black Miss America Crowned
Vanessa Williams becomes the first African American Miss America. She later loses her crown when lesbian-themed nude photographs of her are published by Penthouse magazine.
September 16
1920—Terrorists Bomb Wall Street
At 12:01 p.m. a bomb loaded into a horse-drawn wagon explodes in front of the J.P.Morgan building in New York City. 38 people are killed and 400 injured. Italian anarchists are thought to be the perpetrators, but after years of investigation no one is ever brought to justice.

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