For Foch's sake won't someone please listen?
This poster was made to promote My Name Is Julia Ross, a tidy little film noir only sixty-five minutes in length, which makes it an economical expenditure of time. Dutch beauty Nina Foch is hired to be a live-in secretary but finds herself stuck in a house where everyone seems to think she's someone she isn't. She has a husband, a doting mother-in-law, and other people in her life, none of whom she's ever met before. What sort of plot is afoot here? Well, we quickly learn Foch was chosen to be an unwilling double for the former mistress of the house, who's dead, murdered by her husband actually—a fact unknown to the proper authorities. You can probably figure out the rest. Just think: inheritance. Realizing she's being set up to be murdered, she tries to tell everyone from the police to her doctor she's not the dead wife, but nobody will listen. Is everyone blind to the truth? Or is it that everyone is in on the plot? Either way she better figure out something quick. My Name Is Julia Ross isn't a perfect movie, but it's pretty good, and since it's barely longer than a television show we have to recommend it. It premiered in the U.S. today in 1945.
Now Joey, how many times do I have to tell you to keep your dog on a leash?
These Japanese posters were made to promote the 1953 western Shane when the movie was re-released in Japan in 1970 and again in 1975. The movie starred Alan Ladd, and he appears on the posters along with Brandon de Wilde, but for us the real star of these is the dog, Shep. In the first he's like, “Is that a squirrel?” And in the second he's wandered off and been run over by a stagecoach. You don't remember that from the movie? You need to watch it again.
Xenophobia: Don't leave home without it.
The above poster was made to promote the Japanese run of a West German sexploitation film that originally had the unwieldy title Die jungen Ausreißerinnen - Sex-Abenteuer deutscher Mädchen in aller Welt, which is sometimes shortened to just Die jungen Ausreißerinnen, or “the young runaways.” For distribution in English it was called Innocent Girls Abroad. It has nothing to do with Mark Twain's similarly titled classic, but is of course a softcore romp done anthology style, with Doris Arden headlining as the main innocent. She doesn't appear on the poster, though, save for in the lower lefthand corner. We suspect the Japanese distributors decided she wasn't boobalicious enough, which just goes to show what they know, because Arden is spectacular by any measure.
Anyway, what we have here is a cautionary tale featuring beautiful young travelers and the pitfalls they encounter, slavery among them, with the various misadventures taking place in Hong Kong, London, Beirut, Paris and Rome. Arden gets the Beirut segment and it consists of her telling the local police her story: raped by her stepfather when she was fifteen, a runaway drifting from place to place, ending up in a harem where she becomes a sexual servant, enduring a year of bondage before her escape. Many sexploitation films are joyful or comical or contain messages of female empowerment—Die jungen Ausreißerinnen isn't one of those. You've been warned. After opening in West Germany earlier in the year it played in Japan for the first time today in 1972.
Ms. Smith goes to New York City.
Above is an alternate poster for the thriller Undercover Girl, a film we talked about previously on its premiere date, which was today in 1950. Read the other write-up and see the other poster here.
Desire is easy. It's fulfillment that's hard.
This unusual promo pamphlet was made for the Australian release of May Britt's romantic drama The Blue Angel, which opened Down Under today in 1959. 20th Century Fox's publicity department was calling it “one of the great classic films of all times,” though it had only been out a few months. The lesson here is never believe the publicity department. In the film, which is a remake of Marlene Dietrich's 1930 classic of the same name, Swedish bombshell May Britt plays a burlesque performer named Lola-Lola who dances and sings nightly at a smalltown cabaret called the Blue Angel. She draws the romantic attention of a prudish, perhaps even virginal, high school professor, and all kinds of complications follow, ranging from the good (love and romance) to the bad (scorn and unemployment).
It's been said that Britt was chosen over Marilyn Monroe for this role, but if that's true, we're looking at a remarkably different movie than Monroe would have made. For one thing, while financed by 20th Century Fox, the movie is set in Germany and everyone in it hails from somewhere in Europe. We can't imagine that was the plan if Monroe had starred, but as a remake of a German classic, we suppose it's possible. Anotherbig difference is that Britt is not in any way Monroesque. While both are blonde and beautiful, Britt has a knowing, grown-up, real-woman demeanor, her voice a throaty contralto, while Monroe played wiggly-hipped high-pitched kittenish to the hilt. We can only assume the role was intended as a departure for Monroe, and a major departure it would have been.
But this is Britt's film and one thing is sure—she has talent. This isn't a surprise. She had already been in thirteen movies by this point. The Blue Angel came out the year before she met and married Sammy Davis, Jr. She made one more movie then was out of show business until after she and Davis divorced eight years later. These would have been her prime moviemaking years, but she chose to be a wife and mother,has said she chose correctly, and more power to her. Yet The Blue Angel gives a strong indication what sort of star she might have been. 20th Century Fox may have jumped the gun calling the film one of the great classics of all times, but now that it's actually an old film, and it's undoubtedly good thanks to May Britt and the very capable Curt Jürgens, maybe that description isn't so far off after all.
American sex stars make a big splash in Japan.
As promised earlier this month, below we have more adult film posters from Japan for U.S. based productions. We're pretty proud of these because you simply won't find them anywhere else, or if so certainly not in the quality you see here. And we have at least a hundred more.
