Intl. Notebook Nov 20 2017
SMALL WONDER
Goliath goes miniature with a new collection of vintage erotica.

Nobody makes erotica quite the way Berlin based art book publisher Goliath does. In the past we've featured its erotic photo volumes Private Pornography in the Third Reich, Strictly Bondage, Kinky Bondage Obsession, and Dirty Rendezvous. Now Goliath has a new collection out called Photographia Erotica Historia, a compendium of hundreds of vintage erotic images compiled in mini-book format. It's leather bound, just about three inches high, close to 400 pages in length, and stored in its own snazzy little slipcase.

The miniature format was chosen by Goliath as homage. Mini books were popular in the late 1800s when erotic images needed to be easily concealable. Such items are collectible today, as are the individual studio photos and naturist shots from which much of Photographia Erotica Historia's content is culled. As a bonus you get some drawings and ink renderings to go along with the photos. The version you see above has French text, but the volume is available in five languages, including English.

Goliath publishes an array of material, but its erotic output is our favorite because it makes people challenge their own assumptions about art, sex, desire, and the idea of the past as a place where people were less devoted to matters of the flesh. Spoiler alert: maybe they weren't, as a scan through Photographia Erotica Historia will illustrate. Our previous Goliath books—which we tend to leave laying around when guests come by—have provided endless hours of conversation and entertainment, and we expect this one to do the same. We have a few sample photos below, and you can visit the Goliath website here
.

Photographia Erotica Historica
ISBN: 978-3-95730-033-1
49.99

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Intl. Notebook Oct 27 2017
LA VIE BARDOT
A better quality of life.


Above, another treasure from our ever generous Paris cache, an issue of La Vie Parisienne devoted mostly to Brigitte Bardot. Really, what can we add? Bardot photos tend to speak for themselves. We can mention that this is issue #106 of the magazine and it appeared this month in 1959, a good year in Paris by all available evidence. 

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Intl. Notebook Oct 7 2017
BODY COUNT
We'll put our six against their six anytime.


This cover of Midnight from today in 1968 gets us back into more tolerable tabloid territory after some hair-raising recent examples from National Spotlite dealing with rape and incest. Today we deal merely with scientists resurrecting the dead. Since they chose experimental subjects of no particular importance, it got us thinking about six people who could do some actual good if brought back. We restricted ourselves to figures from the pulp and post-pulp eras—no Cleopatra or Leonardo DaVinci. Here's our list:

George Orwell, because his wit and political insight are sorely needed in this day and age.

Babe Ruth, because we never saw him play, and we love the idea of someone who was great without taking what he did very seriously.

Marilyn Monroe, because nobody was better on a movie screen, and also because one of her most valuable qualities—usually overlooked—was how her ditzy characters always reduced supposedly smarter men to weak little boys.

Martin Luther King, Jr., so whenever some multi-millionaire cable pundit professes an understanding of him we can go straight to the source and hear: “I was against you and everyone like you.”

Albert Einstein, because perhaps only he could convince the growing ranks of proud know-nothings that intelligence, learning, and worldliness are good qualities.

Paul Rader, Rudy Nappi, George Gross, or any one of about a dozen other departed illustrators, because: more art.

So there you have it. We had a difficult time coming up with six, but after a few days playing around with about a dozen names we narrowed it down to a group we think would really enrich our existence. Honorable mentions: Amelia Earhart, Willie Mays, George Carlin, Richard Pryor, Elmore Leonard, et al. Maybe you would find choosing easier. Give it some thought and see what your list looks like.

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Intl. Notebook Sep 7 2017
NANAH NAH NAH, HEY HEY HEY
Kiash Nanah shows Rome how they shake it in Asia Minor.


Above you see a photo of Turkish bellydancer Kiash Nanah, aka Aïché Nana, and below she shakes up a Rome supper club called Rugantino with a strip tease. It was reported as an impromptu spectacle, but was in reality a publicity stunt, and we're sharing the photos because the event was mentioned in a 1963 issue of On the Q.T. we uploaded a couple of months ago. The story dealt not only with Nanah. It talked about the many crazed moments famously captured on film by paparazzi and the sensation their photos caused in magazines around the world. Shots of most of the incidents described—for instance Jayne Mansfield being attacked by Italian dancer Alma del Rio—were unavailable online, despite the infamy of the incidents. It serves as a reminder that the internet is merely an aperture and at least 99% of information and imagery hasn't made it through to us sitting at our computers. Most of it never will. But we did find this series of of Nanah shaking her moneymaker and thought you'd enjoy it. Our favorite photo is the next-to-last one. The guy on the right looks like he's summoning the waiter: “Get that woman another drink, quick!”

