Vintage Pulp Nov 11 2013
BERLIN WALL ART
 
Before moving back to items from other countries, we thought we’d share a few more pieces related to Germany—this time vintage posters. Below are seven excellent examples of thriller and film noir promo art that appeared in that country from 1932 to 1955. They are, top to bottom, Highway 301, Night and the City, Thunder Road, Notorious twice, because both posters are great, Night of the Hunter and Blonde Venus.
 

 
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Vintage Pulp Oct 20 2013
CAUGHT IN A CROSSFIRE
Robert Young tries to solve a murder that seems to have no motive.


Above is a Swedish poster for Edward Dmytryk’s Hämnden är rättvis, aka Crossfire, a really interesting film noir about an ex-soldier who is murdered, and his fellow ex-soldiers who are suspects. Police detective Robert Young tries to get to the bottom of the crime, but is increasingly baffled as he realizes the killing did not occur for any of the usual reasons—money, lust, revenge, etc. Different character recollections provide different information about the victim’s last hours, but only serve to underscore the apparent senselesslness of the crime. We can’t reveal the direction Young’s investigation turns without giving away the ending*, but we’ll mention that the movie won an award at Cannes—the Prix du meilleur film social, or Best Social Film.

Though technically and visually brilliant, as a whole we don’t think Crossfire has weathered as well as other noirs (for casual movie watchers it may be too static and talky). But it does have a bravura performance from Robert Ryan, and solid work from both Gloria Grahame and the always excellent Robert Mitchum. As far as the art is concerned, note the strong contrast between the Swedish version and the riotously colorful American ones, which we have below. Swedish film noir posters often de-emphasized color and used long lines to apportion space into several distinct boxes (as seen here, here, here, and here), but the above is one of the most severe examples we’ve found. Crossfire premiered in the U.S. in July 1947, and first played in Stockholm as Hämnden är rättvis today the same year.

*We’ve never worried about giving away endings before. Our capsule reviews are really just excuses to show the poster art and joke around. However, a few recent emails have revealed that some readers actually visit Pulp Intl. for viewing ideas, which just goes to show that after five years online you receive credibility whether you were looking for it or not. So even though recent scientific research shows that people enjoy stories more if they know the endings in advance, we’re going to be better about spoilers in the future. Promise.

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Vintage Pulp Oct 11 2013
X AND THE CITY
There’s just no escaping the past.

This understated but great poster was made for the Swedish release of Robert Siodmak’s film noir Cry of the City, which starred Victor Mature. In Sweden it was retitled Ond stad, which means “vicious city,” and in getting across that idea we like how the art positions Mature atop an X, or perhaps a crossroads, which we guess represents his presence at the center of a clash of difficult circumstances. This is a great movie that we talked about in detail back in 2009, and today we’re reiterating that it’s one to see. It opened in Sweden today in 1948. 

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Vintage Pulp Jun 10 2013
ILLUSTRIERTE CLASSICS
Bad luck and trouble in post-war Germany.

We’re back to the West German publication Illustrierte Film-Bühne today, supplementing our post from two months ago. These examples are all from American dramas or films noir produced during the 1940s and early 1950s, but which premiered in West Germany later, typically 1954 or after. You can see the earlier IFB collection here.

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Femmes Fatales May 23 2013
SMOKING IN PUBLIC
Just a girl and her thoughts.

Above, Lizabeth Scott is smoking in more ways than one in this promo image shot for her 1948 film noir Pitfall. She was born Emma Matzo, if you can believe that, which makes her real name maybe the second worst in Hollywood history. But her career has to rank as one of the best in the sense that unlike most actresses she began with starring roles, debuting in 1945’s You Came Along, and later appearing in such classics as The Strange Love of Martha Ivers, Dead Reckoning and I Walk Alone. She last acted in 1972’s Pulp with Michael Caine, and today, aged 90, is retired and living in Southern California. 

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Hollywoodland Mar 27 2013
A SHOW OF HAND
I just got this a-maz-ing manicure. Nice, right?

We stumbled across this recently. It’s a promo photo of Humphrey Bogart made for his 1951 crime drama The Enforcer. The image was used on a great Israeli poster for the movie, as well as an almost-as-good Spanish promo. We showed you both of those, among others, a few years ago. If you haven’t seen them maybe click back there and take a look. They’re well worth a glance.

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Femmes Fatales Mar 22 2013
RIGHT TURNER
The postman will ring as long as it takes.

