Vintage Pulp Oct 13 2017
THE SKIN SHE LIVES IN
Florinda Bolkan is a textbook case of multiple epidermal disorder.


Una lucertola con la pelle di donna premiered in Italy in 1971 and in the U.S. as Lizard in a Woman's Skin today in 1973. It's a giallo—i.e. a thriller with mystery, slasher, detective, and psychological horror elements. Brazilian actress Florinda Bolkan stars, and she has a problem—she's having erotic dreams about her beautiful neighbor Anita Strindberg. The dreams disturb and arouse Bolkan, but she's working out her concerns in therapy. All well and good, until matters take a turn for the worse when she dreams about dispatching Strindberg with a knife, and later wakes to find that Strindberg has indeed been murdered in the exact fashion as in her nightmare.

The cops arrest her for the killing and send her to a mental hospital to await trial. But the case is hardly airtight. Loose ends include Bolkan's dream diary, an illicit affair, and a blackmail plot. The mental hospital is hardly airtight either. A stalker shows up intent on putting Bolkan out of commission. Eventually doubts arise in the case and Bolkan is sprung from the booby hatch, but who committed the murder? Well, below we have some production shots, and at bottom is a poster for the film's re-issue as Schizoid—a title that's a blatant spoiler. Actually, considering lizards change their skin by molting, the original title is a spoiler as well. Too clever by half, these Italian filmmakers, but the movie is still fun.

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Vintage Pulp Oct 2 2017
JAGGER OFF
Mick doesn't quite get it done as real life Aussie outlaw Ned Kelly.


This poster was made to promote the western adventure Ned Kelly, a movie mainly remembered for having starred Rolling Stones frontman Mick Jagger as a real-life Aussie outlaw. Jagger hasn't done much cinematic acting and there's a reason why—he just doesn't have the knack. He seems to read his lines more than perform them, and director Terry Richardson did so much better with films like Tom Jones and The Loneliness of the Long Distance Runner. But the poster is unique, which made it worth a share. The movie premiered in Japan today in 1971.

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Vintage Pulp Sep 23 2017
MAXIMUM INSECURITY
What do you get when you put a bunch of convicts on an island? A lot of dead convicts.


Before Escape from New York there was Terminal Island. And before Terminal Island there was, well, we aren't sure. Maybe The Big Bird Cage or She Devils in Chains. Released in June 1973, and eventually making it to Denmark today in 1977, you see the Danish promo poster for Kvindefængslet på Djævleøen, aka Terminal Island above. The movie stars Don Marshall, Marta Kristen, Barbara Leigh, and Ena Hartman, and features both Tom Selleck and Roger E. Mosley, a duo that would later be cast as besties Thomas Magnum and T.C. on the television show Magnum P.I. What's the plot? It follows the expected blueprint—tough convicts left to fend for themselves except for the occasional supply drop, women in mortal peril from every inhabitant with a functioning dick, and one good-hearted prisoner who doesn't belong there at all. The whole set-up degenerates into a savage confrontation between two opposing factions, predictably fighting over the possession of women, who can only hope to choose between abusers and protectors. While Terminal Island is an early entry in the fertile penal colony genre, what you really want to know is whether it's actually any good, right? Well, let's just say it's good enough to watch if you're a fan of seventies b-movies. We'd like to offer you a better endorsement, but we really can't.

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Vintage Pulp Sep 1 2017
SEALED WITH A HISS
Curiosity mutated the cat.


The Creeper, which premiered in the U.S. today in 1948, has a sinister, attention-getting poster, which you see above, but the film is long on atmosphere and short on frights. It concerns a doctor trying to develop bioluminescence in human organs so they're self lighting and will make surgery easier. You read that correctly. He wants to make organs glow just in case you need to be cut open one day. But instead he ends up, through his experiments on cats, creating a beast that slinks around mauling people to death. We never see an entire killer kitty—that wasn't in the budget it seems—but we do see cheap stuffed animal paws fearsome razor sharp claws. Ultimately The Creeper is a mood movie—which is to say, if you're in the right mood it may work for you. A six-pack could help get you there. Something even more psychoactive could get you there faster. But even then we can't guarantee you'll enjoy it.

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Vintage Pulp Aug 30 2017
LET'S BREAK A DEAL
We Ghana get outta this place if it's the last thing we ever do.


We've had some entertaining hours watching various whites-go-to-the-jungle movies, so when we stumbled across this poster for Contratto Carnale, aka The African Deal, we took the plunge once more. This one stars American stud Calvin Lockhart, Swedish beauty Anita Strindberg, and Finnish sweetie Yanti Somer in a story involving an interracial affair in Ghana that takes place against the backdrop of international corporate intrigue. Generally, white women in these movies are given extraordinary motivations for crossing the line. Love? Not a chance. Just wanna have fun? Never. Usually voodoo has something to do with it, or some other free-will sapping outside influence. It's condescending of course, but you know that going in. In this case Somer goes black because she's basically a corporate prostitute, paid to screw guys for the advantage of her employers.

