DeForest Kelly makes strong impression debuting in low budget psychological noir.
We’re doubling up on the film noir with Fear in the Night, a low budget drama that hit cinemas today in 1947. It stars DeForest Kelly—Dr. McCoy of Star Trek fame—in his cinematic debut as a bank teller who has a nightmare of murder, but wakes with unnerving hints it was more than a dream—blood on his hand, thumbprints on his neck, and a few foreign items in his possession. While not a top noir, the source material—Cornell Woolrich’s story “And So to Death”—is strong, and the film is stylishly shot by director Maxwell Shane and cinematographer Jack Greenhalgh, who use various visual tricks to suggest a man barely keeping his grip on reality (see below). Some may be put off by the voiceover dominating the first reel, but we thought it was fun. Viewers know right away Kelly’s done something bad in the real world—the questions are where, when, how, and why. Luckily, his cop in-law and loyal girlfriend are there to lean on, so it’s only a matter of time before the truth comes out. Kelly is only twenty-seven in this and with his soulful eyes and perfectly waved hair he’s quite handsome. We recommend this one for true noir lovers, fans of Star Trek, and women who want material for their rub club. And no, you aren't imagining it—DeForest doesn't appear on the promo poster, even though he's the star.
In search of the perfect O.
There's nothing special about this poster for Mado kara Roma ga mieru, aka Roma dalla finestra, aka Rome from a Window, other than perhaps that it's double-sided, as you see at right. But the movie does feature Kimiko Nakayama, which is no small thing. Shot in Italy by a Japanese director with a mostly Italian cast and crew, it's the story of a photographer named Carlo, his wife, Nakayama's character O, and the various sexual entanglements these three experience, both between themselves and with others.
This being a movie from Japan's infamous roman porno genre, it's in no way a surprise that the photographer meets O because he comes across her peeing. She happens to be doing this at the monument marking the site where Italian director Pier Paolo Pasolini was murdered in 1975, beaten to death by an assailant or assailants then run over several times with his own car. When Carlo and O get together later for fun and games she comments upon the prodigious size of his member, to which he responds that he is of normal Italian size. As a joke, it can cut both ways, as can many aspects of the movie.
In general, it's all very weird, possibly because director Masuo Ikeda, who also wrote the screenplay, was foremost a painter, sculptor, ceramist, printmaker and award-winning novelist who only dabbled in film direction. The sense of artistic freedom, in terms of not being concerned with following norms, really shows. With an atmospheric soundtrack from Paul Mauriat (the sleeve is just above and right) that is better remembered than the actual movie, Mado kara Roma ga mieru, aka Roma dalla finestra premiered in Japan today in 1982. And just because we had it laying around, below is a shot of Nakayama to go along with one we shared several years ago.
, Mado kara Roma ga mieru
, Roma dalla finestra
, Rome from a Window
, Kimiko Nakayama
, Masuo Ikeda
, Pier Paolo Pasolini
, Paul Mauriat
, roman porno
, poster art
, movie review
Once you get her heated up there's no cooling her down.
Danchizuma futari dake no yuru, aka Apartment Wife: Night by Ourselves, premiered in Japan today in 1978, and here you see the promo poster. You know the drill with the Apartment Wife series—sex, bondage, and general perversion reiterated in twenty-one films starring various actresses. This one featured the radiant Izumi Shima, who we last saw in Lady Chatterley in Tokyo grinding on some stiff wood. We mean that literally—she dry fucked a tree. It was hilarious. We'd love to tell you what mischief she gets up to in this movie, but we weren't able to locate a copy. But we'll keep looking.
La Lollo gives a child's toy a grown up workout.
The UPI photo above was shot today in 1959 and shows Italian actress Gina Lollobrigida hula hooping between takes on the set of United Artists' biblical epic Solomon and Sheba. La Lollo was apparently a big fan of the hula hoop—according to the info on the back of the photo she owned this one and brought it from her home in Rome. Interestingly, she was costumed almost exactly like this—in a glittery bra and skirt while showing a bare midriff—in 1950's Vita di cani, 1952's Les belles de nuit, and wore a circus performer's outfit of very similar style in 1956's Trapeze. Her most famous physical trait was her hair (lollo rosso lettuce is so named because it resembles the curly 'do she wore for much of her career), but it seems producers preferred her navel. Can't say we blame them.
If at first you aren’t impressed try Trygon again.
