Everything about her is right on the money.
Above, a nice promo photo of American actress Rosalind Cash, best known for co-starring in 1971's sci-fi classic The Omega Man. She went on to score parts on many television shows.
It's a different Mame you want to put the blame on—I swear!
This unusual promo photo featuring American sex symbol Mamie Van Doren was made for the MGM crime thriller The Beat Generation, which may not sound like a nail-biter, but tells the story of cop's hunt for a serial rapist who happens to be a groovy beatnik. We gather it's pretty bad, which means we should probably screen a copy at some point. The image dates from 1959, and the Mame reference in our subhead—if you don't know it—comes from a bit earlier.
During the 1970s Nami Asada was the apple of Japan’s eye.
Japanese model Nami Asada gained wide recognition for posing naked with an apple for a Yoichi Aoyagi photograph, an unusual way to become a celebrity for sure, but certainly worthwhile, at least in our opinion. The photo, which appeared in the magazine Heibon Punch, preceded a best-selling book of images called Apple 1972-1977. You see the cover for that at right. That release turned into a follow-up called Apple 2, a third book called Another Apple, and so forth. The photo above comes from the Apple sessions and was featured in the same 1973 Heibon Punch as the Ryôko Ema image we shared last week. We have dozens of Apple shots, but so do other people. If you’re interested you can see some at the website Bulles de Japon, here.
One of these days these boots are gonna walk all over you.
This image made by Susumu Murakami comes from an issue of the magazine Heibon Punch and is a large foldout we scanned in three pieces and put together in Photoshop. You're welcome. It shows Japanese actress Ryôko Ema, who appeared in such pinku epics as Onsen suppon geisha, Sukeban gerira, and 1973's all-time classic Furyô anego den: Inoshika Ochô, aka Sex and Fury. We've discussed all those movies, but Ema was a supporting character, which is why we never mentioned her before. Omission remedied.
Hi! I'm in the bathroom freshening up. I'll be out in about an hour.
Above, a shot of Italian beauty Maria Fiore taking the world's most incremental bath in her 1952 cinema debut Due soldi di speranza, aka Two Cents Worth of Hope. We have experience bathing without a shower or bathtub, and the easiest way to do it is to use a bucket, pour some of the water over your head and body, thoroughly soap up, apply handfuls of water as needed (pits, crack), then pour the rest over your head to rinse. Even in warm countries the water tends to be uncomfortably cold, so a full drenching reduces the amount of time you spend shivering. Or you can bathe right after you've been outdoors in the heat. Of course, you need drainage for the bucket method, which Fiore seemingly doesn't have. So like she said, she'll be out in an hour.
You're going to like my movies or else. Now sit down and shut up.
Ann Smyrner was born in Denmark as Hanne Smyrner and came to wide attention for roles in cheeseball films such as Reptilicus and Journey to the Seventh Planet. The above photo was made when she filmed yet another cheeseball film—the 1967 Italian flop ...4 ..3 ..2 ..1 ...morte, aka Mission Stardust. These movies call out to us based on their titles alone, so we'll attempt to locate one or two and report back. They sound epically bad. Smyrner, on the other hand, looks epically good.
Some are on the left and others are on the right, but her position on guns is right in the middle.
This image of German born French actress Dorothée Blanck appeared on the cover of France's Cinémonde magazine today in 1965. Blanck died in January at the age of 81 after decades in cinema, including roles in Jean-Luc Godard's Une femme est une femme, Jean Renoir's Elena et les hommes, and Jacques Demy's Les parapluies de Cherbourg. She came from the humblest of beginnings—born in prison in Aichach, where her mother was serving time for political crimes like numerous leftists resistant to the rising Nazis; shuttled around to various orphanages and institutions; not even given an official name for the first two years of her life. Her film career began in 1953 and, with occasional lulls, she worked often throughout her life, appearing in some forty films. Her last project, entitled Jours de France, or Days of France, is in post-production and is slated to hit cinemas sometime this year.
, Jours de France
, Days of France
, Elena et les hommes
, Une femme est une femme
, Les parapluies de Cherbourg
, Dorothée Blanck
, Jean-Luc Godard
, Jacques Demy
, Jean Renoir
Andrea Rau bares her soul and little bit more.
German actress Andrea Rau had a knack for making eye-catching publicity photos, including a very
creepy creative shot of her standing in a hole in the woods while wearing a gas mask, but the image above is the prizewinner. It was made when she appeared in 1976 on the West German television show Disco, which ran on ZDF, one of those networks Americans would see while on vacation in Europe and go back home astonished that over-the-air television elsewhere in the world was so much more revealing. Even so, Rau bared a little bit more in the photo than the show. As you can see from looking below, she was well wreathed in foam for home audiences, so this must be one those fun bonus shots that tended to be made back then. Hope she didn't forget to wash behind her ears.
Yesterday seems so very far away.
American singer Abbe Lane, née Abigail Francine Lassman, lurks in shadow and light in this very noirish photo made during the 1950s when she was at the height of her fame. She became a star while only twenty or so and is still around today at the tender age of eighty-three. We recently shared several fun album covers featuring her and her husband Xavier Cugat and you can see those here.
Hah hah—you can only wish you knew me.
Pam Grier was one of Pulp Intl.’s first femmes fatales so it seems only right to bring her back every once in a while. This shot of her appeared on the May 1975 cover of New York magazine and is probably one of the best images of her ever made. The accompanying text called her “a new kind of Hollywood star.” That was true of her and several other women who came up through the blaxploitation ranks, but Grier was really top of the heap—she was the best, the bravest, and by far the most famous. She's had steady success for more than forty years, but we really enjoy those old movies of hers, and this photo captures her at the peak of that period.
The headlines that mattered yesteryear.
1938—Alicante Is Bombed
During the Spanish Civil War, a squadron of Italian bombers sent by fascist dictator Benito Mussolini to support the insurgent Spanish Nationalists, bombs the town of Alicante, killing more than three-hundred people. Although less remembered internationally than the infamous Nazi bombing of Guernica the previous year, the death toll in Alicante is similar, if not higher.
1977—Star Wars Opens
George Lucas's sci-fi epic Star Wars premiers in the Unites States to rave reviews and packed movie houses. Produced on a budget of $11 million, the film goes on to earn $460 million in the U.S. and $337 million overseas, while spawning a franchise that would eventually earn billions and make Lucas a Hollywood icon.
1930—Amy Johnson Flies from England to Australia
English aviatrix Amy Johnson lands in Darwin, Northern Territory, becoming the first woman to fly from England to Australia. She had departed from Croydon on May 5 and flown 11,000 miles to complete the feat. Her storied career ends in January 1941 when, while flying a secret mission for Britain, she either bails out into the Thames estuary and drowns, or is mistakenly shot down by British fighter planes. The facts of her death remain clouded today.
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