Vintage Pulp Dec 21 2018
SO VERY SORRY
There's really no reason to apologize.


How rare is this poster? Beyond rare. It's an eight panel promo for the Brigitte Bardot comedy Une parisienne, which premiered in Japan today in 1957 as Tonogata gomen asobase, which means something like, “sorry, gentlemen.” When you turn the thing over it has all sorts of info about the film. We uploaded the flipside intact, and also split it into two pieces so you can see its various aspects a little better. It's just an amazing piece of memorabilia.

There's actually another Japanese poster for the movie—the far less rare version everyone else has—and you see that below. It's also nice, but not in the same class. Just for the moment, Pulp Intl. is the only place you can see this alternate Tonogata gomen asobase promo, and we didn't watermark it because that would really be something to apologize for. We talked about the movie back in July, and if you're curious you can read that here.

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Vintage Pulp Dec 20 2018
YOU MUST REMEMBER THIS
The fundamental things apply as time goes by.


Yes, we're back to Casablanca. Above you see a Spanish poster for this award winning war drama, which premiered in Madrid yesterday in 1946. The movie was a smash hit everywhere because, simply put, it dealt with every important theme in the realm of human experience, which is why it's still fundamental viewing. And that would be true even if most of the characters weren't migrants—a type of person that's very prominent in the news these days.

The poster art is signed MCP, the designation applied to work produced by the Barcelona based design company owned by artists Ramón Martí, Josep Clavé, and Hernán Pico. We'll get back to this trio's output a bitlater. Casablanca generated some very nice promos, and MCP's effort is one of the best, in our opinion. We also recommend checking out the Japanese ones
here

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Vintage Pulp Dec 20 2018
THE VAGINA MONOLOGUES
She's had it up to here with men.


And in complete thematic contrast to the above, here we have a Japanese poster for the French porn film Le sexe qui parle, aka Pussy Talk. Believe it or not, like Casablanca, this was an award winner—it took the grand prize at the first and only Festival du Film Pornographique de Paris, held in August 1975. Does that mean it's a good movie? Well, it's still porn, so good is relative, isn't it? Plotwise it's pretty simple. Pénélope Lamour's vagina starts talking. What does it say? That it wants air, firstly. Other demands come later. And they are demands, because this organ with a witchlike voice doesn't take no for an answer.

It sounds a bit out there, perhaps, but French filmmakers have a way of infusing anything with intellect, which means there's an underlying social message here. Or are we giving them too much credit? Maybe anything a vagina says would seem packed with metaphor, under the circumstances. This particular unruly organ even talks when Lamour is asleep, which leads to it telling Lamour's appalled husband about its notable past encounters, including with a priest. Her vagina is spilling these secrets because it wants to drive the husband out of her (their) life. Just imagine.

When asked why it started speaking, little Lamour reveals, “We can all speak. It's just that most of us don't feel the need until one day we've had enough.” And we've revealed enough. You'll have to watch it yourself to find out where it all leads. We expect a woman's take on the film would differ greatly from a man's, but in both cases it will certainly generate material for discussion. After opening in France in November 1975, Le sexe qui parle talked its way into Japan today the same year.

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Vintage Pulp Dec 18 2018
GREAT APES
He always wanted to be big in New York City.


In science there are four great apes, also known as hominidae—chimps, orangutans, gorillas, and bonobos. But here the four great apes are all Kong. These Japanese posters were painted by John Berkey for the 1976 remake of King Kong, which starred Jeff Bridges, Jessica Lange, and a big animatronic puppet. The movie was mostly panned but it made $60 million in profits. It's considered by many of its detractors to be a prime example of how hype and advertising can make the public show up to see a bad movie. Today you have to wonder if this is a standard Hollywood formula, which in retrospect would make King Kong not just a great ape, but a guiding principle. It opened in Japan today in 1976. 

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Vintage Pulp Dec 14 2018
GREEK FREAKS
Two's company, three's a love triangle.


Above is a Japanese poster for the Greek sexploitation flick Anilikes amartoles, which played in English speaking countries as Sexual Eroticism. We can't find any record of the movie ever being called Sex Obsessed, but apparently it was, since it's right there on the poster. The Greek title translates to something like “juvenile sinners,” which seems straightforward enough, but we know nothing about the movie itself except that it opened in Greece sometime this month in 1971, and it starred Dora Sitzani in a story about a fisherman whose girlfriend piques the interest of a rich playboy. So we're fishing for answers. Greeks—step up and post some info on this one.

