Loren is head and shoulders above the rest.
Our ongoing quest for unusual Japanese material continues today with this cool page featuring Sophia Loren in a photo feature about hats. It's from the magazine Heibon Punch and appeared in issue 10, published in 1964. You know what she needs under that hat? An iridescent wig.
Sometimes there's nothing to do but wait to be freed.
You've probably noticed that other than the post we made two days ago (a test, really), there hasn't been any new content on Pulp intl. for over a week. Don't blame us. Blame our server company—again. Different one than last time. Not Thorbjorn and the gang. But still, same bad service. Basically, they made an unannounced upgrade on their end that booted us off the internet. Partly it's our fault. We've been rebuilding the back end of the site for four years, which is way too long, yet at the same time, usually it's a good idea for a server company to send an e-mail blast to its clients warning of important changes. But we fell through the cracks somehow. Were you worried? Just a little? All good now. But you know who loved the fact that we got thrown offline? The Pulp Intl. girlfriends.
Anyway, once we noticed the outage we got the front end of the site back up quickly, but the back end that allows us to post material remained scrambled for longer. Call it an unplanned intermission. An unexpected vacation. An improvisational hiatus. But like we said, we're back to normal now, and on the bright side, at least it wasn't a guy with a machete that caused this interruption. Although interestingly, we're currently being stalked by three guys a friend of ours punched in the eye. So another interruption could occur if they catch either of us alone without our discourager (wooden club). Neither here nor there. We're getting back up to full pulp speed with this naked apology™ featuring a great photo of Japanese actress Miki Sugimoto that appeared in Pocket Punch magazine around 1972. We hope to have few—or even no—problems until at least 2072. Fingers and toes crossed.
Some encounters you remember better than others.
Above, two photos of the 22-kiloton nuclear test codenamed MET, part of the series Operation Teapot, detonated at Frenchman Flat, Nevada, with military observers first shielding their eyes, then regarding the debris cloud, today in 1955.
French magazine celebrates essential American film genre.
A few years ago we used this image of German actress Dorothée Blanck as a femme fatale, but didn't scan the rest of the magazine in which we had found her. By now you know why—the pages of these old film mags are large and we have to scan them in halves and put them together in Photoshop or GIMP, which is time consuming, something that's a real problem for lazy people like us. But here we are three years later and we've finally done it. Above is the full cover of the issue of Cinémonde—“cineworld” in English—from which Blanck came.
Cinémonde was first published in October 1928 and ran until being interrupted by World War II in 1940. Post hostilities the magazine reappeared, running from 1946 until 1968, taking another pause, running again from 1970 to 1971, and finally folding for good. This issue hit newsstands today in 1965. Like other European magazines of the era, the main attraction with Cinémonde is that its photos generally have not been seen online before. This issue was devoted to the American western, and the subjects include some of the biggest cowboy stars in cinema history, including John Wayne, Glenn Ford, Clint Eastwood, and Jimmy Stewart.
That's the first half of the issue. Afterward editors move outside the western milieu, and you get Marlon Brando, David Niven, Francois Dorleac, Barbara Bouchet, Serge Gainsbourg, hair secrets of the stars, the top ten Don Juans of French cinema, and more. Do we have other issues of this magazine? You bet. We own a group that includes Cinémonde, Ciné-Revue, and others. Will we ever scan them? Well, we make no promises at this point, but you never know—maybe we'll splash out for a bigger scanner and solve the problem with money instead of effort. Seems to work for everyone else. Thirty plus images below.
She was more than just a movie star.
Smithsonian.com published an in-depth story yesterday about Austrian born Hollywood icon Hedy Lamarr, and how her technical genius helped bring the world Wi-Fi, Bluetooth, GPS, and cell phones. Hah! Get with it Smithsonian. We talked about this under discussed aspect of her life years ago.
It's curious that no matter how many times people write about Lamarr's technological exploits it never seems to become a generally known aspect of her personality. Maybe people want to see her as a beautiful actress, and much of the interest stops there. The Smithsonian piece will probably help change that a bit, and it's well written also (though considering what digital technology has wrought we'd probably add the phrase "for better and worse").
