A Wood time was had by all at 1995 triple bill.
Above, a very nice chirashi mini-poster made in 1995 to promote a cinematic triple-bill of three Ed Wood films—Plan 9 from Outer Space, Glen or Glenda, and Bride of the Monster. None of the three played in Japan when originally released—and if you've seen any of them you realize there's no reason they should have—so this poster is for their premieres. The reason this happened is because Tim Burton's biopic Ed Wood became a hit in the U.S. in 1994 and this triple bill occurred about a month in advance of that film's arrival in Japan.
The art is signed, which you can see in the inset image at right, but we can make neither heads nor tails of it. Or rather, we can make out the letters just fine for the most part, but we can't really determine how they should be arranged. Conjizukin or Comjizukin seem most likely, but we get nothing on either of those names with online searches. We weren't surprised. These artists with their esoteric sigantures. We guess none of them imagine they might one day be obscure and their abstract autographs might actually be a hinderance to recognition. If anyone can identify who this is drop us a line.
Update: The answer has arrived. A reader has informed us the artist is Suzuki Cohjizukin. We'll dig up more work from him a bit later, and thanks very much to the person who wrote in.
Me and you Barbarella! High noon. Time to settle this once and for all!
As long as we're on movie posters today, above is a completely different type of femme fatale. The promo art, which we think is quite nice, is for the DVD release of CQ in Japan today in 2003. If you look closely at the right border of the art you can just make out the Japanese text. The movie was made by Roman Coppola, starred Jeremy Davies, Angela Lindvall, and Élodie Bouchez, and dealt with a struggling young director making a cheeseball sci-fi movie to pay the bills while working in his spare time on his beloved art film. That's Lindvall above as secret agent Dragonfly, a Barbarella-type space heroine, armed with vaguely organ-shaped retro-futuristic space gun. CQ premiered in 2002 and quickly achieved cult status, but writer-director Coppola has not had much opportunity to direct films since then, though he did helm a 2012 Bill Murray project called A Glimpse Inside the Mind of Charles Swan III. We haven't seen it, but we know it flopped pretty hard. We've talked about CQ before, so we won't reiterate except to say we loved it.
What are the odds of a Mayan comet showing up at exactly the worst moment? Pretty good in cheeseball sci-fi.
Caltiki—The Immortal Monster was an Italian production originally titled Caltiki il mostro immortale, but made in English starring Canadian actor John Merivale in a tale revolving around Guatemala's Tikal ruins. We used to live in Guatemala and visited the Mayan ruins at Tikal, so we simply had to watch this movie. But the actual ruins shown are an amalgam of pyramids and what look like buttes and rock spires from the southwest U.S. There's a volcano thrown in there too, though Tikal is flat rain forest and low lying swamps. Creative license, we suppose. It all looks kind of otherworldly, which we guess was the goal, so nice work by the efx department.
The basics of this story are that there's a legendary Mayan monster or goddess in a lake, and when a group of scientists is attacked, one of them returns to Mexico City with a piece attached to his arm. Doctors manage to carve off a sample and learn that radiation makes it grow. They of course keep the piece safely stowed away, but unfortunately a highly radioactive comet spoken of in Mayan lore choses that week to pass close to Earth. It only comes once every 1,352 years, so this is really unfortunate timing on the comet's part, but that's just Maya luck. Celestial bodies are nothing if not implacable and aloof. The lake specimen is irradiated, grows to monstrous size, and oozes terrifyingly across the city.
But the solution to this problem isn't so difficult. Fire kills Caltiki, so it's really just a matter of directing some flames onto the beast. Cue flamethrowers, army guys, and soundtrack tympani. Caltiki turns into a Caltiki torch then goes down like an undercooked soufflé. This is b-sci-fi at its goofiest, but we'll admit the blob effects are actually pretty cool, aided as they are by the fact that all of them take place at night. Mario Bava, who is uncredited but actually did most of directing here, does a decent job and the acting is passable. Recommended? We wouldn't go that far. Caltiki—The Immortal Monster premiered in Italy in 1959 and reached the U.S. today in 1960.
