A Dors of a different color.
Diana Dors is the star of the above Technicolor lithograph, which was tinted pink for fun by the vendors at Corp. A. Fox, an outfit that churned out thousands of similar prints during the mid-century period. They picked up the images wherever they were able, and this one was originally made as a promo for the 1957 film noir The Unholy Wife, without the garish pink tinge. Dors had already been in movies for ten years, so she wasn't actually a new box office figure, as the promo declares, but maybe she was newish to U.S. audiences. The photo was also sold as a horizontally oriented lithograph, again without the overdone blush, also below. You can see a couple dozen more prints featuring various known and unknown models from A. Fox and other litho companies by clicking the keywords at bottom. We also shared a Dors litho from 1964, which you can see here. And you can read about The Unholy Wife here.
Film noir with an Irish accent.
Odd Man Out, for which you see the promo poster above, is a beautifully shot thriller about a group of Irish political separatists who rob a mill in order to help finance their organization. The group is obviously based on the Irish Republican Army, whose actions helped fuel the Troubles—that period of violence that engulfed Ireland mainly during the 1960s The film takes no sides, at least not overtly, while presenting the separatists as fully realized, complex human beings. Needless to say, a movie of this depth and thoughtfulness would never be made today on the subject of terrorists. James Mason is the titular odd man out, the leader of the gang who's left behind after the robbery and must somehow survive alone, wounded and sick, as the police close in. The bad luck, deceptions and palpable sense of doom are standard for film noir, but what isn't is the location work in the backstreets of Belfast. The screen grabs below are all from around the forty minute mark, and their deep shadows, angular light, and inky blacks show how much planning and effort director Carol Reed and cinematographer Robert Krasker put into making the film visually perfect. We doubt it's the most exciting motion picture ever made, as claimed on the poster, but we recommend it. Odd Man Out premiered in the UK in January 1947 and opened in the U.S. today the same year.
Two bunglers cook up a kidnapping scheme that goes disastrously awry.
It's been a couple of years, so today we're getting back to one of Italy's greatest poster artists—the prolific and eclectic Sandro Symeoni. He painted movie posters, book covers, album sleeves, and ads, and was excellent at all of them. He painted the above poster for the comedy Noi gangster, which was originally made and released in France as Le grand chef, but based on the U.S. writer O. Henry's short story “The Ransom of Red Chief.” We took a look at the film and it's a screwball comedy starring Fernandel and Gino Servi as two bumbling gas station workers who concoct a kidnapping plot in hopes of escaping their poverty. Kidnapping schemes never work. Too many variables. They aren't clued in to this fact but quickly learn when they snatch a millionaire's young son and are dismayed to find that the little terror is too much for them to handle. He climbs onto a high rooftop, goes renegade on a hospital trolley, and generally drives them insane with his unpredictable behavior. Think Martin and Lewis in French with one of the Little Rascals on the side and you'll know what to expect.
This was Fernandel's and Cervi's second team-up after 1955's Don Camillo e l'on. Peppone, and this go-round is inferior to the previous film in every way, but even the dumbest screwball comedies have good moments. An extended gag involving a slippery block of ice works—or maybe we liked it because we too live in a building with a spiral staircase and no elevator, and the scene reminded us of the time we dropped a bottle of wine and it bobsledded all the way to the ground floor. The neighbors don't take kindly to that at 1 a.m., but that's the problem with wooden stairs—most anything you drop survives the entire downward journey. Consider Noi gangster a spiral stair—it sort of goes monotonously in a circle but once it ends you'll have a nice sense of accomplishment. It premiered in Italy today in 1959. Incidentally, are you wondering why there's a smiling woman on the poster? We suppose because Symeoni wanted her there. She sure isn't in the movie. You can see plenty more art from him by clicking here.
Documentary charts Marilyn Monroe's climb to the top of Tinseltown.
Completing the third of a triptych of poster for the documentary Marilyn, above we have a U.S. poster made for the movie's premier there today in 1963. We already shared the Yugoslavian and Japanese posters. They're all similar—the dress and the backgrounds change color but they all have the same image of Monroe in the hands raised pose you see here. And we love the shot. The movie, as we mentioned before, was put together by Twentieth Century Fox to celebrate Monroe, and mission accomplished. It's a must for fans.
Bonnie Parker and the vicious circle.
The above poster is the Japanese promo for The Bonnie Parker Story, which starred Dorothy Provine in a fictionalized yarn about the famous outlaw's fast life and early death. The movie premiered in 1958 in the U.S., and in Japan today in 1960. On the surface it's a teenybopper oriented b-cheapie, courtesy of American International Pictures, but there's more entertainment value than you'd expect, especially from a movie where history dictates the ending. Quentin Tarantino famously loves the film, but we wouldn't go so far as to call it an overlooked gem. It's more of a cult curiosity. Provine says, “We got ourselves a one way ticket. There's nothing you can do once you get on but ride right to the end of the line.” The end of the line is death in a hail of bullets, but the ride makes The Bonnie Parker Story worth a look. If you want to watch it, for the moment you can catch it on YouTube (with French subtitles). You can also see a cool promo from the film here.
