Vintage Pulp May 11 2015
CAROSELLI GO ROUND
Where it stops looking good nobody knows.
 
Below, a selection of beautiful Benedetto Caroselli covers for ERP’s giallo series I Narratori Americani del Brivido, with various Italian authors such as Aldo Crudo and Mario Pinzauti writing under Anglicized pseudonyms. We have much more from Caroselli. Just click and scroll.
 

 
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Vintage Pulp Apr 11 2015
MISSION: UNPIMPABLE
He may be her pimp, but he certainly isn’t her boss.


In Italian a “magnaccio” is a pimp, and Il magnaccio deals with a pimp nicknamed the Little Prince who is loved by his live-in prostie, but whose affection he either ignores or violently rebuffs. When she disappears the Prince replaces her, but she’s never far from his mind, and this being giallo we know disappearances don’t last. And indeed she turns up again, seemingly by chance, and the dysfunctional lovers get a chance to resolve unfinished business—assuming they don’t kill each other first. The movie stars Franco Citti, Riccardo Salvino, Elina de Witt, and Silvana Venturelli, who we last saw in the Radley Metzger mind trip Esotika Erotika Psicotika.
 
There’s confusion online about whether Il magnaccio premiered in 1967 or 1969. IMDB says ’69, but a lot of Italian sites say ’67. We say it was 1969. We went outside the film universe, located the soundtrack album, and found that it was released today in 1969. The promo poster above, which is what we really wanted to talk about, was painted by Giovanni di Stefano. He obviously is not the Italian con artist Giovanni di Stefano (though he would fit nicely on Pulp Intl.) nor, even more obviously, the fifteenth century sculptor Giovanni di Stefano. This particular Giovanni di Stefano—who according to all evidence has one of the most common names to be found in Italy—is yet another very good illustrator whose original work goes for exorbitant amounts of money today. We plan to show you more of his output later. 

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Vintage Pulp Mar 22 2015
INNER CIRCLE
Anything can happen in there.

Sticking with Italy today for more vintage pulp, above are three covers from the publishing house Arnoldo Mondadori as part of its Il Cerchio Rosso, or Red Circle collection. The art, which nicely portrays all the indispensible giallo elements of violence, fear, menace, and lust, is from Franco Picchioni, a top notch illustrator who you can see at his best here and here. 
 
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Modern Pulp | Vintage Pulp Mar 20 2015
GETTING HAMMERED
Three Italian covers offer three visions of Mickey Spillane’s hard-boiled Mike Hammer classic.

The top cover for Mickey Spillane’s Ti ucciderò was painted by the excellent Giovanni Benvenuti for Garzanti in 1957. You can see the artist’s signature more or less in the middle of the cover. The title Ti ucciderò means “I will kill you,” which is considerably less evocative than the original title I, the Jury, but maybe that just doesn’t translate well in Italy for some reason. The second cover is also from Garzanti and dates from 1972. The shifty eyes at top were a design element on all the Spillane covers from Garzanti during the period. Last you see a 1990 edition of I, the Jury published by Oscar Mondadori, and though we don’t know the artist, it’s interesting to see a book appear so late with a painted cover. The detective on that one, if you take a close look, is the actor Stacy Keach. He was starring as Mike Hammer on an American television show called The New Mike Hammer, from which you see a still at right, and the Mondadori book was a tie-in for when the show hit Italian television. All three covers are nice, but Benvenuti is tops, as always.

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Vintage Pulp Jan 13 2015
BLACK HEAT
They call me Signore Tibbs!

1966 cover for La calda notte di Virgil Tibbs—better known as In the Heat of the Night—from Milan based Edizioni Mondadori for their Il Giallo Mondadori series, number 907. The cool cover art is by Carlo Jacono, who we’ll get back to in a bit.

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Vintage Pulp Jan 5 2015
A REAL WRIST TAKER
Doing her part to take a bite out of crime.

Above is the cover of Bagliori sulla città, written by Roy Parks for S.P.E.R.O.’s series I Gialli Polizieschi Americani, 1957. Parks was actually a writer named Mario Casacci, who also published novels as Bill Coleman, Mario Kasak, Rex Sheridan, and possibly others. Casacci was also a noted screenwriter most famous for inventing, along with Alberto Ciambricco, the figure of Lieutenant Sheridan, who was a staple on Italian television through the 1960s and early 1970s, played by Ubaldo Lay. Casacci also participated on several soundtracks as a lyricist. The art here is from Averardo Ciriello, who we’ll for sure get back to later.

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Vintage Pulp Jun 18 2014
BOND POSSIBILITIES
Two Fleming covers offer opposite visions of how to Live large.

Sometimes we get in the mood for a true classic, so at top is the excellent 1966 Macmillan Publishers edition of Ian Fleming’s Live and Let Die. It’s possible the James Bond books have had more cover iterations than any other series, and most of them are high quality, often trending toward the sort of luridness we love, but we also like the simple, elegant graphics of Macmillan's deep green masterpiece. On the other hand, if we were to go lurid then there’s no better art to be found than on the 1964 cover Vivi e lascia morire from the Italian imprint Garzanti. The variations on Live and Let Die are practically infinite, but the Garzanti edition is our other favorite (though this one is great too). There is no artist info on these, which is criminal, we think. We’ll dig, though, and see what we can find. As a matter of taste, it’s interesting to contemplate which of the two books we would buy, assuming we could buy only one. Tough choice. What do you think? 

