Without tender loving care it dries up and wilts.
This fantastic poster was made to promote the film Akai kaben ga nureru, which in English would have a title like Red Petals Get Wet or possibly Red Wet Petals. Yeah. Japanese filmmakers and their vagina metaphors, right? There are so many of these wet petal, dewy pistil movies you could make a bouquet. A very moist one. The film stars Teruo Matsunaga, who we last saw in Tokyo Chatterly fujin, and here she plays a stripper who gets involved in illicit upper crust orgies and even more illicit smut films. Co-starring is the incomparable Hitomi Kozue. We can't tell you much more about the film because we haven't seen it, but hopefully we'll be able to track it down later and give it a look.
French Polynesia gets whitewashed by tropical storm Hollywood.
This poster was made to promote the mostly forgotten b-picture Call of the South Seas, one of those Westerners-in-paradise flicks so popular during the mid-century period. The set-up here is simple: a roguish adventurer fetches up on a Pacific island looking for work. He takes a job at an exporting firm, but finds that his employers are paying the local Polynesians a pittance of the fortune being earned. The movie stars Janet Martin as Tahia, who's local but whose mother was French, grandmother was French, and great grandmother was French, a line of dilution strong enough to ensure that she possesses the needed racial purity to serve as love interest to co-star Allan Lane. While her blood has been whitewashed, her linguistics have not, leading to her delivering hilarious lines like, “I come because I very angry and if I don't let it out I burn all up inside.” The filmmakers had a grand old time making this movie, and the end result, clumsy though it may be, is non-malicious. It also has Adele Mara in a small part, and as a bonus she's wearing this. Call of the South Seas premiered in the U.S. today in 1944.
It's hard out there for a pimp.
The Mack is about pimping. Let's just get that out there. Those with twenty-first century sensibilities will probably hate the film on principle. But is there anything more to it than sexual exploitation? Well, it's an offering in the blaxploitation genre that deals with an ex-con's plan to rise to the top of the macking game in the city of Oakland. The main character, named Goldie, has a brother who intends to rid the streets of crime. Goldie's main antagonists are a pair of corrupt cops who see no difference between him and his brother. The subtext is interesting. Goldie and his brother represent opposite forms of direct engagement—one works to improve his environment while opposed by authorities who see political activism as a threat; the other works illegally to get ahead and get out while opposed by authorities charged with fighting crime.
The movie chooses as its backdrop one of the most activist cities in the U.S., with one of the most corrupt police forces. Both of these facts were true when The Mack was made and remain true today. For example, while Oakland police are tasked with preventing crime, they repeatedly and brazenly break the law, and have paid out more in civil damages than almost any police force in the nation. This dichotomy callsinto question whether the police actually exist for the good of the community at all, or for a more complex purpose—say to protect the interests of elites by both containing crime and hemming in the possibility of political empowerment. Actually, the question is rhetorical. We've been to many countries, and in all of them police suppress political activity among the underclass. So yeah, there's more to The Mack than just pimping.
The movie was actually inspired by the real life struggle between the Ward Brothers, who were leaders of Oakland's black underworld, and the Black Panthers. Both groups wanted to bring Oakland under their respective control for opposite reasons. Film critic Elvis Mitchell described The Mack succinctly in 2013, saying: “Do you become this horrible kind of mutation of free enterprise, or do you take the nationalist route and help your people?” But the Oakland police ultimately considered power achieved through crime and power achieved through politics to be equally unacceptable. And that may be the entire disturbing point of the film. The Mack premiered in the U.S. today in 1973, and the awesome poster was painted by Fred Pfeiffer.
Winning isn't everything—it's the only thing.
We already shared the West German poster for Deathsport back in September. We'd be remiss if we didn't share these two U.S. promos also. One thing we can't share, though, is the name of person who painted the art. We checked every resource we know of for this sort of thing, and the consensus is that the provenance of this piece is lost to the mists of time. It's a bit of a surprise because the posters are considered collectible, but there you go. The movie premiered in the U.S. today in 1977. If you haven't seen it and want to know what it's actually about, check our previous write-up here. And below, as a bonus, we have a couple of promo images of stars David Carradine and Claudia Jennings.
Nothing's harder to rewrite than a lie.
This simple but effective poster was made to promote the simple but effective film noir Night Editor, starring William Gargan, Janis Carter, and Jeff Donnell. A group of grizzled reporters arrayed around a poker game reminisce over past scoops, with one of the group eventually telling the story of Tony Cochrane, a cop who got himself in too deep with a dame. A dissolve to the past takes viewers to the cop's world, and the narrative is broken up by occasional returns to the smoky poker game, where the storyteller punctuates his tale with a bit of Monday morning quarterbacking.
The story is that Cochrane the cop, who was cheating on his wife with a beautiful society woman, was parked one night at a secluded beach when he and his lover witnessed a murder. But fearing exposure of their affair, he neither stops the killing, nor pursues the killer, and later actively tampers with evidence to hide his own presence at the murder scene. You know this is going nowhere good, but just how complicated the mess becomes is where the fun lies. Low budget, but reasonably entertaining, Night Editor premiered in the U.S. today in 1946.
A few moments of joy—an entire lifetime worth of regrets.
Here you see a promo poster for the roman porno flick Rabu Hantâ: Atsui hada, aka Love Hunter: Hot Skin, starring Pulp Intl. fave Mari Tanaka. In this one she plays a rich man's wife who indulges in an extramarital liaison, hooking up with her lover in a parked car, which thanks to some vigorous rocking generated by its occupants, goes down a hill. The lover is killed, and Tanaka suffers non-lethal injuries, though is trapped in the wreck. Thus immobilized she is victimized when a man shoots photos of the whole naked fiasco. Later he uses these photos for nefarious purposes—either Tanaka extracts blackmail cash from her husband or the photographer will show him the photos. It's really amazing the scrapes these roman porno actresses get into.
