Vintage Pulp Aug 11 2016
MAKO AMENDS
Apologies for the omission, Miss Michiyo.


Years ago we shared a poster for a Michiyo Mako roman porno flick and called her a “little known” actress. Well, live and learn. She wasn't little known—we knew little about Japanese film, is what the problem was. Now we know more, which is a benefit of maintaining this website, and we can report that Mako appeared in thirty movies between 1967 and 1976. Today we have promo posters for three of those to make up for giving her short shrift before. Top to bottom: Yorokobi no sekkusu, aka Sex of Joy or Nymph of Delight, Onna zakari: Mishitsu no yorokobi, aka Pleasure in the Secret Room, and 処女誘魔, for which we did not find a phonetic Japanese title. In English, these chracters would read something like Virgin Kidnapping Magic. More Mako posters later.
 
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The Naked City | Vintage Pulp Jul 29 2014
PAYBACK IS A HITCH
They say vengeance is a dish best served cold, but we recommend passing entirely.


Above is a very nice True Detective from July 1959 with a Brendan Lynch cover depicting a woman startled by the arrival of a criminal. It’s actually a perfect cover, because inside the issue you get an interesting story related by Elma Baldwin, who was kidnapped by a paroled convict named Richard Arlen Payne. Payne snatched Baldwin and three her kids at gunpoint as part of an ill-conceived plan to trade them for the release of his former cellmate Burton Junior Post, aka Junior Starcher, who was serving time at West Virginia State Penitentiary in Moundsville. Payne didn’t want Starcher out because they were buddies. Quite the opposite—he had vowed to kill the man, and threatened to torture and murder the Baldwins if his demands weren’t met. He wrote in a note to Governor Cecil Underwood, “My purpose is to kill and take the head of my worst enemy, who is now out of reach. I must kill him or go mad.”

You’re probably asking why Payne never did anything to Starcher while they were cellmates. Payne’s answer was simple: “I could have killed him at any time, and I thought about it very seriously. At times I had a blade to his throat. But he was as good as done for anyway, because I knew once I got in the free world there were ways that I could get at him.”

Well, maybe not so much. In any case, the kidnapping was big news in 1959, probably owing to its sheer incomprehensibility. Today it’s mostly forgotten but remains a good case study of the benefits of being able to let go one’s anger. The entire event lasted only twenty hours, ending with a brief shootout in which nobody was injured, followed by Payne’s admittance to a mental asylum. Asked if Starcher had done anything specific during their time at Moundsville to engender such hatred, Payne said, “Well, nothing I can put my finger on. It was just a sort of natural hatred.”

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The Naked City May 26 2011
CRAZY LIKE A FOX
William Edward Hickman was one of the smoothest criminals of his time—at least until the end.

This May 1973 issue of the true crime magazine Master Detective delves back more than four decades to examine one of the most infamous murders committed in early twentieth century America. The victim was a 12-year old Los Angeles girl named Marion Parker, and on December 15, 1927, she was abducted from her school by a man who used to work for her father. The man—nineteen-year-old William Edward Hickman—came to the school and told the registrar that the girl’s father had been in an accident that morning and wished to see his daughter. It was not policy to release children to anyone other than their parents, but swayed by Hickman’s measured urgency and apparent sincerity, the registrar released Marion Parker into his custody.

Hickman was after money. Marion Parker’s father, a banker named Perry Parker, had it in abundance. For the next few days Hickman sweated Perry Parker, sending pleading notes written by Marion, as well as other notes demanding a ransom. Hickman signed the latter with various pseudonyms, but one in particular stuck with the press—“The Fox.” Eventually, Parker and Hickman agreed on a ransom of $1,500, to be paid in $20 gold certificates. The first attempt at an exchange failed when Hickman noticed a cop near the meeting place. It’s unclear whether the policeman was part of a trap, but Hickman was taking no chances. He bailed, and set up a second meeting for a few nights later.

When Parker reached the rendezvous point he saw Hickman sitting in a parked car. Parker approached the driver side window and saw that the kidnapper was aiming a gun, and he also saw his daughter in the passenger seat, bundled up to her neck in a blanket. She couldn’t move—that was clear. She didn’t speak. Hickman took the ransom and drove quickly away, stopping just long enough to push Marion Parker out of the car at the end of the block. When Parker reached his daughter and lifted her into his arms he screamed in anguish. Marion was dead, and had been for twelve hours. Hickman had cut off her arms and legs, flayed the skin from her back, disemboweled her, and stuffed her with rags. She had been bundled up to conceal the fact that she had no limbs. Her eyes had been wired open so that she would, upon cursory inspection, appear to be alive.

Hickman had escaped, but he had left behind a clue that would lead to his capture. Among the rags he had stuffed into Marion Parker’s empty abdomen was a shirt with a laundry mark that police were able to trace to an address in Los Angeles. Twenty cops descended on a residence that turned out to be occupied by a man named Donald Evans, who wascooperative but said he knew nothing about Hickman. In truth Evans was Hickman, but by the time police figured that out he had fled to the Pacific Northwest. But he hadn’t run far enough. Wanted posters reached every corner of the west coast within days, and just one week after Hickman’s disappearance two police officers in the town of Echo, Oregon recognized him and arrested him.

At trial, Hickman claimed to be guided by voices—one of the first times, if not the first, that this type of insanity defense was attempted in an American courtroom. But the jury wasn’t buying any of it and they convicted Hickman of murder and kidnapping. The judge sentenced him to be executed at San Quentin State Prison, and he climbed the stairs to the gallows on October 19, 1928. Hickman had once been smooth enough to talk a school official into sending Marion Parker to her doom, and had calmly lied about his identity to twenty cops who had burst into his house. In prison he had corresponded with and impressed author Ayn Rand so much that she decided to base a character on him because he embodied her mythical “Nietzschean Superman” ideal. But at the end, all of Hickman’s considerable aplomb deserted him. Just before the hangman sprang the trapdoor that would cast him into oblivion, he collapsed babbling in fear. His last words were, “Oh my God! Oh my God!” 

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History Rewind
The headlines that mattered yesteryear.
September 21
1937—The Hobbit is Published
J. R. R. Tolkien publishes his seminal fantasy novel The Hobbit, aka The Hobbit: There and Back Again. Marketed as a children's book, it is a hit with adults as well, and sells millions of copies, is translated into multiple languages, and spawns the sequel trilogy The Lord of Rings.
September 20
1946—Cannes Launches Film Festival
The first Cannes Film Festival is held in 1946, in the old Casino of Cannes, financed by the French Foreign Affairs Ministry and the City of Cannes.
September 19
1934—Arrest Made in Lindbergh Baby Case
Bruno Hauptmann is arrested for the kidnap and murder of Charles Lindbergh Jr., son of the famous American aviator. The infant child had been abducted from the Lindbergh home in March 1932, and found decomposed two months later in the woods nearby. He had suffered a fatal skull fracture. Hauptmann was tried, convicted, sentenced to death, and finally executed by electric chair in April 1936. He proclaimed his innocence to the end
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