This shot of American actress Lana Turner shows her at the height of her fame during the filming of the 1946 film noir The Postman Always Rings Twice. Turner’s own life rivaled that of any of her characters, encompassing the murder of her father to her daughter stabbing a Mafia thug to death. 

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Vintage Pulp Jan 30 2013
TOP GUN
When you get on his wrong side, it’s the other side of a marksman’s scope.

A few days ago we mentioned the Noir City Film Festival and waxed nostalgic about San Francisco. The festival schedule reminded us of noirs we haven’t seen in a while, and revealed others we’ve never seen. On the Noir City bill this evening is a film from the latter category, Edward Dmytryk’s 1952 thriller The Sniper. We watched it last night and it more than deserves a slot in a prestigious festival like Noir City. The film was shot in San Francisco, and stars Arthur Franz as a former mental patient named Eddie Miller who is gripped by murderous impulses. Perching in windows and on rooftops, he uses a carbine and scope to target unsuspecting victims. As yet the gun isn’t loaded, but his sexual feelings for a female acquaintance catalyze his urges. The expert marksman begins killing, ultimately slaying four women (that’s not a spoiler, given the four scoped targets on the poster art). Eddie Miller treads similar ground as hundreds of other cinematic lost souls, but film historians say he was first—American film’s first serial killer. This one is worth it both for the movie and for its usage of San Francisco exteriors, which are so expertly and extensively intergrated into the production, we have a feeling Bay Area audiences will marvel over that more than the actual plot. But they should pay close attention to both. Dmytryk is the same director who gave the world Murder, My Sweet and Crossfire. This is top tier filmmaking. 

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Intl. Notebook Jan 25 2013
NOIR AND REMEMBRANCE
Famed San Francisco film noir retrospective returns for its annual run.

The most popular film noir festival in the world launches its eleventh edition tonight in San Francisco when the Noir City Film Festival returns to the Castro Theatre. It runs until February 3, and screens 27 films, including three new 35mm restorations. Some of the movies on the slate this year include 1950’s Try and Get Me!, 1949’s Repeat Performance, 1948’s High Tide, 1950’s Sunset Boulevard, and 1962’s Experiment in Terror. Along with the films, the festival features guest of honor Peggy Cummins, who played the unforgettable character Annie Laurie Starr in 1950's Gun Crazy. There’s also a noir themed nightclub with live music, torch singers, burlesque and more. Although we love living overseas, events like this are a reminder of why the Bay area lifestyle is so wonderful. If we ever return to the U.S., it’ll be straight back to the Bay. The festival poster above is just the latest in a long series, and we’ve uploaded all the predecessors below. You can find out more about the Noir City Film Festival at the festival website.

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Femmes Fatales Sep 6 2012
BALANCING ACT
She’s well known for hopping from bed to bed.

Above, American actress Janet Blair, who appeared in many films, including the 1948 noir I Love Trouble, and the 1945 musical Tonight and Every Night, seen here clowning around in a cute shot by Joseph Jasgur, mid-1940s.

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History Rewind
The headlines that mattered yesteryear.
November 25
1947—Hollywood Blacklist Instituted
The day after ten Hollywood writers and directors are cited for contempt of Congress for refusing to give testimony to the House Committee on Un-American Activities, the group, known as the "Hollywood Ten," are blacklisted by Hollywood movie studios.
November 24
1963—Ruby Shoots Oswald
Nightclub owner and mafia associate Jack Ruby fatally shoots alleged JFK assassin Lee Harvey Oswald in the basement of Dallas police department headquarters. The shooting is broadcast live on television and silences the only person known for certain to have had some connection to the Kennedy killing.
1971—D.B. Cooper Escapes from Airplane
In the U.S., during a thunderstorm over Washington state, a hijacker calling himself Dan Cooper, aka D. B. Cooper, parachutes from a Northwest Orient Airlines flight with $200,000 in ransom money. Neither he nor the money are ever found.
November 23
1936—First Edition of Life Published
Henry Luce launches Life, a weekly magazine with an emphasis on photo-journalism. Life dominates the U.S. market for more than forty years, publishing scores of iconic photographs that remain some of the most recognizable ever shot, and peaking at one point with a circulation of more than 13.5 million copies a week.
1963—Doctor Who Debuts on BBC
The BBC broadcasts the first episode of Doctor Who, starring William Hartnell as a mysterious alien who time travels in his spaceship, the TARDIS. With his companions, he explores time and space while facing a variety of foes and righting wrongs. The show would become the longest-running science fiction series ever broadcast.

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