There's nothing quite as awe inspiring as an ocean view.
This is one of the more eye-catching posters you'll see. It was made for the Japanese film Waka-goke ama: Uzuku. The movie's English title is supposedly—ready for this?—Nympho Diver: Tingling. Well, we're tingling a bit already. Junko Mabuki gets top billing here, but that's actually Rumi Sasaki adorning the poster because Nikkatsu never passed up a chance to put a naked woman on its promo art. The same has been said of our website, so we aren't criticizing. In any case, this is obviously another film centered around an ama—a female diver for pearls, abalone, and other aquatic treats. In this one you have a widowed ama who gets involved in kinky business in a seaside town. These movies are basically all the same, so we don't have to get into great detail—although we'll note there's a bizarre scene where Junko puts peanut butter on her body and has a dog lick it off. We know—it sounds utterly obscene. Really, there's very little Japanese filmmakers didn't try at some point or another, but always remember that though the plot devices in these may be crazy, the sexual content is never more explicit than your basic late night cable movie. Sorry to disappoint any dog lovers out there. Waka-goke ama: Uzuku premiered in Japan today in 1980
There's no business like Showa business.
This steamy poster was made to promote the roman porno flick Showa onnamichi: Rashomon, aka Showa Woman: Naked Rashomon, aka Naked Rashomon, which starred Hitomi Kozue and Elmei Esumi. In case you're wondering, “rashomon” was an ancient city gate located in what is now Kyoto, which makes the title rather curious, but it's borrowed from the 1950 Akira Kurosawa period drama Rashomon, which used the gate locale as a central element. That film was famous for its four characters narrating four versions of the same terrible event.
Does Naked Rashomon have anything to do with city gates or multi-p.o.v. narratives? Well, no. When a nobleman's wife can't bear him a son, he turns to a mistress to get the job done and she gives birth to twins—a boy and a girl. The boy will be the nobleman's heir; but he orders the mistress and infant daughter killed. The bodyguard responsible for this heinous task instead secretly sends the pair away. Two decades later the daughter has grown up to be a beautiful woman and, unaware of her true ancestry, crosses paths with her father and twin brother with shocking results.
It's a bizarre premise but a good movie, considered one of director Chûsei Sone's best. And it has Pulp Intl. fave Kozue in a double role as both the mistress and her grown daughter, which can only make matters better. Compared to most Nikkatsu Studios roman pornos this one qualifies as high art, which means it's not just recommendable, but is also a reasonable place for the uninitiated to dive into the genre. But you might not want to dive too deep. It gets pretty gnarly down there. Showa onnamichi: Rashomon premiered in Japan today in 1973.
One good accessory deserves another.
A long while back we shared a couple of shots of Japanese actress Terumi Azuma wearing a cool yellow visor. She must have liked visors because here she is circa 1975 wearing another one, this time made of leather. We're thinking these should come back into fashion.
In retrospect, I probably should have had a lawyer look over the paperwork before I signed it.
Roman porno movies tend to have very descriptive titles that leave little to the imagination. You see a poster above for one called in Japanese Dorei keiyakusho: muchi to highheels, which in English is known as Slave's Contract: Whip and High Heels. So what more do you really need to know? It stars Nami Matsukawa. It's a sequel to Dorei keiyakushu, which we talked about not long ago. It's a similar movie, with the exception that Matsukawa enters into her contract voluntarily. There's also some shoe fetish stuff, as indicated by the title. And of course there's the standard roman porno bondage and discipline. That's pretty much it. And it premiered in Japan today in 1982.
Seems like she gets tougher to work for every year.
The internet is all about change. When we first wrote about Miki Sugimoto’s 1973 pinku flick Sukeban–Kankain Dasso, aka Girl Boss: Escape from Reform School, we shared a rare tateken sized promo poster and mentioned that it was the first of its kind to appear online, while the standard sized promo could be found anywhere. Six years later it's the tateken poster that's everywhere online, while good scans of the standard promo seem to have disappeared. So here's a good scan of the standard promo. Sukeban–Kankain Dasso premiered in Japan today in 1973.
You have the right to remain dead.
We already showed you a rare hand-painted poster for the pinky violence actioner Zeroka no onna: Akai wappa, aka Zero Woman: Red Handcuffs. Today we're showing you the tateken poster, which is rare too, so much so that this may be the best scan you'll of it see online. The kind of washed out look is part of the design. If you haven't seen the movie, it's about a vigilante cop played by Miki Sugimoto who is released from prison by a government agency in order to take down the kidnappers of a powerful politician's daughter.