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Vintage Pulp Dec 12 2018
CELESTIAL BODY
Greetings, humans—take me to your leading erotic dancing establishment.


This poster for The Astounding She-Monster is beyond a doubt one of the best mid-century sci-fi promos ever. The illustrator Albert Kallis was responsible for numerous top notch works like The Brain Eaters and Terror from the Year 5000, but we think this one is his masterpiece. We'll get back to him a bit later.
 
As far as the movie goes, the plot is simple: an alien that looks a lot like nude model Shirley Kilpatrick in a zipback jumpsuit lands on Earth and crosses paths with a group of kidnappers, who with their hostage have invaded a geologist's house. Though Kilpatrick is wardrobed like a stripper or go-go dancer, the filmmakers have a serious goal, which is to show how a celestial emissary immediately sees humans at their most basic—in pointless conflict. When the She-Monster is forced to defend herself she does so, like all strippers do, with her lethal radioactive touch.

This effort from American International Pictures is ’50s sci-fi at its worst yet most earnest. The underlying anti-nuclear, anti-violence messages are laudable, but undermined by an $18,000 budget and a four-day shoot rife with terrible execution and unintentional comedy. The stock bear footage alone will have you rolling your eyes. And Marilyn Harvey screaming in panic... ...as she bolts out of the geologist's house is such a funny sight we had to watch it over and over. We're talking fall-on-the-floor hilarious. Even so, when is the last time you saw an anti nuclear movie? All these cheesy peacenik flicks from the ’50s and ’60s cared, which makes them—in that way at least—far superior to most of the cynical films being produced today. The Astounding She-Monster premiered this month in 1957.

I call this the dreaded claw.

Oh yeah? I call this the dreaded fist!

Does anyone want a lap dance?

Oh my freaking God! Let's get the fuck out of here!

Kilpatrick, during calmer times, catches some rays and practices making creepy space hands.

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Vintage Pulp Dec 9 2018
RAQUEL ON WHEELS
Welch rocks and rolls on the derby circuit.


Above is a Japanese poster for the U.S. drama Kansas City Bomber, which starred Raquel Welch, and featured Cornelia Sharpe and a very young Jodie Foster. We won't mince words—this is a bad movie, inspired by the roller derby craze of the 1970s, which back then was simply cheeseball pro wrestling on wheels. As weak as the film is, this role actually fits Welch. After scoring big early with Fantastic Voyage and One Million B.C. it seems as if she spent the rest of her career looking for the right part. This one works. Like her, the skater character she plays is a mother of two trying to make good in a world determined to see her only as an ornament. Welch plays her as warm hearted, a bit emotionally exhausted, but resilient at the core. Yet in the end Kansas City Bomber is still a movie about roller derby, which was lowbrow fakery put over on a gullible public as real. If the script had admitted the sport was staged there might have been room for a good satire, but that didn't happen, and with a fake sport as its subject, generating genuine emotion is difficult. Hey, but it still has Raquel. After premiering in the U.S. in August 1972 Kansas City Bomber opened in Japan today the same year.

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Modern Pulp Dec 5 2018
WHITE MEAT
More hapless northerners go to the tropics and end up as cannibaled goods.


Spanish schlockmeister general Jesús Franco made movies cheaply, and Jungfrau unter Kannibalen, aka Devil Hunter, is bargain basement all the way. Even the poster looks like some stoned high school goth painted it during art class. We especially love the obvious theft of Raquel Welch from One Million Years B.C. for the female figure. If this hypothetical goth ever unveiled his painting to his art teacher, she'd have gone, “That's, uh, very... interesting,” while secretly wondering what sort of psychological damage was behind such a creation. That's the way we feel about Jungfrau unter Kannibalen. It's, uh, interesting...

It premiered in West Germany today in 1980, stars beautiful Ursula Buchfellner, billed as Uschi Fellner, and was directed by Franco under the pseudonym Clifford Brown. We figured if he didn't take credit for this it must be really bad and we were right. Buchfellner, who we last saw in Linda, this time around plays a model kidnapped by Amazon maneaters that plan to sacrifice her to their devil god. The German title translated would be “virgin among cannibals,” and that pretty much covers it, plotwise. She gets stripped early and stays mostly naked, along with cannibal chief and swinging dick Claude Boisson. Other cast members disrobe as needed.