You may have noticed we’re really digging into our collection of Japanese posters lately. Here’s another. It was made for Das Geheimnis der weißen Nonne, a West German-British movie based on Edgar Wallace’s novel Kate Plus Ten and released in English as The Trygon Factor. Basically, a Scotland Yard investigator investigates a series of robberies and finds that a respectable English family and group of nuns living in a country manor together are not what they seem. Stuart Granger and Susan Hampshire star, but the star of the poster is Sophie Hardy, which just goes to show the Japanese distributors knew exactly how best to promote the film. We saw the movie several years back and weren’t impressed, but we watched it again last night and this time found it pretty entertaining for the type of goofy crime thriller it is. We make no guarantee, though. Das Geheimnis der weißen Nonne-The Trygon Factor premiered in Japan as Dai gôtô-dan today in 1968.
, West Germany
, Das Geheimnis der weißen Nonne
, The Trygon Factor
, Dai gôtô-dan
, Kate Plus Ten
, Stuart Granger
, Susan Hampshire
, Sophie Hardy
, Edgar Wallace
, poster art
Liars and tigers and bloodspray—oh mai!
Beautiful and very rare, the two posters above were made to promote Toei Company’s Urufu gai: Moero ôkami-otoko, aka Wolfguy: Enraged Lycanthrope, a rollicking thriller that premiered in Japan today in 1975 and starred Shin’ichi Chiba, better known in the West as Sonny Chiba. Based on a manga series by Kazumasa Hirai, the movie involves a vicious invisible tiger that’s killing the members of a Tokyo rock band who gang-raped a woman named Miki and infected her with syphilis because a powerful politician wanted her relationship with his son sabotaged. The tiger is the manifestation of Miki’s curse. You may be saying to yourself, “But none of that has anything to do with lycanthropy.” You’d be right, but there is in fact lycanthropy here—Chiba the tough reporter is a werewolf. He can’t yet harness his power, but try telling that to J-CIA, a secret organization that will stop at nothing until they obtain Chiba’s vital fluids and create human-wolf hybrids. Hero and heroine’s paths and genitals eventually cross, and from this union Chiba realizes how to control his wolfly abilities. But there’s more, oh so much more, to this film. Urufu gai: Moero ôkami-otoko is gory good fun, low budget, but well worth a viewing thanks to Nami Etsuko as Miki and, of course, the legendary Chiba. Good luck tracking down a copy. Ours was a cable television rip with all the crazy Japanese commercials intact.
Hello Pulp International readers! I'm Commercial Girl. The Pulp guys have asked me to introduce five screenshots from Urufu gai: Moero ôkami-otoko. Please enjoy and have a wonderful Tuesday!
The enraged lycanthrope acquits himself admirably in a fight as none other than Steve McQueen the King of Cool looks on with studied approval.
Some girls don’t like wolf blood so when you find one who digs it this much she’s a keeper. Napkins? Nonsense! This blood is finger licking good.
Wild thing you make my heart sing… and squirt like a lawn sprinkler. It’s just give give give with this girl.
Hey, douche nozzles, why the fuck did I hire you? Look at my mouth. That thing hanging there? That's called a cigarette. What does it need? Here’s a hint—why does it emphysema like you never fuckin' listen?
Shhh…I can hear her spirit speaking to me through her portrait. She says KFC bucket meals are 30% off for a limited time only. Um, Wolfguy, you turned off the tv in the other room, right?
Hi! Commercial Girl here again. The Pulp guys say Tuesday sucks especially hard. Even more so when your fantasy baseball team goes 2 for 39 and you lose seventeen points! So here’s one more screenshot because you need extra cheering up! All of us in Kiss want every one of you out there to remember to rock 'n' roll all night and party EVERY DAY! Geishas RULE! Sushi and blow FOREVER! So long Tokyo! Or as you say here, Sayonara! Japan
, Toei Company
, Urufu gai: Moero ôkami-otoko
, Wolfguy: Enraged Lycanthrope
, Shin'ichi Chiba
, Sonny Chiba
, Nami Etsuko
, Kazumasa Hirai
, Steve McQueen
, poster art
, movie review
Mexico serves as a fresh backdrop for a macabre classic.
From Estudios America, S.A. came this poster promoting their low budget adaptation of Edgar Allan Poe's short story "The Fall of the House of Usher," which the studio called Satanás de todos los horrores. You've read the Poe story, right? Cursed house, woman buried alive, house cracks in two, falls over, and sinks into swamp. Satanás premiered in Mexico today in 1974, and starred Enrique Lizalde, Enrique Rocha and Illya Shanell. Though it's been poorly reviewed over time, we've seen far worse. The promo poster, you may notice, is signed “E.M.” We don't know who that is yet. Anyone out there with insight feel free to drop us a line. In the meantime we will dig, as always. See more Mexican movie poster art here and here.
