I like you but there's an ocean of differences between us.
Above, a fun promo photo of American actress Ann Blyth taken on the set of her romantic comedy Mr. Peabody and the Mermaid, 1948. Blyth started in movies in 1944 and last acted in 1985, but she's still around at age eighty-seven.
Belted, booted, and perfectly jumpsuited.
French actress Michèle Mercier began her film career in 1952 and was still going strong as of 2013. Among her many films were Casanova 70
, Le plus vieux métier du monde
, aka The World's Oldest Profession
, and I tre volti della paura
, aka Black Sabbath
. We love this shot of her. She seems ready for anything—from dancing at the disco to dealing with danger. It dates from 1971.
Tinkle, tinkle, little star.
Joyce Compton, née Olive Joyce Compton, launched her Hollywood career in 1925 and managed a few uncredited roles before being named one of the Western Association of Motion Picture Advertisers’ Baby Stars in 1926. WAMPAS Baby Stars was an award that each year singled out thirteen young actresses on the cusp of fame, and Compton went on to appear in well over one-hundred films during more than five decades in show business. The shot above is a First National Pictures promo from 1926 showing her modeling a tinkle garter, which was a garter belt with bells on it. To what end? Don’t ask us. It was the twenties, so maybe they helped women be heard above all the roaring.
If she gets any hotter the building will go up in flames.
It’s about that time again, so here’s another previously unseen image of a 1970s Japanese actress—Hitomi Kozue, one of the era’s most beautiful exports, seen here in a very nice shot dating from 1974. Kozue did an entire series in this cabin setting and we have quite a few of them, which we’ll eventually post so you can see if she left the building a pile of ashes.
Canary with a .38.
Above, American actress Paulette Goddard in a publicity shot made for the 1939 film The Cat and the Canary.
Nothing to fear but Greer herself.
This awesome promo photo comes from Jacques Tourneur’s iconic 1947 film noir Out of the Past, in which Jane Greer plays Kathie Moffat, one of history’s greatest femmes fatales. Here she watches Robert Mitchum and Steve Brodie in a fistfight, planning all along to decide the situation with a bullet.
The view from here is just about perfect.
Since we were talking about Rear Window yesterday, here's a shot of co-star Grace Kelly wearing one of the famed Edith Head designed dresses made for the movie. This is the most written about outfit from the film, the one Kelly tells Jimmy Stewart cost $1,100 dollars, which would be almost $10,000 in today's money. Her character quickly follows that up by saying it's a good thing she didn't have to pay for it (because she works in the fashion industry and gets free clothes). That was the clever solution to making Kelly as glamorous as possible, but without alienating the ticket-buying audience. Though this dress is nice, it's the green and white backless number she wears later that really sticks in the memory. Unfortunately, there are few good shots of that ensemble, and none showing her without the covering jacket. That may seem amazing, but Rear Window promo photos are somewhat rare. We have a couple of screenshots below, but if you want to see Kelly in action you'll just have to watch the movie.
She's worth her weight in any substance you choose.
Above, French actress Clio Goldsmith, photographed in 1975 for Vogue in an unidentified jungle, but most likely in Brazil, a suspicion that arises purely from the fact that Vogue had a well established Brazilian imprint. Goldsmith's film career lasted a mere six years, including 1982's hit sex comedy Le cadeau, aka The Gift, but she's still remembered as one of France's most beautiful cinematic exports.
Okay, Cathy, let’s try it one more time. You’re really scared, okay? Really really scared. Like utterly terrified.
American actress Cathy Downs, shown here in a promo image made for the 1957 sci-fi epic The Amazing Colossal Man, gives the photographer her most convincing scream of terror. Somehow she got the part anyway. Don’t doubt her acting skills, though. She was in one of the best film noirs of all time—1946's The Dark Corner.
Everyone put your hands in the air. Very good. You, on the left—get over here with that lighter.
Above, Dorothy Provine in a publicity shot from 1958’s The Bonnie Parker Story. She was born in Deadwood, South Dakota, one of the U.S.’s most historic former frontier towns, and a place that saw plenty of outlaws and gunplay in its heyday. Maybe that’s why Provine looks like such a natural.
The headlines that mattered yesteryear.
1935—Jury Finds Hauptmann Guilty
A jury in Flemington, New Jersey finds Bruno Hauptmann guilty of the 1932 kidnapping and murder of the Lindbergh baby, the son of Charles Lindbergh. Hauptmann is sentenced to death and executed in 1936. For decades, his widow Anna, fights to have his named cleared, claiming that Hauptmann did not commit the crime, and was instead a victim of prosecutorial misconduct, but her claims are ultimately dismissed in 1984 after the U.S. Supreme Court refuses to address the case.
1961—Soviets Launch Venus Probe
The U.S.S.R. launches the spacecraft Venera 1, equipped with scientific instruments to measure solar wind, micrometeorites, and cosmic radiation, towards planet Venus. The craft is the first modern planetary probe. Among its many achievements, it confirms the presence of solar wind in deep space, but overheats due to the failure of a sensor before its Venus mission is completed.
1994—Thieves Steal Munch Masterpiece
In Oslo, Norway, a pair of art thieves steal one of the world's best-known paintings, Edvard Munch's "The Scream," from a gallery in the Norwegian capital.
The two men take less than a minute to climb a ladder, smash through a window of the National Art Museum, and remove the painting from the wall with wire cutters. After a ransom demand the museum refuses to pay, police manage to locate the panting in May, and the two thieves, as well as two accomplices, are arrested.
1938—BBC Airs First Sci-Fi Program
BBC Television produces the first ever science fiction television program, an adaptation of a section of Czech writer Karel Capek's dark play R.U.R., aka, Rossum's Universal Robots. The robots in the play are not robots in the modern sense of machines, but rather are biological entities that can be mistaken for humans. Nevertheless, R.U.R. featured the first known usage of the term "robot".
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