In addition to the poster above we also have a nice promo image of Tanaka below, probably her most provocative, at least that we've seen. The last image we shared of her was one we scanned that hadn't been seen online before. For that matter so was the first one we ever shared of her. But the below shot can be found on many sites, and for that reason we can't credit the original uploader because it's not possible to know who it was. But he or she did the cyberworld a service when they uploaded this one. Rabu Hantâ: Atsui hada is well worth seeing, but good luck finding it anywhere in the English speaking world. It premiered in Japan today in 1972.
I could do this with magic, but I really enjoy cooking.
Elizabeth Montgomery, a rare Hollywood-born actress, is best known for her role as Samantha on the long running 1960s-1970s television series Bewitched. But she actually goes way back. She was born in 1933 and broke into show business in ’53, later appeared in such films as the gangster thriller Johnny Cool, and on television in Alfred Hitchcock Presents and 77 Sunset Strip. This shot of her is from the Japanese showbiz magazine Roadshow and is from around 1968.
She was a woman of exceptionally high caliber.
We always thought it was weird that hip boots only come to mid-thigh, but we suppose if they came all the way to the hips they wouldn't be boots—they'd be a body cast. Above you see Wisconsin born actress Christa Helm, née Sandra Lynn Wohlfeil, in a promo made for her 1974 actioner Let's Go for Broke, in which she played the ass kicking Jackie Broke. It was one of only two movies she made, due to her unfortunate murder in 1977 at age twenty-seven by a still-unknown assailant who stabbed her thirty times.
Helm was a black belted practitioner of martial arts, but the prevailing theory, supported by forensic evidence, is that she was surprise attacked from behind. Because of the murder, she has attained a posthumous fame, partly kept alive by family members still seeking to solve the crime, and partly by a growing internet cult. We'd get into the story in detail, but others have written about it and done a thorough—if sometimes dubiously factual—job, so just appreciate the amazing photo. It's one of the cooler ones you'll ever see, and one of the very few of Helm that exist online.
He'll learn any tune you want him to.
The above poster, with its sinister art, was made for the Japanese run of a 1970 French movie titled L'aveu, aka The Confession. It was directed by Costa-Gavras, who often delves into political themes, and here Yves Montand stars as a Czech communist party official named Anton who is one day followed, arrested without warrant, and thrown in jail without charge or access to legal counsel. He thinks it's a mistake but soon realizes party officials suspect him of treason and plan to extract a confession through whatever means are required. He's subjected to isolation, sleep deprivation, and rough treatment, all presented here unequivocally as torture. And indeed when the movie was made there was no doubt what it was. But these days, in the U.S., tens of millions of people and many government officials say it isn't torture—or worse, say it is torture and should be used more. For that reason the film, in the fullness of time, now offers a double lesson—its intended one about a Soviet empire that collapsed, and an unintended one about an American empire making the same mistakes. In L'aveu the state tries to forcibly program Anton; in the U.S. millions have been programmed to accept torture simply because the state has told them to. For us, it was all pretty hard to watch, but it's a damned good movie. It premiered in Japan today in 1971.
It's taken a few weeks, Tony, but I'm really starting to feel like a woman. I have like fifty useless receipts in my purse.
Above, a sound stage photo of Tony Curtis and Jack Lemmon in costume for their roles in Some Like It Hot, in which they starred with Marilyn Monroe. The movie premiered today in 1959 in Memphis, Tennessee, for some reason, then hit Chicago, Washington, D.C., and New York City later in the month.
The headlines that mattered yesteryear.
1927—First Prints Are Left at Grauman's
Hollywood power couple Douglas Fairbanks and Mary Pickford, who co-founded the movie studio United Artists with Charlie Chaplin and D.W. Griffith, become the first celebrities to leave their impressions in concrete at Grauman's Chinese Theater in Hollywood, located along the stretch where the historic Hollywood Walk of Fame would later be established.
1945—Hitler Marries Braun
During the last days of the Third Reich, as Russia's Red Army closes in from the east, Adolf Hitler marries his long-time partner Eva Braun in a Berlin bunker during a brief civil ceremony witnessed by Joseph Goebbels and Martin Bormann. Both Hitler and Braun commit suicide the next day, and their corpses are burned in the Reich Chancellery garden.
1967—Ali Is Stripped of His Title
After refusing induction into the United States Army the day before due to religious reasons, Muhammad Ali is stripped of his heavyweight boxing title. He is found guilty of a felony in refusing to be drafted for service in Vietnam, but he does not serve prison time, and on June 28, 1971, the U.S. Supreme Court reverses his conviction. His stand against the war had made him a hated figure in mainstream America, but in the black community and the rest of the world he had become an icon.
1947—Heyerdahl Embarks on Kon-Tiki
Norwegian ethnographer and adventurer Thor Heyerdahl and his five man crew set out from Peru on a giant balsa wood raft called the Kon-Tiki in order to prove that Peruvian natives could have settled Polynesia. After a 101 day, 4,300 mile (8,000 km) journey, Kon-Tiki smashes into the reef at Raroia in the Tuamotu Islands on August 7, 1947, thus demonstrating that it is possible for a primitive craft to survive a Pacific crossing.
1989—Soviets Acknowledge Chernobyl Accident
After two days of rumors and denials the Soviet Union admits there was an accident at the Chernobyl nuclear power plant in Ukraine. Reactor number four had suffered a meltdown, sending a plume of radioactive fallout into the atmosphere and over an extensive geographical area. Today the abandoned radioactive area surrounding Chernobyl is rife with local wildlife and has been converted into a wildlife sanctuary, one of the largest in Europe.
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