Once you go Black Emanuelle you never go back.
Javanese beauty Laura Gemser isn't black in the ethnic sense, but you know that going into Black Emanuelle, first of the Italian-made sexploitation series that borrowed the French Emmanuelle concept and took it to places its originators could never have imagined. Gemser could actually be half black or mostly black, going by skin tone alone, but in a way her being South Asian in real life becomes the whole point, as it makes all her love scenes titillatingly interracial, whether she's getting it on with Africans or white foreigners. This is the tamest of the series—before poor Emanuelle was beset by voodoo priests, cannibals, and worse. In addition to the honeyed Gemser in the starring role you get a scoop of vanilla Schubert on top—German actress Karin Schubert. We aren’t going to bother to tell you about the plot of this one—it follows the form of other movies about westerners who get freaky in the African bush and eventually leave with profound insights and fond memories (cue shot of dreamy eyed actress gazing out airplane window as dark, mysterious Africa recedes below). In addition to the Japanese poster above we were able to locate quite a few promo images, including two of Gemser and Schubert doing field tests of Newton’s laws of physical motion. See below. Black Emanuelle opened in Japan today in 1976. Japan
, Black Emanuelle
, Laura Gemser
, Karin Schubert
, poster art
, sex symbol
, movie review
You ever wonder what nuns wear under their habits? Neither do we. But some people do.
What is it about nuns? We’ve never paid them any mind, but seventies filmmakers sure found them irresistible. We’ve shared a few examples of the phenomenon over the years, such as here, here, and especially here. Educande fuori… femmine dentro was originally made in West Germany, where it was called Die Klosterschülerinnen, and later it appeared in English speaking countries as Sex Life in a Convent. We watched it, and it’s nunsploitation without much in the way of successful humor or eroticism. You've been duly warned. But the Italian poster, which you see above, is pretty cool. Also German actress Astrid Boner—her name kills us every time!—is in a co-starring role. And probably most worth mentioning is the fact that the miraculous Doris Arden gets top billing, and deservedly so. To reiterate, deservedly so. From 1972, this one. West Germany
, Educande fuori… femmine dentro
, Sex Life in a Convent
, Die Klosterschülerinnen
, Doris Arden
, Philippe Dumont
, poster art
, sex symbol
, movie review
The headlines that mattered yesteryear.
1953—Hemingway Wins Pulitzer
American author Ernest Hemingway, who had already written such literary classics as The Sun Also Rises, A Farewell to Arms, and For Whom the Bell Tolls, is awarded the Pulitzer Prize for fiction for his novella The Old Man and the Sea, the story of an aging Cuban fisherman who struggles with a giant marlin far out in the Gulf Stream.
1970—Mass Shooting at Kent State
In the U.S., Ohio National Guard troops, who had been sent to Kent State University after disturbances in the city of Kent the weekend before, open fire on a group of unarmed students, killing four and wounding nine. Some of the students had been protesting the United States' invasion of Cambodia, but others had been walking nearby or observing from a distance. The incident triggered a mass protest of four million college students nationwide, and eight of the guardsmen were indicted by a grand jury, but charges against all of them were eventually dismissed.
2003—Suzy Parker Dies
American model and actress Suzy Parker, who appeared the films Funny Face and Kiss Them for Me, was the first model to earn more than $100,000 a year, and who was a favorite target of the mid-century tabloids, dies at home in Montecito, California, surrounded by family friends, after electing to discontinue dialysis treatments.
1920—Negro National Baseball League Debuts
The first game of Negro National League baseball
is played in Indianapolis, Indiana. The league, one of several that would be formed, was composed of The Chicago American Giants, The Detroit Stars, The Kansas City Monarchs, The Indianapolis ABCs, The St. Louis Giants, The Cuban Stars, The Dayton Marcos, and The Chicago Giants.
1955—Williams Wins Pulitzer
American playwright Tennessee Williams wins the Pulitzer Prize for Drama for his controversial play Cat on a Hot Tin Roof, which tells the story of a southern family in crisis, explicitly deals with alcoholism, and contains a veiled subtext concerning homosexuality in southern society. In 1958 the play becomes a motion picture starring Elizabeth Taylor and Paul Newman.
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