Neon Nights, 1981, with Veronica Hart.
Fiona on Fire, 1978, with Amber Hunt.
Sex Asylum 4, 1993, with Christy Canyon.
Little Orphan Dusty, 1978, with Rhonda Jo Petty.
Co-Ed Fever, 1980, with Annette Haven.
Barbara Broadcast, 1977, with Annette Haven and Harry Reems.
Insatiable II, aka Insatiable Part 2, 1984, with Marilyn Chambers.
Breaking It, 1984, with Traci Lords.
High School Memories, 1980, with Annette Haven.
On White Satin, 1980, with unknown poster star. We were able to visually identify all the main performers in this film and none of them seem to be the person shown here. This is not unusual for a Japanese poster. Their makers occasionally used the most photogenic person rather than the top-billed performer, but in any case we don't know who this is.
All American Girls in Heat II, 1983, with Shauna Grant.
What are they rebelling against? What have you got?
Bad girl biker Anne Neyland encourages a rivalry between good boy biker Steven Terrell and bad boy biker John Ashley and the results are disastrous. Motorcycle Gang isn't original or compelling, but it may be worth watching for fans of ’50s hipster lingo and for admirers of Ashley, who later starred in numerous terrible-but-funny Eddie Romero b-movies filmed in the Philippines. Regardless of Motorcycle Gang's lack of quality, the promo poster is absolutely wonderful. The movie premiered in the U.S. today in 1957.
If only she knew what was going on in his head.
Above, a colorful poster for Fûten Rôjin nikki, aka Diary of a Mad Old Man, with Sô Yamamura as a man recovering from a stroke and Ayako Wakao as the occasionally towel-clad young daughter-in-law whose presence inflames his libido. Far better and more serious than it sounds. The movie premiered in Japan today in 1962. We have a couple more promo images below, and you can see a few more Wakao posters for a different movie here.
Glenn Ford meddles in the governance of a sovereign nation. Why? Because he can.
Do you think RKO Pictures actually went to Honduras to film Appointment in Honduras? Of course not. The movie, which premiered in the U.S. today in 1953, was mostly filmed at the Los Angeles County Arboretum & Botanic Garden. Too bad. We were looking forward to seeing what Honduras looked like before it became the disaster we personally know so well, a place of perpetual instability that at times has owned the highest murder rate in the world. We used to go there often, and we were there during one of its periodic political upheavals. Airports closed, bus companies shut, smoke and chaos filled the streets. We were stuck there for a week, but it wasn't all bad. We left San Pedro Sula, drove to the coast, then hopped a ferry—still operating thankfully—to Roatán. If you have to be trapped in a paralyzed country, choose one of its islands. Ah... memories.
Was all of the above a digression? Well, let's come back to it. In Appointment in Honduras Glenn Ford plays a shady character trying to make his way upcountry for reasons unknown. He enlists the aid of a quartet of killers, and kidnaps a married couple to use as hostages. He shoots a few people, and shows no remorse when his henchmen do the same. Yet he's the good guy in this. Eventually we learn that he's bringing money into the country to give to counter-revolutionaries intent on restoring a deposed president to power. There's no discussion of whether he has the right to do this, nor does he have a plan to deal with the chaos that might result from causing widespread violence. He seems to think everything will work out fine, and he can go back to his ranch when all is done. Sound familiar?
Thus we come full circle to our intro, not a digression at all, but a description of the real world result of the type of mercenary entitlement depicted by the movie. Director Jacques Tourneur, who had done so much better with previous efforts like Out of the Past and Cat People, is way too good for this flat adventure tale. Ford is fine, as always, but Ann Sheridan—one of our favorite golden actresses—is just lost, stuck in a character whose motivations are never believable, or for that matter palatable. But even though Appointment in Honduras isn't a good movie, it's an excellent example of mild mid-century cultural propaganda, with its icy disregard for the lives and desires of dark foreigners. Emotions stripped bare, is what the poster proclaims. Motivations stripped bare might be more accurate.
The headlines that mattered yesteryear.
1935—Downtown Athletic Club Awards First Trophy
The Downtown Athletic Club in New York City awards its first trophy for athletic achievement to University of Chicago halfback Jay Berwanger. The prize is later renamed the Heisman Trophy, and becomes the most prestigious award in college athletics.
1968—Japan's Biggest Heist Occurs
300 million yen is stolen from four employees of the Nihon Shintaku Ginko bank in Tokyo when a man dressed as a police officer blocks traffic due to a bomb threat, makes them exit their bank car while he checks it for a bomb, and then drives away in it. Under Japanese statute of limitations laws, the thief could come forward today with no repercussions, but nobody has ever taken credit for the crime.
1965—UFO Reported by Thousands of Witnesses
A large, brilliant fireball is seen by thousands in at least six U.S. states and Ontario, Canada as it streaks across the sky, reportedly dropping hot metal debris, starting grass fires, and causing sonic booms. It is generally assumed and reported by the press to be a meteor, however some witnesses claim to have approached the fallen object and seen an alien craft.
1980—John Lennon Killed
Ex-Beatle John Lennon is shot four times in the back and killed by Mark David Chapman in front of The Dakota apartment building in New York City. Chapman had been stalking Lennon since October, and earlier that evening Lennon had autographed a copy of his album Double Fantasy for him.
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