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Intl. Notebook Aug 17 2017
SUN KISSED SWEDE
May Britt is spotted in Triunfo magazine.


The Spanish magazine Triunfo wasn't the most graphically beautiful of magazines, but it did publish rare celeb photos, such as the colorful cover at top of an amazingly freckled May Britt, and the centerspread of Italian star Anna Karina. Elsewhere in the issue are shots from Marilyn Monroe's funeral, Paola de Bélgica's shopping spree, Ava Gardner's bullfight, and Catherine Deneuve's wedding, plus Betsy Drake, Cary Grant, James Dean, and current fashions. We've shared several of those rare Triunfo centerfolds in the past, and they're all worth a look. You can see them here, here, here, and here.

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Intl. Notebook Aug 12 2017
WEEK DAZE
Fireworks festival offers perfect opportunity for a little break.


We have three friends who have flown over from the U.S. to visit during our local fireworks festival and we're going to devote all our time to them for the next few days. After the money they paid to get here they deserve no less than 100% availability from us, especially since they're also our pulp mules, so it's time for another intermission. Here's something you probably don't know unless you have friends or relatives overseas: it costs more for round trip tickets out of than into the U.S. Why? We have a theory we won't bother to share, but just know that generally it costs us 70% of the price to fly to the U.S. as it costs our friends to come here. Actually, having spent time in a number of countries, we can tell you that Americans get gouged for a lot of things that are cheaper elsewhere in the world, yet of the exact same quality—cough! cough! healthcare! Airline tickets are just another of those many rip-offs. But we'll spend the next week trying to make our friends forget that, and the time will be punctuated by spectacular nightly pyrotechnics, which should help. Below you see a collection of links to some posts deep inside Pulp Intl. you might not normally find without a little nudge. Enjoy. Back online in a few days.
 
Ten paperback posts: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10
 
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Intl. Notebook Aug 10 2017
ART ATTACK
Soviet propaganda takes aim at the U.S.

Conflict and propaganda go hand in hand. During the Cold War the U.S. and Russia both produced political art bashing the other side, and some of that art has reached collector status today. We have an example above and below—a Soviet pamphlet featuring ink drawings by famed illustrator Alexander Moiseevich Zhytomyr attacking various aspects of the U.S., including capital punishment, mass incarceration, and nukes. Though the pamphlet was printed in 1964, most of the content is from earlier, generally the late 1940s. Basically, it's all pretty much self-explanatory, and timely too, considering many Americans are now highly critical of the same elements of their own country that the Soviets attack here. Whatever your politics happen to be, these pieces are all objectively quite nice. Have a look below.

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Intl. Notebook Jul 31 2017
ALL IN JEST
If she's really anything like a rabbit she's going to need a hole in the bottom of that costume.


We like this strange, rabbit themed cover from the U.S. pop culture magazine Jest, which was published bi-monthly out of New York City and Chicago by Jest Publications, later Timely Features, Inc. Jest was a staple on newsstands from approximately 1941 to 1963. While the rabbit suit on the cover model is funny, we also find it a little creepy—residue from watching Stanley Kubrick's The Shining no doubt. We know—that was a bear suit. But it ruined all animal costumes for us, plus she does look a little evil, doesn't she? Well, the models inside the magazine are less sinister. Some of those include Joan Corey, Kay Morgan, Lucille Lambert, and Loretta Hannings. The editors refer to them as "chorines," which is an interesting word we've seen a few times before. It's a feminization derived from "chorus," but when we see it we mainly think of how white our clothes would be if we threw one in our wash. These images all came from the website Darwin Scans, now sadly idle these last three years and running. But you still may find it worth a look.

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Intl. Notebook Jul 22 2017
BARDOT IN A BOTHER
You're annoyed? I'm the one who's a human armchair.

