The statue was for the public. The photos were strictly private.
Hungarian artist Sepy Dobronyi holds what was for a while possibly the most famous statue in the world—his stylized sculpture of Swedish sex bomb Anita Ekberg. Dobronyi made it by using nude reference photos he'd shot of his subject, and it was those photos, more than the statue, that interested the public. Ekberg was one of the world's biggest stars at the time and the idea that nude shots existed was flogged by the tabloids and helped burnish Dobronyi's reputation as a sort of jetsetting artist. His depiction of her became known as the Ekberg Bronze. He went on to sculpt Brigitte Bardot, Ava Gardner, Beverly Aadland, and Jayne Mansfield, though as far as we know no nude photographs were involved in those efforts.
Dobronyi sold and collected many works and used his fame and fortune to become a traveller and adventurer, visiting nearly ninety countries and climbing Mount Kilimanjaro in Tanzania. Actually, he's probably worthy of a book or movie at some point, but then so are dozens of nearly forgotten Hollywood figures. He died in 2010 and as far as we know his Ekberg reference nudes never turned up, though we imagine they'd be worth plenty. But Dobronyi was a gentleman—other Ekberg nudes appeared over the years but he never revealed his and may have destroyed them at some point. We talked a bit about the Ekberg Bronze previously, which means you can learn a few more details of the story by clicking this link.
And if you're not careful he's likely to Walker all over you.
National Enquirer hits pause on its usual cheesecake, and on this cover from today in 1960 opts for some hairy hunkery in the form of U.S. actor Clint Walker. Walker was one of the early cowboy stars on television, headlining the hit series Cheyenne—named not for the city in Wyoming but for the character Cheyenne Bodie. There was a double entendre there, because the character was raised by Cheyenne Indians. In any case Walker manages to strike a nice penile pose with a lumberjack's crosscut saw. But as studly as he may appear, within the ranks of phallic cowboys he doesn't even come close to first place.
Crime magazine gives readers the gifts of death and mayhem.
Produced by the J.B. Publishing Corp. of New York City, Reward was a true crime magazine, another imprint designed to slake the American public's thirst for death and mayhem. Inside this May 1954 issue the editors offer up mafia hits, Hollywood suicides, domestic murder, plus some cheesecake to soothe readers' frazzled nerves, and more. The cover features a posed photo of actress Lili Dawn, who was starring at the time in a film noir called Violated. It turned out to be her only film. In fact, it turned out to be the only film ever acted in by top billed co-star William Holland, as well as supporting cast members Vicki Carlson, Fred Lambert, William Mishkin, and Jason Niles. It must have been some kind of spectacularly bad movie to cut short all those careers, but we haven't watched it. It's available for the moment on YouTube, though, and we may just take a gander later. Because Reward is a pocket sized magazine the page scans are easily readable, so rather than comment further we'll let you have a look yourself.
She was a material girl living in a material world.
Above is a 1960 National Enquirer with Barbara Nichols on the cover, and editors claiming she said “men, money, and me” make a perfect triangle. Nichols was never a top star, mainly guest starring on dozens of television shows, but she was a staple in tabloids because she dated many rich and famous men but never married, which is why we suspect Enquirer editors came up with their cover quote. Some of her escorts included Jack Carter, Steve Cochran, Cesar Romero, and Elvis Presley. Nichols died in 1976 aged forty-seven due to liver dysfunction. It had initially been torn in an auto accident a decade earlier and gave her problem the rest of her life. We have a pair of nice femme fatale photos of her and you can see those here, and well as an awesome album sleeve here.
A Dors of a different color.
Diana Dors is the star of the above Technicolor lithograph, which was tinted pink for fun by the vendors at Corp. A. Fox, an outfit that churned out thousands of similar prints during the mid-century period. They picked up the images wherever they were able, and this one was originally made as a promo for the 1957 film noir The Unholy Wife, without the garish pink tinge. Dors had already been in movies for ten years, so she wasn't actually a new box office figure, as the promo declares, but maybe she was newish to U.S. audiences. The photo was also sold as a horizontally oriented lithograph, again without the overdone blush, also below. You can see a couple dozen more prints featuring various known and unknown models from A. Fox and other litho companies by clicking the keywords at bottom. We also shared a Dors litho from 1964, which you can see here. And you can read about The Unholy Wife here.
Bailiff, can you please hand me Exhibit A so I can use it to get these people the hell out of my face?
