|Vintage Pulp||Mar 7 2017|
|Vintage Pulp||Mar 6 2017|
African American illustrator Gene Bilbrew uses his unique aesthetic to create yet another arresting paperback cover, this time for Lee O. Miller's 1967 sleazer Vacation Fun. Bilbrew is one-of-a-kind. When we first saw his work we pronounced it “not great,” but since then we've come to understand how unique and talented he really was. So has the art world—we've seen pieces of his priced upward of $12,000. We have a small collection of his work here, so have a look and judge for yourself.
|Vintage Pulp||Mar 5 2017|
|Vintage Pulp | Musiquarium||Mar 3 2017|
Dorothy Baker's hit 1938 novel Young Man with a Horn tells a story inspired by jazz cornetist Bix Beiderbecke, who, along with Louis Armstrong, was one of the most important early jazz soloists, but who drank himself to death in 1931, when he was only twenty-eight. Baker's protagonist is Rick Martin, who gets to live a couple of years longer than Beiderbecke before she knocks him off. Hope that didn't give too much away. The book was optioned by Hollywood and became a 1950 movie starring Kirk Douglas, which we talked about last year. The great cover, our primary interest today, was painted by British artist Josh Kirby, a legendary illustrator who during his long career did fronts for westerns, crime thrillers, James Bond novels, and non-fiction books, as well as creating many fronts and interior illustrations for sci-fi magazines. As you can see, he had a bold vision and a very confident hand. We'll keep an eye out for more of his work. This one is from 1962, for Corgi Books.
|Vintage Pulp||Mar 1 2017|
What is “the soft way,” according to the author March Hastings, aka Sally Singer? It's not having to make any effort. For instance, life can be “soft” for a guy. The main character in The Soft Way, who's named Jeff, has three girlfriends and life is definitely soft for him. So the cover blurb basically means the female character has to take Jeff on his own terms. It has nothing to do with the need for pharmaceutical intervention to do it the hard way, as implied by our subhead. But maybe it should—we bet the book would be especially interesting then. 1963 copyright on this, with Paul Rader art.
|Vintage Pulp||Feb 27 2017|
We've run across some low characters in paperback art, but these guys are the lowest. Faced with danger they've grabbed the nearest woman to use as a shield. Women in mid-century fiction have it rough—they're interrupted while skinny-dipping, carried off against their will, manhandled, spied on, tied up, and more. They have their victories too, thankfully—put a gun in their hands and they start dropping men like two-foot putts. Well, good thing femmes fatales are so tough, because they'll need to be hard enough to stop bullets to get out of these jams.
|Vintage Pulp||Feb 24 2017|
Casanova à Manhattan is another novel in the dekobrisme style by the author for whom the adjective was coined, Maurice Dekobra. In this one a French count rescues a woman from a concentration camp, marries her, and spirits her away to New York City. He gets a job in a nightclub and she finds work as a chaperone of debutantes. Things go swimmingly until the count's sister-in-law turns up with designs to replace the wife. Dekobra was one of the most famous French authors of the 20th century. You can learn a bit more about him from our previous write-ups on him here and here, but the best way to know him is to read him. The cover art here was painted by Aslan, aka Alain Gourdon. He painted some of the most romantic covers and pin-ups of the last century, and some of the most erotic. We've been thinking about putting together a collection of his pin-ups, but have been hesitant because they're pretty explicit. Well, stay tuned. We may do it anyway. Meanwhile, check out our collection of paperback kisses here.
|Vintage Pulp||Feb 19 2017|
The cover blurb on this 1957 Crest paperback for Gil Brewer's Little Tramp is a case of false advertising. The femme fatale is not jail bait—she's eighteen. Which might make involvement with her a case of bad judgment, but not one of illegality. An important detail, that. But even if young Arlene isn't jail bait, she still might be the reason the down-on-his-luck protagonist Gary Dunn goes to prison. She's decided to stage her own kidnapping to pry money from her rich father, and has set Dunn up to look like the perpetrator. The scheme goes wrong when a sleazy private investigator decides to use the scam to kidnap Arlene for real. This is typical Brewer—an everyman finds himself in over his head with a woman. The art however, is not typical. It's first rate stuff, painted by the always great Barye Phillips for Fawcett-Crest in 1957.
|Vintage Pulp | Politique Diabolique||Feb 18 2017|
We couldn't resist a comment on the recent election. Generally we keep Pulp Intl. a politics-lite zone, but every once in a while a book cover or movie pushes us in that direction, and today's has done that. Out here in the reality based world here's what the facts show: there haven't been even a hundred verified cases of voter impersonation in the U.S. since the year 2000, and of course impersonation is the only type of fraud the voter ID laws so many conservative lawmakers are pushing would prevent. So when a law is designed to stop a handful of lawbreakers (thirty-one in fifteen years according to one extensive study) at cost of the rights of millions of people, we can safely call these laws attempts to suppress the vote. At least, in the real world we can do that.
But the lies around voter impersonation continue to grow—we now hear of 3 million illegal votes cast in 2016, people bused from one state to another, etc. All of this taking place, of course, with no paper or digital trail, no sign of organization at any level, and for sure no suggestion that a single one of these alleged fraudsters voted Republican (Trump: “If you look at it they all voted for Hillary."). Meanwhile, absent actual evidence, the besmirching of the electoral system continues. It deserves to be besmirched, of course, but because of the ridiculous choices on offer, not because of fantasies of systemic fraud. Yet politicians cynically keep trying to generate mistrust. They're playing a dangerous game, and if they keep it up there will be serious consequences down the road.
That's our missive from the factual universe, to be heeded or ignored as you please. Stiffs Don't Vote has nothing to do with any of that, not directly, anyway. There's a crooked political campaign involved, but the story actually deals with an axe murder investigated by the heroes Humphrey Campbell and Oscar Morgan. The book was originally titled Forty Whacks, referencing the famed Lizzie Borden rhyme, and the murder in the story constantly makes the protagonists think of Borden. The copyright on this Bantam edition is 1947, and the unusual cover art was painted by Hy Ruben, who we've never featured before, but will again, if this is any indication of his talent. We'll see what we can dig up.
|Vintage Pulp||Feb 16 2017|
It may not look like a fifty dollar book, but that's what William Kane's Sin Safari recently sold for on Ebay. We also saw it selling for ninety bucks on another site. What you see is what you get here—white girl goes from untouchable memsahib to sex plaything for primitive but precocious tribesmen. Well, they say cultural exchange is beneficial for everyone involved. The character is actually a globally famous heiress, a Paris Hilton type, which is not unusual in sleaze—i.e. the more untouchable the woman the more titillating her eventual defilement. The scene depicted on the cover is non-consensual and pretty shocking. What wasn't shocking was the negative portrayals of Africans—we fully expected that. The nerve of this Kane fella. 1966 copyright, uncredited cover art.