|Femmes Fatales||Nov 16 2018|
Are you seeing these weird lights too, or is it just me that's tripping balls?
Swedish actress Karin Mossberg made this psychedelic promo shot when she was filming the anti-drug thriller The Big Cube. The movie was one of only three she made, but she played Lana Turner's daughter, which we think gives her something to brag about forever. The psychedelic feel of the photo reflects the film's plot, which deals with trying to drive Turner insane with LSD. As you probably suspect, it's one of the cheesiest and worst drug scare movies of the ’60s. It's the Reefer Madness of LSD. We actually have it somewhere in our library, so maybe we'll rewatch it and report back. Meanwhile, we've added a second promo shot below, made during the same session but before the drugs kicked in. Both images are from 1969.
|Femmes Fatales||Nov 10 2018|
You guys have fun on the mountain. I'm skiing directly over to the chalet and hot tub.
There are those that ski and those that get loaded on Champagne in the jacuzzi. U.S. born actress Jane Wald seems to be in the latter category. Though she may have been a high altitude partier, she was more of a medium altitude actress, with a career comprising mostly guest slots on television shows, including two appearances on Batman. But this shot is epic. It's from 1966 and first appeared in the Belgian magazine Ciné-Revue.
|Femmes Fatales||Nov 4 2018|
Leigh Christian is just right.
In the Goldilocks fable too hot and too cold are both unacceptable, but in our opinion there's no such thing as too hot, at least not when it comes to vintage actresses. Leigh Christian's credits were mostly on television, where she appeared on Hawaii Five-O, McCloud, Barnaby Jones, Starsky and Hutch, and many other shows. Among her few films were low budget efforts such as The Doll Squad and Beyond Atlantis. Her most recent role was as herself in 2010's Machete Maidens Unleashed, a brilliant and funny documentary about ’70s schlock cinema. The golden photo above is from early in Christian's career, 1969, when she was probably dreaming of bigger things than cheesy network cop shows. But ultimately she acted for twenty years, and that isn't a bad run by any measure.
The Doll SquadBeyond AtlantisMachete Maidens UnleashedHawaii Five-OMcCloudBarnaby JonesStarsky and HutchLeigh Christiantelevision
|Femmes Fatales||Oct 20 2018|
No person is truly nude who is lethally armed.
In this shot that appeared in the Japanese magazine Eiga no tomo Nana Asana eschews all but the most essential worldly possessions—a seat to rest her body when it wearies, a hat to protect her from UV rays and rain, and a pistol to make her arguments crystal clear. She acted in only three movies but this photo cements her legacy, at least as far as we're concerned. It's from 1977.
|Femmes Fatales||Oct 16 2018|
The city when it glowed.
This is a brilliant shot of U.S. singer/actress Julie London, an icon during her time who's been just a bit forgotten in this new millennium. She made something like forty movies, a body of work that gives you numerous options to choose from, but for our money we like her role as herself in the neglected Jayne Mansfield comedy The Girl Can't Help It. You can read a bit about the movie here, and more about London when we hopefully revisit her later.
|Femmes Fatales||Oct 12 2018|
See the blood? I just killed Raquel Welch.
Which is the best prehistoric lost world adventure ever filmed? Is it One Million Years B.C. with Raquel Welch or When Dinosaurs Ruled the Earth with Victoria Vetri? Don't get us wrong. Both are complete bullshit. Both show humans and dinosaurs living together, which never happened unless you're a fundamentalist who believes what you see in biblical museums. But apart from the scientific silliness of both movies, which is best? It's a question like Beatles versus Stones, California white versus Spanish red, or Kanye West versus Anderson Paak. It shows who you are. What you're made of. We're going with Vetri and Ruled the Earth, because the filming of Dinosaurs was basically a longform orgy and Vetri admits it. Also she shot her terrible husband in the chest, and we guess the only reason she used a gun was because her spear was in the other room. Total badass. This photo is from 1970.
|Femmes Fatales||Oct 6 2018|
She looks serene but she's about to erupt.
These shots of Brazilian model and actress Florinda Bolkan, née Florinda Bulcão, were made in 1968 when she was appearing in her first film Candy. Bolkan would leverage that role into a movie career in Europe by headlining such films as Una lucertola con la pelle di donna, aka A Lizard in Woman's Skin, Indagine su un cittadino al di sopra di ogni sospetto, aka Investigation of a Citizen Above Suspicion, and Non si sevizia un paperino, which we just talked about. For a time Bolkan was one of the hottest properties on the continent, and in Italy she was a virtual Vesuvius, with performances ranging from giallo to comedy garnering her acclaim that led to several international awards. All from humble beginnings on this beach. Read a bit more about her movie roles here and here.
Brazil. ItalyUna lucertola con la pelle di donnaA Lizard in a Woman's SkinIndagine su un cittadino al di sopra di ogni sospettoInvestigation of a Citizen Above SuspicionCandyNon si sevizia un paperinoFlorinda BolkanFlorinda Bulcão
|Femmes Fatales||Oct 2 2018|
In Hollywood a good name is half the battle.
She had one of the most memorable monikers in Hollywood history. She appeared in more than sixty films, scores of television shows, and probably a couple of dozen television movies too, and all without very much in the way of serious studio push. She did have a contract with Columbia Pictures, but many of her appearances were uncredited. Nevertheless she worked steadily for forty years, which a lot of bigger stars can't say. She was born Jean Marie Donnell but she acted as Jeff Donnell—not a name you'd easily forget—and this photo shows her in 1942.
|Femmes Fatales||Sep 29 2018|
It's unorthodox for the beach, but in case you haven't noticed, I can wear anything and look good.
Above is a photo of U.S. model Naomi Sims, a pioneering figure in the world of fashion who achieved global recognition in the 1960s while still a teenager. She was the first black model to front publications as diverse as Life and Ladies' Home Journal. Hollywood of course came calling. She was offered the lead in Cleopatra Jones but turned it down because she saw it as racist. She had a point. Blaxploitation movies are culturally significant and most are fun, but they hinge on crime stereotypes. In a country where so many are willing to see the stereotypes as encompassing of an entire people the argument could be made that the films were harmful. Sims wasn't the first or last to say so. In any case, that was the end of her flirtation with Hollywood, but she went on to author books on health, beauty, and the modeling industry. This photo dates from 1971.
|Femmes Fatales||Sep 24 2018|
If you look close it's easy to trace the tracks of her tears.
This unusual photo stars half Japanese half Irish actress and singer Rumi Koyama, who's shedding a tear for reasons we can't discern, though possibly because she can't sing like Smoky Robinson. But even if she never wrote anything as iconic as “Tracks of My Tears,” she's a very successful singer with numerous hit albums to her credit. But we're more interested in her cinematic output. That consists of ten motion pictures, among them Yoru no nettaigyo, aka BGS of Ginza, and Zoku onna no keisatsu, aka Women's Police 2. We may check out her film work. Anything to stop her crying. The photo came from a November 1968 issue of Punch Deluxe.