We were expecting a sexploitation movie, and Contratto Carnale indeed fits the brief, but it also has a serious side, with narrative forays into slave history and scenes shot in Accra's infamous slaver's fortification, the Swedish-built Cape Coast Castle, which today is a museum and UNESCO World Heritage Site. The symbolism is useful, because the movie soon shows how corruption and greed make life difficult for thosein Accra who would operate by a better set of rules. But the central character played by Lockhart just may be pure enough not to be destroyed by the slimy corporate enemies arrayed against him. As for his relationship with Somer, if you're expecting consequence free interracial boning in a 1970s movie you're dreaming. You rarely get that even today. Something bad will happen—it's just a question of exactly what.

But even with the considerable story depth injected into Contratto Carnale, the main attraction is female skin, with Strindberg indulging in a totally nude nap and Somer getting her kit off at several junctures, including at the aforementioned slave castle. This is actually really shocking, all things considered, but you'll be too blinded by her hotness to contemplate that. It's a shame there are so few decent promo images of her, but that's how it was with low budget 1970s movies. Strindberg, at least, posed for a few magazines, and those photos, including the promos below from the film, show what a great beauty she is. There's other beauty in Contratto Carnale too, such as exteriors shot around the Ghanaian coast and in some outlying villages. Also nice is the soundtrack, which is interspersed with a couple of classic West African tunes. Add it all together and you have a decent-not-great flick. Contratto Carnale premiered in Italy today in 1973.

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Modern Pulp Aug 28 2017
ZU KEEPERS
Please don't tease the animals.


Operating on the same level of explicitness as cable softcore doesn't mean roman porno flicks can't push the envelope. Japanese filmmakers working in this genre were solidly experienced by the time Dan Oniroku aoi onna came along, and it's amazing how adept they were at implying everything while showing little. Content-wise Dan Oniroku aoi onna gets pretty far out. The film had no U.S. release, but the title would be “Oniroku Dan,” after Japan's most famous author of sado-masochist fiction, and “blue girl.” The blue girl in question is Izumi Shima, one of roman porno's truly radiant actresses, who spends most of this film trapped in a perverted private sex club in bondage-related distress. We could describe how she ends up in this place, but why bother? We could also describe the various pokings, proddings, and probings the lovely Miss Zu endures, but there's no point. She's naked and helpless is all you need to know, and that—apparently—is what drew Japanese audiences to these films in droves. Most of the time we like to provide a set of stills or screen grabs to give you an idea what to expect. For this one we're giving you only a single production photo, below. That should about cover it. Dan Oniroku aoi onna premiered in Japan today 1982.

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Vintage Pulp Aug 26 2017
THE NAKED AND THE DEAD
A killer in black stalks Rome's fashionista set.


In Nude per l'assassino, aka Strip Nude for Your Killer there's a motorcycle helmeted serial killer on the loose and police have no idea who he is. The murderer first slaughtered a gynecologist whose most recent patient died of cardiac arrest during an abortion, but now the maniac is working his way through staff and talent at the Albatross Modeling Agency, killing women and men, catching many at their most vulnerable—i.e. naked. Suspects and clues are minimal. But hmm, let's see, how does a botched abortion tie into the other killings? Could it be.... revenge? Very likely. And what often happens in giallo when killers wear face-obscuring motorcycle helmets? Could it be... Well, we won't give it away, except to say the twist of who's under that helmet isn't a twist at all.

Near the end of the film there's a radio broadcast during which an announcer talks about the most recent murder. But first he reports on the government's “drastic new austerity measures.” We were fascinated to learn this was going on in Italy forty years ago. It didn't work then, and it doesn't work now. We can say the same about the movie. But while you won't find Nude per l'assassino on any list of top giallo films, it has some charms: Edwige Fenech, Femi Benussi, Solvi Stubing, and Erna Schurer. We've been pretty lazy about the giallo genre over the years, but watching this movie made us decide to remedy that. We're going to check out some of the better giallo flicks and report back. Nude per l'assassino premiered in Italy today in 1975.

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Modern Pulp Aug 20 2017
ESOTIC BLEND
Gemser makes a movie out of spare parts.


In Porno Esotic Love Indonesian sexploitation superstar Laura Gemser finds herself in another exotic locale—this time Hong Kong—where she engages in another series of softcore romps with hirsute westerners. She made something like twenty-six movies along these lines, which is why the makers of this one couldn't resist taking shortcuts. They cobbled together a good chunk of the footage from Gemser's previous outings and shoehorned them into a new narrative about a woman seeking revenge for the heroin overdose of her sister. The cynical usage of previously shot footage makes this one of director Joe D'Amato's worst efforts, but also one of his most profitable, we suspect. We can't possibly recommend the movie, but in order to compensate for the aching sense of loss you probably feel, there's a promo shot of Gemser below kicking back on a large rock, or perhaps the world's smallest deserted island, depending on how you want to look at it. Porno Esotic Love premiered in Italy today in 1980.