If you're lucky she'll let you kiss her there.
Above is a poster we first noticed some years back at the blog Sangre Yakuza for the Nikkatsu Studios roman porno flick Inranna kankei, aka Nasty Relationship, which starred pinku icon Hitomi Kozue, and— Wait, what is she holding? Inflatable plastic lips? A novelty sized cherry gummi? Whatever it is, it's supposed to look vaginal. Pinku movies in general are not subtle, and roman pornos are even less so. But this is not a flick we were able to track down, which is sad, because we'd like to know what's going on here. Not finding films has happened a lot this month but it's just one of those random dry spells that occur when you watch nothing but rare classics. The worm will turn, the yin shall yang, and the cloud shall burst. In the meantime we thought we'd share this promo anyway, weird lips and all, because Kozue is a Pulp Intl. favorite. Inranna kankei premiered in Japan today in 1976.
O Século Ilustrado showcases a top Hollywood beauty.
The Portuguese magazine O Século Ilustrado was the weekly supplement of Lisbon's daily newspaper O Século, which was published between 1880 and 1978. There's some pop culture and cinema content in the magazine, but it wasn't filled with thrilling visuals. The covers were sometimes an exception, though, such as this one that hit newsstands today in 1947 featuring an amazing shot of U.S. actress Martha Vickers—billed as “a star of cinema and radio.” During her short life she made a lasting impression in movies like The Big Sleep and Ruthless. The promo photo O Século Ilustrado editors used to create their cover appears below, and you can see that Vickers was a rare beauty. She died of cancer in 1971 aged forty-six.
Diana Dors stirs things up in stuffy suburbia.
We love this promo for the Diana Dors comedy As Long As They're Happy. We looked everywhere online and off for a copy of this to no avail, which is too bad because it sounds pretty wacky. Basically, Dors tricks a famous singer into visiting the suburban home where she lives with her father. Her two sisters happen to be living there too, with their husbands, but when the singer arrives all the women in the house—Dors, her sisters, and her mom—fall for the singer. Monroesque? Beyond doubt. Well, the poster makes us happy even if we can't see the film. As Long as They're Happy had a London premiere in March 1955, and went into wide release today the same year.
She's mad as hell and she isn't going to take it anymore.
We've been documenting various brilliant Italian artists for years now, and today we wanted to get back to Ermano Iaia, who painted the Italian promo for Alfred Hitchcock's Psycho we showed you a while back. The above effort is for Diario di una casalinga inquieta, which you may know better as Diary of Mad Housewife. It was a controversial film adaptation of Sue Kaufman's novel, starring Carrie Snodgress as a woman stuck in a bad marriage whose attempts to inject some thrills into her life lead her to more bad men. Iaia's poster is a masterpiece, perfectly capturing the dark and sexual aspects of the film. Diary of Mad Housewife premiered in the U.S. in 1970 and reached Italy today in 1971. We'll have more work from Iaia a bit later.
Hi. I heard you serve tall boys here.
Our girlfriends didn't get it. A tall boy is a glass. They thought it was a chest of drawers. Yes, it's a chest a drawers. But it's a glass too. Mars, Venus, right? Anyway, back in December we watched the shlock jungle adventure Killer Ape with Johnny Weissmuller and Max Palmer, who you see above. Palmer was the tallest human on Earth, according to many sources. Here you see him entering a Hollywood bar called the Blue Palm Cafe, and needing to duck his head to get under the doorway. He was billed as 8' 2”. Some sources say he was probably more like 7' 6” or 7' 8”. Typical doorways in the U.S. were about 8 feet high, so decide on his height for yourself. Palmer made three films besides Killer Ape—Stone, Invaders from Mars, and The Sniper. The latter film was his debut role, in 1952, and the above photo was made that same year.
The headlines that mattered yesteryear.
1924—Leopold and Loeb Murder Bobby Franks
Two wealthy University of Chicago students named Richard Loeb and Nathan Leopold, Jr. murder 14-year-old Bobby Franks, motivated by no other reason than to prove their intellectual superiority by committing a perfect crime. But the duo are caught and sentenced to life in prison. Their crime becomes known as a "thrill killing", and their story later inspires various works of art, including the 1929 play Rope by Patrick Hamilton, and Alfred Hitchcock's 1948 film of the same name.
1916—Rockwell's First Post Cover Appears
The Saturday Evening Post publishes Norman Rockwell's painting "Boy with Baby Carriage", marking the first time his work appears on the cover of that magazine. Rockwell would go to paint many covers for the Post, becoming indelibly linked with the publication. During his long career Rockwell would eventually paint more than four thousand pieces, the vast majority of which are not on public display due to private ownership and destruction by fire.
1962—Marilyn Monroe Sings to John F. Kennedy
A birthday salute to U.S. President John F. Kennedy takes place at Madison Square Garden, in New York City. The highlight is Marilyn Monroe's breathy rendition of "Happy Birthday," which does more to fuel speculation that the two were sexually involved than any actual evidence.
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