In this photo made today in 1958 Hollywood super attorney Jerry Giesler sits next to Lana Turner at a coroner's inquest into the killing of Turner's boyfriend, alleged mob enforcer Johnny Stompanato. Turner's daughter, fourteen-year-old Cheryl Crane, had stabbed Stompanato in the abdomen with a knife during a confrontation in her and Turner's home. Among the throng seen around Giesler and Turner are Crane's father Stephen, assistant attorney Art Crowley, and various members of the press, who back then were given what today would be considered intrusive access to court proceedings.
As all Hollywood hung on Turner's words, the famed femme fatale, looking every bit the superstar she was, described to the court how an escalating argument between her and Stompanato led to him threatening to kill her. She related the fatal moment this way: “I was walking toward the bedroom door and he was right behind me, and I opened it and my daughter came in. I swear it was so fast I … I truthfully thought she had hit him in the stomach. The best I can remember they came together and they parted. I still never saw a blade.”
In most accounts the knife Crane used is described as a butcher knife, but it was actually a thin-bladed filleting knife. In any case it did the job nicely. And despite taking on a feared thug Crane came away physically unharmed. In the seconds after the stabbing Stompanato either chose not to retaliate, or more likely—because the knife had penetrated his liver, portal vein, and aorta—went into shock immediately and was unable either to strike back or go for aid. Police found him peacefully supine on the bedroom carpet. He had bled very little—at least on the outside.
Giesler got Crane off on the grounds of justifiable homicide, but conspiracy theories about the killing became rampant. Some said Crane killed Stompanato out of jealous desire; others claimed Turner did the deed and got her daughter to take the blame because she knew the court wouldn't imprison a minor. But in 1988 Crane, who never testified in 1958, gave her version of events. She said the attack was exactly as described, but that she also hated Stompanato because he was sexually abusing her. Many didn't believe her in 1988 but her words certainly have the ring of truth today.
Hi. I heard you serve tall boys here.
Our girlfriends didn't get it. A tall boy is a glass. They thought it was a chest of drawers. Yes, it's a chest a drawers. But it's a glass too. Mars, Venus, right? Anyway, back in December we watched the shlock jungle adventure Killer Ape with Johnny Weissmuller and Max Palmer, who you see above. Palmer was the tallest human on Earth, according to many sources. Here you see him entering a Hollywood bar called the Blue Palm Cafe, and needing to duck his head to get under the doorway. He was billed as 8' 2”. Some sources say he was probably more like 7' 6” or 7' 8”. Typical doorways in the U.S. were about 8 feet high, so decide on his height for yourself. Palmer made three films besides Killer Ape—Stone, Invaders from Mars, and The Sniper. The latter film was his debut role, in 1952, and the above photo was made that same year.
They say even bad publicity is good publicity.
In this March 1957 issue of the tabloid Behind the Scene editors take swipes at assorted Hollywood icons, among them Yul Brenner, John Wayne, and others. Highlights include the allegation that Elvis Presley's career is mob controlled, that camera clubs are just fronts for porn peddlers, that Hedy Lamarr used Linda Lombard as a body double for Samson & Delilah, and that Lucrezia Borgia is the sexiest movie ever made. Also Mamie Van Doren's “secret weapon” is that anywhere she goes she always wears the least clothing of any woman present.
The shocking tales about Brynner have mainly to do with his claims of being a real life man of action, born on the Russian island of Sakhalin to Mongol ancestors. The truth was more mundane, but the lies helped Brynner establish himself as a star. As far as Elvis goes, he was dogged by rumors of Mafia ties later in his career, but this mention of a connection as far back as 1957 was a surprise to us. As always, people on both sides of the issue are willing to shout their version of the facts to the mountaintops, but nobody really knows who’s telling the truth. We’ll check with Elvis himself on this, since he lives just over in the next town since faking his death in 1977.
The interesting story here is the one about Gail Russell and John Wayne. Their acquaintanceship began when they starred in Angel and the Badman together in 1947, and continued when they reunited for Wake of the Red Witch in 1949. Whether they were more than just friends, nobody really knows. At the time Wayne was married to Esperanza Baur Díaz, and the relationship was marred by drinking and fighting, including one incident when Baur shot at Wayne. When the divorce inevitably came, it turned into one of the nastiest splits in years, with Baur accusing Wayne of being a violent drunk who beat her and fucked around with various women, including Russell, and Wayne accusing Baur of hanging around sleazy dive bars in Mexico, hooking up with strange men, and spending his money to entertain them.