You have to be in it to win it.
When the dystopian sci-fi movie Deathsport premiered in West Germany today in 1978, the unusual poster above was used to promote it, the title having been changed to Giganten mit stählernen fäusten, which means “giants with steel fists.” That's obviously a terrible name, but whatever, that's what they went with. And what they got was David Carradine and Claudia Jennings in a tale of defiant freedom fighters known as range guides pitted against the minions of a state at eternal war.
The government needs to propagandize the population into joining the armed forces, so it stages televised gladiatorial spectacles in which statemen use fancy death machines to do battle. These contraptions are supposed to be so cool they bedazzle credulous viewers into joining the war effort. This is a really interesting point for an American movie to make, but this is b-cinema, which means the death machines are really just motorcycles the prop department welded extra aluminum to.
The budget may be low, but the framework of the movie is sound. Against its totalitarian/post-apocalyptic backdrop you get an ambitious stateman, played by all time b-movie villain Richard Lynch, pursuing a personal grudge against Carradine's legendary range guide. You may not know who Richard Lynch is by name, but if you've watched even a few terrible ’70s movies you know his face because of its distinctive scarring.
The movie also offers up cannibal mutants, desert mysticism, silver jumpsuits, crystal swords, and naked women—including Jennings in a couple of her nudest scenes. Ah, but don't fret, lovers of manmeat—Carradine wears a loincloth for most of the film. True, he's got one of those high fat content ’70s bodies, but on a typical Friday night, were the clock to strike closing time at the club, you'd take his hairy hunkiness home and be happy about it. In a way, that's true of the movie too.
Everything about her is right on the money.
Above, a nice promo photo of American actress Rosalind Cash, best known for co-starring in 1971's sci-fi classic The Omega Man. She went on to score parts on many television shows.
You exasperate me earth woman! I want you out of my saucer. Pack up your shit and I'll drop you at your mom's.
Martians decide they want to study a thousand Earthlings, including protagonists David and Janice, with the eventual goal of turning the entire human species into love slaves. Sounds easy, but of course unpredictable consequences result. The rear of the novel describes the story as “unbelievable but possible.” We think a better description would be, "Impossible, but you'll want to believe." 1960, with cover art from Basil Gogos.
Enterprise goes into dry dock for repairs.
The eleven-foot model of the U.S.S. Enterprise used to shoot television's Star Trek that has been housed in Washington, D.C.'s Smithsonian Institution since 1974 is receiving an overdue restoration. The Smithsonian requested photos from fans or studio staff who could help them return the metal ship to its exact condition from August 1967, when the episode “The Trouble with Tribbles” aired. Why that episode? We don't know. In any case, the Enterprise has been modified eight times over the years, and the museum was looking specifically for interior photos or shots of the ship disassembled so they could see how the interior structure was originally arranged. Photos emerged and the Smithsonian is now busily at work rehabbing the starship to its full luster. Since the original framework was wood, the two engines tend to sag over time, so one change being made is to reinforce the interior with a metal collar designed to keep the engines properly aligned. Repainting the exterior is also on the agenda. When finished the Enterprise will be displayed in the museum's new Boeing Milestones of Flight Hall, which opens in July. The timing is of course no coincidence. This year—September 8 to be exact—will mark the 50-year anniversary of the Star Trek's premiere on NBC.
You're going to like my movies or else. Now sit down and shut up.
Ann Smyrner was born in Denmark as Hanne Smyrner and came to wide attention for roles in cheeseball films such as Reptilicus and Journey to the Seventh Planet. The above photo was made when she filmed yet another cheeseball film—the 1967 Italian flop ...4 ..3 ..2 ..1 ...morte, aka Mission Stardust. These movies call out to us based on their titles alone, so we'll attempt to locate one or two and report back. They sound epically bad. Smyrner, on the other hand, looks epically good.
Newly unearthed manuscript by horror master set to be auctioned in Chicago.