Naturally there's a rescue attempt, we guess because virginal blonde models are as valuable as Amazon gold, and apparently just as worth killing over. The expedition is led by Al Cliver, who found himself in an amazingly high number of very bad movies during the 1970s. But you have to respect a guy who had love scenes with Sabrina Siani, Silvia Dionisio, and Annie Belle. Toting future Playboy centerfold Buchfellner around the jungle while she was stark naked may have been his crowning achievement. He probably plays those scenes to his grandkids. Let him be an example to us that we should find pleasure wherever we can in this flick. And for that matter, in life, because you never know when you'll be eaten.

I love being worshipped! There's literally no downside to it!

I hate being worshipped. There's a serious downside to it.

Don't tell anyone, but our so-called ceremonial ointment is really just Shunga strawberry flavored massage oil.

Grr! Argh! Gr— Oh, it's useless, Jesús. How am I supposed to ravage Ursula when I can't even see her?

I have an idea. Follow my voice, Claude. Here's a classic German yodel I learned. Yodel-lay-de-li-di-lo! Yodel-lay-de-yodel-ooo!

Stop that before I really kill you. And what smells like strawberries?

*lick* Wow, Ursula, do all Germans taste this fruity? *slurp*

Need help up? Pull on this.

No, seriously. Just reach up here and take hold.

Screw you then, you ungrateful..!

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Vintage Pulp Dec 3 2018
THE MARRYING KIND
Do you, Edmund, take this woman to be—and stop me if you've heard this before—your lawful wedded wife?


The title of The Bigamist may seem to give the plot of the film away, but the point of this once-neglected-now-rediscovered drama is not the revelation of bigamy, but rather the details of how a man ends up with two wives. Edmond O'Brien plays a successful traveling salesman married to lovely Joan Fontaine, and their lives in San Francisco seem pretty good, despite all the time O'Brien spends away on sales trips. When they decide to adopt a child the agency's investigation uncovers O'Brien's other wife Ida Lupino in Los Angeles, and an entire domestic existence with her. Oh what a tangled web.

From that point forward The Bigamist is O'Brien's mea culpa to the insurance agent who busted him. This movie pops up a lot on television but not because it's great—because it's in the public domain, and because people are interested in the output of Lupino as a director. Yes, she helmed this one and did so with style, turning what was probably destined to be a forgettable melodrama into a quasi film noir. In the end the movie still isn't great, but it's a lot better than it should be thanks to Lupino. The Bigamist premiered in the U.S. today in 1953.

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Vintage Pulp Dec 2 2018
BLONDE ATTRITION
Being the object of every man's desire will tend to take a toll.


It took us a while to figure it out, but this is a West German poster for Anita Ekberg's drama Screaming Mimi, which we talked about a couple of years ago. Die blonde Venus is a pretty generic re-titling, in our opinion, but we do like this unusual visual approach for the poster. The movie is about a woman suffering from the effects of a traumatic event in her past, who takes on a new identity and suffers the double misfortune of being dominated by her lover and targeted by a killer. It's definitely worth a watch. You can read more about it here. After opening in 1958 it finally premiered in West Germany today in 1960.

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History Rewind
The headlines that mattered yesteryear.
January 22
1946—CIA Forerunner Created
U.S. president Harry S. Truman establishes the Central Intelligence Group or CIG, an interim authority that lasts until the Central Intelligence Agency is established in September of 1947.
1957—George Metesky Is Arrested
The New York City "Mad Bomber," a man named George P. Metesky, is arrested in Waterbury, Connecticut and charged with planting more than 30 bombs. Metesky was angry about events surrounding a workplace injury suffered years earlier. Of the thirty-three known bombs he planted, twenty-two exploded, injuring fifteen people. He was apprehended based on an early use of offender profiling and because of clues given in letters he wrote to a newspaper. At trial he was found legally insane and committed to a state mental hospital.
January 21
1950—Alger Hiss Is Convicted of Perjury
American lawyer Alger Hiss is convicted of perjury in connection with an investigation by the House unAmerican Activities Committee (HUAC), at which he was questioned about being a Soviet spy. Hiss served forty-four months in prison. Hiss maintained his innocence and fought his perjury conviction until his death in 1996 at age 92.
1977—Carter Pardons War Fugitives
U.S. President Jimmy Carter pardons nearly all of the country's Vietnam War draft evaders, many of whom had emigrated to Canada. He had made the pardon pledge during his election campaign, and he fulfilled his promise the day after he took office.
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