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Vintage Pulp Aug 16 2017
WHOLESALE SLAUGHTER
The mafia are no match for Jim Brown.


In the blaxploitation flick Slaughter Jim Brown plays Slaughter—no first name—a former Green Beret captain whose underworld connected father is killed by a car bomb. He vows revenge and guns down some of the responsible parties at an airport. That's when the government steps in and turns Slaughter into an operative in exchange for dropping murder charges. All he has to do is head to Mexico and capture the top mobster. South of the border he goes, where shootings, chases, and general mayhem follow as he pretty much turns the country upside down. There are occasional interesting visual flourishes during the violence, including hallucinatory ultra wide angle shots. Maybe director Jack Starrett heaped on the style a bit heavily, but it does set Slaughter apart, and in the end doesn't really harm the final product. Another thing heaped on is the racial insults, even more than in most blaxploitation, and if there's a lesson being imparted it's that eventually n-bombs go off in your face.

Blaxploitation is nothing without its femme fatales, and in those roles Slaughter casts Marlene Clark and Stella Stevens. Clark, though talented, is mere window dressing here; Stevens gets a substantial temptress role, and she's perfectly suited for it, a dozen years after her Playboy centerfold appearance at age twenty-two, and about twice as beautiful in her mid-thirties. According to Brown, Slaughter is one of the three favorite films he starred in. Maybe Stella had something to do with that. In an interview some years back she was asked about the love scenes and said, “I was told that in the movie he did with Raquel Welch, he had a towel put between them, because he didn’t want to touch her flesh in the love scene with her.* I can tell you, we didn’t have anything between us except good feelings and fun.” Well, it looks to us like they had a good time too, and why not? Stevens is hot as hell and Brown is unadulterated manhood on a level few males can hope to reach. We think this one is well worth a watch for fans of the genre. Slaughter premiered in the U.S. today in 1972.

*Jim Brown is no fool, and we doubt he ever made such a request. Welch wore undergarments, which was probably always the plan, considering she has done no nude scenes during her career.
 
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Vintage Pulp Aug 11 2017
THE LITTLE MERMAID
William Powell discovers a rare species of marine life.


Today we're looking at a decidedly non-pulp movie—Mr. Peabody and the Mermaid, a featherweight comedy starring William Powell and Ann Blyth. We watched it because we featured Blyth as a femme fatale last year. She was wearing a mermaid costume in the photo we shared, and an image like that will make one curious. In the movie a fifty-year-old man having a bit of a two-thirds-life crisis takes a Caribbean trip with his wife, stumbles across a youthful mermaid, and falls in love with her. Powell is good, of course, as he is in everything, and Blyth is expressive—which is to say she doesn't speak. Why would she? She's a fish, silly. She does hiss, though. Irene Hervey as Powell's hot wife has a bit of a wandering eye herself, but for an actual man rather than a fantastical creature, and Andrea King plays a woman intent on making the moves on Powell. With all these potential infidelities there's lots of dramatic potential, but this is a family comedy, which means nothing too taxing to the average moviegoer occurs and everyone ends up where they belong—Powell and Hervey recommitted to their marriage, and Blyth recommitted to the sea. Cute stuff. Mr. Peabody and the Mermaid premiered in the U.S. today in 1948. 

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History Rewind
The headlines that mattered yesteryear.
November 20
1945—Nuremberg Trials Begin
In Nuremberg, Germany, in the Palace of Justice, the trials of prominent members of the political, military, and economic leadership of Nazi Germany begin. Among the men tried were Martin Bormann (in absentia), Hermann Göring, Rudolph Hess, and Ernst Kaltenbrunner.
1984—SETI Institute Founded
The SETI Institute, a not-for-profit organization dedicated to the search for extra-terrestrial intelligence, the discovery of extrasolar planets, and the habitability of the galaxy, is founded in California by Thomas Pierson and Dr. Jill Tarter.
November 19
1916—Goldwyn Pictures Formed
In the U.S.A., Samuel Goldfish and Edgar Selwyn establish Goldwyn Pictures, which becomes one of the most successful independent film studios in Hollywood. Goldfish also takes the opportunity to legally change his last name to Goldwyn.
November 18
1916—First Battle of the Somme Ends
In France, British Expeditionary Force commander Douglas Haig calls off a battle against entrenched German troops which had begun on July 1, 1916. Known as the Battle of the Somme, this action resulted in one of the greatest losses of life in modern history—over three-hundred thousand dead for a net gain of about seven miles of land.
1978—Jonestown Cult Commits Mass Suicide
In the South American country of Guyana, Jim Jones leads his Peoples Temple cult in a mass suicide that claims 918 lives, including over 270 children. Congressman Leo J. Ryan, who had been visiting the makeshift cult complex known as Jonestown to investigate claims of abuse, is shot by members of the Peoples Temple as he tries to escape from a nearby airfield with several cult members who asked for his protection.
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