A newly discovered manuscript written by otherworldly horror writer H.P. Lovecraft has been found in a collection of magic memorabilia in Chicago. The 31-page piece, titled "The Cancer of Superstition," is said to have been originally commissioned by Harry Houdini in 1926. Houdini died that year and the project fell by the wayside, but the typewritten pages were conserved by Houdini's widow Bess, and her manager, Edward Saint. The sheaf of pages will be auctioned April 9th, with bids starting at $13,000 and a final price estimated to reach $25,000 to $40,000—a pittance considering Lovecraft's fans will probably pay plenty to buy anything published bearing the icon's name.
This story dusted off some nice memories for us and brought a smile to our faces because—as any Call of Cthulhu geek knows—the real-life pairing of Lovecraft and Houdini is like ice cream paired with caramel sauce, or a census-taker's liver with a fine Chianti. We'd go so far as to say that any Call of Cthulhu keeper worth the title incorporates Houdini into the game eventually. In our long-running C of C campaign—years before we had girlfriends and an inkling that there were equally sticky but much more enjoyable ways to spend a Saturday night—Houdini appeared in a session only to promptly have his head melted by an interdimensional horror.
There's some small question whether "The Cancer of Superstition" was written by Lovecraft, or if it was actually penned by fellow author C.M. Eddy and merely polished by Lovecraft, but we suspect doubts on that score will always remain. After years of doing this site and trying to track the original authors of numerous obscure novels we know some questions about the provenance of literature are destined never to be answered.
So get your bidding hats on. Since anyone out who's seriously into Lovecraft and Call of Cthulhu is a supernerd (we mean that affectionately, as former nerds ourselves), you've probably squirrelled away plenty of cash from your career in computer sciences or botany or something. Don't let the manuscript fall into the hands of some empty suit hedge fund manager from upper Manhattan. And for those of you who haven't read Lovecraft and have no idea what we're talking about, we highly recommend you give him a try if you feel like a little literary horror. Just don't read too much about Lovecraft as a person. Some of his views were even more terrifying than his stories.
Spock beamed up a year ago today.
Star Trek icon Leonard Nimoy died a year ago today, an event we noted at the time with a brief tribute and a photo, though of Nimoy in human form rather than as Spock. Today, for the anniversary, we're going full Spock because we stumbled across this rare promo poster of Nimoy in character holding a model of the Enterprise. While the poster is similar to a widely circulated image available on the Memory Alpha website, as far as we know this particular item has never been posted online without a watermark. So that's our achievement for today.
The headlines that mattered yesteryear.
1915—Claude Patents Neon Tube
French inventor Georges Claude patents the neon discharge tube, in which an inert gas is made to glow various colors through the introduction of an electrical current. His invention is immediately seized upon as a way to create eye catching advertising, and the neon sign
comes into existence to forever change the visual landscape of cities.
1937—Hughes Sets Air Record
Millionaire industrialist, film producer and aviator Howard Hughes sets a new air record by flying from Los Angeles, California to New York City in 7 hours, 28 minutes, 25 seconds. During his life he set multiple world air-speed records, for which he won many awards, including America's Congressional Gold Medal.
1967—Boston Strangler Convicted
Albert DeSalvo, the serial killer who became known as the Boston Strangler, is convicted of murder and other crimes and sentenced to life in prison. He serves initially in Bridgewater State Hospital, but he escapes and is recaptured. Afterward he is transferred to federal prison where six years later he is killed by an inmate or inmates unknown.
1950—The Great Brinks Robbery Occurs
In the U.S., eleven thieves steal more than $2 million from an armored car company's offices in Boston, Massachusetts. The skillful execution of the crime, with only a bare minimum of clues left at the scene, results in the robbery being billed as "the crime of the century." Despite this, all the members of the gang are later arrested.
1977—Gary Gilmore Is Executed
Convicted murderer Gary Gilmore is executed by a firing squad in Utah, ending a ten-year moratorium on Capital punishment in the United States. Gilmore's story is later turned into a 1979 novel entitled The Executioner's Song by Norman Mailer, and the book wins the Pulitzer Prize for literature.
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