Like most pinku movies, there's some sexual violence, and many reviewers excoriate this admittedly overused plot device. We don't claim those reviewers are wrong, but it should be noted that rape in pinku is often symbolic, serving both to advance the immediate plot and implant a deeper message. In this case the main perpetrator in the sexual assault of a young Japanese woman is wearing U.S. Navy coveralls. The depth of negative feeling about the U.S. occupation of Japan is made clear. All that said, the constant use of sexual assault in Japanese film—if it was ever artistically justified at all—definitely jumped the shark with the arrival of Nikkatsu Studios' roman porno offerings. We've talked about that before.
One interesting part of assessing vintage art is that at the time it was created the artists often thought they were making a certain statement, but decades later their art is perceived as sending the exact opposite message. Such is the case with pinky violence movies, in which maverick male filmmakers—in this case Yukio Noda—showed Japanese women taking on and usually destroying an entrenched male power structure, but only after being driven to it through degradation and violence. Which in screen terms meant rape. Were there other ways to show women driven to the point where they would kill? No doubt, but in patriarchal 1970s Japan the shock of these films was not how women were driven to kill men, but that they did—and often got away with it.
Miki Sugimoto deals with with some very bad men in Zero Woman, but her focus never wavers. She's to rescue the kidnapped daughter and dispose of the abductors in such a way that no news coverage or police investigation points back toward the father. Wrapped in a crimson raincoat she dispatches villain after villain, but learns that not even the presumed good guys are redeemable—not the politician, not the cops, nobody. It's grim, cynical, nihilistic stuff—and a classic of the genre. Zeroka no onna: Akai wappa opened in Japan today in 1974.
When she's bad, she's really bad.
Above is a poster in tateken size for Nikkatsu Studios' pre-roman porno action flick Furyô shôjô Mako, aka Bad Girl Mako, a film for which we showed you a standard sized promo a while back. We didn't really talk about the movie back then, but we've seen it. There's lots of fighting, lots of music, and lots of guys in suits getting roughed up. Junko Natsu plays Mako, a tough party girl who meets a boy named Hideo, lets him stick his honeydripper in her jar of manuka, and decides she's in love. It's amazing that she reaches this conclusion after one quick throw in the back seat of a convertible, but whatever. Unfortunately, before their relationship progresses much farther loverboy is killed and Mako, like any good pinku revenant, gets stabby on the bad guys. There's nothing unexpected here, but in the end you still have a reasonably entertaining entry in the girl gang genre, and the many club scenes and nice exterior cinematography add extra value. Furyô shôjô Mako premiered in Japan today in 1971.
She's as cool as the other side of the pillow.
Last year we shared some promo photos from Mari Atsumi's pinku flick Denki kurage: kawaii akuma, aka Play It Cool, but we held this rarity back for a year because we wanted to give it solo billing. So here you go. The film premiered today in 1970, and the other promo photos are here.
I really don't know if I can survive another day of this.
Summer is coming just in the nick of time for Reiko Ike, who tends to wilt during the cold Japanese winter months, as you see her doing in this photo. It comes from an issue of the Japanese magazine Weekly Playboy and was published in January 1978 as part of a pin-up calendar. Reiko got the month of May, which is the commencement of new hope, the efflorescence of the natural world, and a good time to shop for bathing suits. Unless you prefer to go au naturel. Either way summer is the most fantabulous time of the year.
The headlines that mattered yesteryear.
1926—Houdini Fatally Punched in Stomach
After a performance in Montreal, Hungarian-born magician and escape artist Harry Houdini is approached by a university student named J. Gordon Whitehead, who asks if it is true that Houdini can endure any blow to the stomach. Before Houdini is ready Whitehead strikes him several times, causing internal injuries that lead to the magician's death.
1973—Kidnappers Cut Off Getty's Ear
After holding Jean Paul Getty III for more than three months, kidnappers cut off his ear and mail it to a newspaper in Rome. Because of a postal strike it doesn't arrive until November 8. Along with the ear is a lock of hair and ransom note that says: "This is Paul’s ear. If we don’t get some money within 10 days, then the other ear will arrive. In other words, he will arrive in little bits." Getty's grandfather, billionaire oilman Jean Paul Getty, at first refused to pay the 3.2 million dollar ransom, then negotiated it down to 2.8 million, and finally agreed to pay as long as his grandson repaid the sum at 4% interest.
1947—HUAC Hearings Begin
The House Un-American Activities Committee begins its investigation into Communist infiltration of Hollywood, resulting in a witch hunt that destroys lives, ruins careers, and makes Senator Joseph McCarthy the most feared politician of the era.
1968—Jackie Kennedy Marries
Former First Lady Jacqueline Kennedy marries Greek shipping tycoon Aristotle Onassis. The marriage comes as a total surprise to the American public, and results in a terrible backlash against her and also makes her the number one target of paparazzi for years.
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