This is a classic piece of tabloid art. Brigitte Bardot is pictured on this National Enquirer published today in 1962 reading what is supposed to be a tabloid paper and looking annoyed. The art suggests she thinks the press is lying about her, reporting fake news, as it were. And being the tabloid press, it probably was. Below you see the photo Enquirer cropped to get the cover. In it, Bardot sits on her younger sister Mijanou's lap between takes on the set of the 1959 comedy Voulez-vous danser avec moi?, aka Come Dance with Me, in Nice, France. Sis looks just as bothered as Brigitte, but she was probably just bored, since she wasn't appearing in the film. She did act in more than a dozen movies of her own, though.

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Intl. Notebook Jul 14 2017
DAWN OF THE SKYBOATS
Flying through the air with the greatest of ease.

Pan American World Airways knew how to imbue travel with an aura of romance. It launched in the late 1920s with mail service from Key West to Havana, and quickly expanded to become a passenger airline. Business boomed—well heeled Americans took flights to Havana in droves in what became known as the Cocktail Circuit, escaping U.S. prohibition to enjoy a weekend of decadent nightclubs and gambling before returning in time for Monday's real world obligations. Soon Pan Am expanded service throughout Latin America and the world. It bought seaplanes to get around the problem of many cities not having proper airports. With the ability to use docking facilities, virtually no destination was inaccessible.

The company dubbed its seaplane fleet “clippers,” evoking the masted sailing ships of the oceangoing era, and their draw was not just their mobility but their luxury. Some say it was a different era of corporate governance, a time when the mandate in the commercial travel industry was to earn loyalty with good service rather than to blackmail customers into avoiding misery. This is partly true, but it's also important to remember that air travel was initially considered a luxury indulgence. It was with the advent of travel for the masses that airlines began to exchange services for profitably packing people in like sardines. In that sense, their priorities have not changed much in fifty years.

Pan Am soon began promoting its services with colorful posters, many of which were created by a talented artist named Mark von Arenburg. These prints, which promised to take passengers around the world by clipper, hung mainly in airports and travel agencies and gave passersby fantastic glimpses of faraway destinations—indeed, it's difficult to look at any of them without feeling the pull of the exotic wider world. The company produced hundreds of these promos in various styles and multiple languages, but for our purposes we're interested today only in the posters advertising travel on that elegant Pan Am clipper.

Over the years the fleet evolved from seaplanes to jets, and while all were called clippers, it's the lovely skyboats that are most fondly remembered—and which provided so many entertaining settings in old movies and pulp fiction. The posters you see below are scans of both originals and reproductions, and there are quite a few. Even so, it isn't a complete collection. Some of the most famous posters are so rare they simply can't be found online at the moment. While it's true that air travelers are mainly treated like cattle rather than customers today, and commercial flying is a form of voluntary torture, the destinations are still there to make those difficult hours in the air worthwhile. Let these posters inspire you.

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Next Page
History Rewind
The headlines that mattered yesteryear.
November 21
1959—Max Baer Dies
Former heavyweight boxing champ Max Baer dies of a heart attack in Hollywood, California. Baer had a turbulent career. He lost to Joe Louis in 1935, but two years earlier, in his prime, he defeated German champ and Nazi hero Max Schmeling while wearing a Star of David on his trunks. The victory was his legacy, making him a symbol to Jews, and also to all who hated Nazis.
November 20
1945—Nuremberg Trials Begin
In Nuremberg, Germany, in the Palace of Justice, the trials of prominent members of the political, military, and economic leadership of Nazi Germany begin. Among the men tried were Martin Bormann (in absentia), Hermann Göring, Rudolph Hess, and Ernst Kaltenbrunner.
1984—SETI Institute Founded
The SETI Institute, a not-for-profit organization dedicated to the search for extra-terrestrial intelligence, the discovery of extrasolar planets, and the habitability of the galaxy, is founded in California by Thomas Pierson and Dr. Jill Tarter.
November 19
1916—Goldwyn Pictures Formed
In the U.S.A., Samuel Goldfish and Edgar Selwyn establish Goldwyn Pictures, which becomes one of the most successful independent film studios in Hollywood. Goldfish also takes the opportunity to legally change his last name to Goldwyn.
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