Update: the second cover was painted by Giovanni Benvenuti.

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Vintage Pulp Oct 13 2013
GONG! SHOW
The virgin homicides.

Above and below, the cover and assorted scans from Gong! This is an Italian foto giallo from Rome-based publishers Edizioni MEC, first printed in 1967, and what you get inside is a giallo-style crime story in comic book format but with photos of models instead of drawings. As far as we know, only nine editions of these were ever published, which would make you think they’re very expensive, but in fact they generally go for between ten and twenty euros. This one is titled Una vergine per… morire, aka A Virgin for… Dying, and we did our best to identify the models, thinking they might be actual actors, but had no luck there, and they aren’t named in the masthead. If you recognize any of them give a shout. As cool as this thing is, it’s a Sunday, which means we just don’t have it in us to get all sixty-four pages posted. We may keep adding those as the days pass, but in the meantime, we hope you enjoy what’s here now.  

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Vintage Pulp Jun 7 2013
PROFONDO SYMEONI
Sandro Symeoni comes down with a case of Vertigo.


After focusing on Italian paperback artists lately, we thought today would be good for getting back to poster artists—namely Sandro Symeoni, who we’ve marveled at before. Symeoni veered from the realistic to abstract in style, and this very graphic poster for Dario Argento’s Profondo Rosso, aka Deep Red, sees him working in the latter mode, which we’ve also noted on pieces like the Suono Libero album sleeve, viewable in panel four here. This is also a clear homage to Saul Bass’s famed Vertigo poster. For a look at many more Symeonis, just click his keywords below. Profondo Rosso, by the way, premiered in the U.S. this week in 1976, and is well worth a look for fans of Argento and/or giallo. 

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Vintage Pulp Feb 11 2013
TAILS OF THE CITY
Dario Argento’s Code may prove difficult for most to unravel.

Above are three excellent posters for Dario Argento’s Il gatto a nove code, aka, Cat o’ Nine Tails. Only one bears a signature—P. Franco, who in everyday life was Franco Picchioni. We suspect he painted the others as well. With posters this great, plus Argento at the helm, we had to watch the movie, but while it’s a serviceable giallo with an interesting central murder mystery, it’s nothing to write home about. But it does have Karl Malden doing a bang-up job as a blind ex-newspaperman and James Franciscus as a solid lead. And then there’s the heavenly French creature known as Catherine Spaak. You have to work pretty hard to somehow make a love scene featuring this stunner possibly the worst ever filmed, but Argento manages to make her romp with Franciscus as erotic as watching a hardware store clerk stack two wooden planks. Want your kids to avoid premarital sex? Have them watch this scene. They won’t even have a clue what happened. The title of the movie refers to neither a cat nor a nine-tailed whip, but rather to the many leads that need to be investigated before the mystery can be unraveled. It could also describe Argento’s struggle to weave an involving narrative. In the end, even with his stylish direction framing the story, it’s Malden that carries this movie to the finish line. Plus he has a sword cane, which is always a bonus. Many Argento fans use the term “underrated” to describe this effort. That’s a euphemism for strictly average. Il gatto a nove code premiered in Italy today in 1971.

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History Rewind
The headlines that mattered yesteryear.
August 30
1918—Lenin Shot
Russian political revolutionary Fanny Kaplan shoots Bolshevik leader Vladimir Lenin, wounding him in the shoulder and jaw. Lenin survives, she doesn't—she's executed three days later.
1963—Washington-Moscow Hotline Established
A hotline between U.S. and Soviet leaders, known as the Washington-Moscow hotline or Red Telephone, goes into operation. It linked the White House to the Kremlin at the height of the Cold War, and presumably still does today.
2006—Glenn Ford Dies
Canadian actor Glenn Ford, who starred in some of the best films ever made, including Gilda, The Big Heat, and the original 3:10 to Yuma, dies in his home in Beverly Hills, USA. He was still in love with Rita Hayworth, his one-time co-star who had died years earlier. Reputedly, his last words were, "You don't keep Rita Hayworth waiting."
August 29
1949—Soviet Union Joins Nuclear Club
The Soviet Union detonates a nuclear weapon at a test site in Kazakhstan. American experts are shocked and dismayed because they had thought the Soviets were still years away from having a workable bomb. The resultant fear helps trigger an arms race that would see the Americans and Soviets stockpile approximately 32,000 and 45,000 nuclear devices.
August 28
1963—King Gives Famous Speech
In the U.S., Martin Luther King, Jr., at the culmination of his march on Washington for jobs and freedom, gives his famous "I Have a Dream Speech," advocating racial harmony and equality.
1981—Scientists Announce Existence of New Disease
The National Centers for Disease Control announce a high incidence of pneumocystis and Kaposi's sarcoma in gay men. These illnesses are later recognized as symptoms of a blood-borne immune disorder, which they name AIDS. The disease is initially thought to have developed in the late 1970s among gay populations, but scientists now know it developed in the late 1800s or early 1900s in Africa during the height of European conquest of the continent.

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