The divorce was in 1953, but Behind the Scene, with this cover, is offering its readership dirt from an event that was still fresh in the public’s minds because it had been such a knock-down-drag-out spectacle. Russell had never weathered the limelight well, and she used booze to cope. Her long term drinking problem was exacerbated by the turbulence surrounding the Wayne-Baur split. Two weeks after the divorce she was arrested for drunk driving. It caused Paramount to decline renewing her contract, and she kind of floated around for a few years, trying to hook on with a new studio but drinking steadily all the while. In 1955 she crashed her car and fled the scene, and in early 1957 she drove though the plate glass windows of Jan’s Restaurant in Hollywood.
With hindsight, it’s clear Russell was in a death spiral, but in the Tinseltown of that day the situation was perhaps not so obvious. In August 1957, Russell was found unconscious in her home, passed out after a drinking binge. Even in Hollywood, she had now crossed the line from being merely a party girl to having a problem. She was persuaded to join AA, but couldn't stop drinking, and in August 1961 was found in her L.A. apartment, having died from liver damage, aged 36, another beautiful star that flamed out. All that and more, in thirty-plus scans below.
2nd Amendment, motherfucker. If you say it's your right, then it's my right too.
Bernie Casey exercises his right to bear a chrome plated Colt Super .38 automatic in this cool promo photo made for his 1972 blaxploitation flick Hit Man. We love Casey. He died just last year, and was pretty much unheralded, but he appeared in a lot of fun movies, including Sharky's Machine, The Man Who Fell To Earth, Cleopatra Jones, Boxcar Bertha, and Bill & Ted's Excellent Adventure. He also had the good fortune to get naked with both Pam Grier and Claudia Jennings. The Jennings scene is flat amazing, but the Grier scene, which is actually from Hit Man, is hilarious. As Grier climbs atop him and presses her naked body full length onto his the expression on his face reads something like: “Oh. My. Freaking. God.” That's probably the only time in his life he wasn't 100% cool.
Abbe Lane wiggles it just a little bit.
When we saw this National Enquirer cover our first thought was: “She was famous for wiggling?” We did a search and found that famed singer Abbe Lane was indeed known for her shimmy, which inflamed imaginations to dangerous levels back in February 1962, when this Enquirer hit newsstands. Check out this bit from the Gil Brewer pulp thiller Wild:
She turned and walked into the house, through the doors. [snip] Her walk was lusciously lazy from behind, mindful of Abbe Lane crossing the platform for a bit of cha-cha-cha.
So yes, she was famous for her moves. And thanks to the magic of technology we found footage of her in action. It's pretty sedate by today's standards, but still worth watching. We have more nice Lane photos you can see, if you're interested. Full disclosure: they don't wiggle, but they still look nice. |
The headlines that mattered yesteryear.
1964—China Detonates Nuke
At the Lop Nur test site located between the Taklamakan and Kuruktag deserts, the People's Republic of China detonates its first nuclear weapon, codenamed 596 after the month of June 1959, which is when the program was initiated.
1996—Handgun Ban in the UK
In response to a mass shooting in Dunblane, Scotland that kills 16 children, the British Conservative government announces a law to ban all handguns, with the exception .22 caliber target pistols. When Labor takes power several months later, they extend the ban to all handguns.
Pierre Laval, who was the premier of Vichy, France, which had collaborated with the Nazis during World War II, is shot by a firing squad for treason. In subsequent years it emerges that Laval may have considered himself a patriot whose goal was to publicly submit to the Germans while doing everything possible behind the scenes to thwart them. In at least one respect he may have succeeded: fifty percent of French Jews survived the war, whereas in other territories about ninety percent perished.
1966—Black Panthers Form
In the U.S., in Oakland, California, Huey P. Newton and Bobby Seale form the Black Panther political party. The Panthers are active in American politics throughout the 1960s and 1970s, but eventually legal troubles combined with a schism over the direction of the party lead to its dissolution.
1962—Cuban Missile Crisis Begins
A U-2 spy plane flight over the island of Cuba produces photographs of Soviet nuclear missiles being installed. Though American missiles have been installed near Russia, the U.S. decides that no such weapons will be tolerated in Cuba. The resultant standoff brings the U.S. and the Soviet Union to the brink of war. The crisis finally ends with a secret deal in which the U.S. removes its missiles from Turkey in exchange for the Soviets removing the Cuban weapons.
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