Yesterday's piece comes in tandem with the Smithsonian's Washington D.C. based National Portrait Gallery acquiring a rare original Luigi Martinati poster painted to promote Lamarr's 1944 thriller The Conspirators. We have no idea what it cost, but certainly a pile of money, since Martinati was not just a great artist, but one who tended to focus more on portraiture in his promos. You can see what we mean just below, and by clicking here and scrolling. As for Lamarr, we'll doubtless get back to her—and all her interesting facets—later.
Donut makers learn something bitter about their past.
Interesting story out of the world of donuts/doughnuts this week, as the Reimann family, originators of Krispy Kreme, (which makes by far the best tasting confections in America), were given a little surprise, and not of the sweet variety. An article in the German tabloid Bild outed the family's ancestors as Nazis. The story is notable because these ancestors weren't just footsoldiers or dull functionaries typing forms in triplicate, but full blown Aryan racists who used slave labor in their business and amassed a huge fortune doing it (that may sound familiar to people on the U.S. side of the ocean, as well). Apparently the family used female Russian and French prisoners, who they beat, sexually abused, and made strip naked for inspections. In July 1937 Albert Reimann, Jr. wrote to SS leader and Holocaust architect Heinrich Himmler and stated that his business was “a purely Aryan family business that is over 100 years old.” He also wrote that, “The owners are unconditional followers of the race theory.”
Reimann, Jr., who you see below, passed much of his fortune along to nine adopted children, four of whom now retain shares of the Krispy Kreme empire. Amazingly, the topping on this tale is that the source of all the info appears to be an ancestry check the family itselfcommissioned on their father. Wealthy clans generally have a firm understanding of their own family tree, what with all the money involved and the potential for virtually anyone to come out of the woodwork claiming to be a twelfth cousin or granddaughter of a patriarch's mistress, but in the case of adoptive children, putting the entire puzzle together sometimes happens later in life or not at all. In any case, the Reimann family, which holds approximately $37 billion in assets, announced that it would give $11 million to charity, or about %0.0003 of the estimated family fortune. Hey, every little bit helps.
Nana gives Turkey something to be thankful for.
We don't often find stuff from Turkey, but we ran across this item and thought it was worth a share. It's the cover of a pop culture magazine called Peri Kizi, which translates into English as “fairy,” as in a mystical creature from ancient folklore. The reason this caught our eye is because the cover star, billed as Nana Aslanoglu inside the magazine, is famed Lebanese born bellydancer and impromptu Rome stripper Kiash Nanah, who was also known as Aïché Nana. The photos feature her sporting a top added by censors, sadly, but the images are still quite nice. Almost forgotten in this millennium, Nanah was quite the sensation in her day. What did we mean by impromptu Rome stripper? Check here, uncensored.
Jeanne Carmen shows off her golf form. Her playing partners get fairway wood.
These items show Jeanne Carmen, model and b-movie actress, fronting The Reluctant Golf Pupil and Par Golf in 8 Steps, albums of golf instruction by Joe Novak punctuated with comic interjections from Reginald Owen. Though these seem like different albums, they're the same, just issued a year apart. Inside both you get liner notes written (allegedly) by Bing Crosby and Bob Hope, who were known to spend time on the links.
Carmen spent time on the fairways as well. She was nationally known as a trick-shot golfer, a skill she had picked up starting a decade earlier. She toured the U.S. pulling stunts such as using rubber shafted clubs and nailing drives off tees clenched between the teeth of supine (and terrified) male volunteers. So while these images appear often online, we've rarely seen it noted that Carmen was an appropriate choice for a cover star.
There's more to her story, including chapters involving gangster Johnny Roselli, friendships with the Kennedys and Marilyn Monroe, and hook-ups with Elvis Presley and (of course) Frank Sinatra. We may get back to her later. In the meantime, if you want to see a really nice swing check out Ana Berthe Lethe on the course here.
Yes, we'd like two medium pepperoni pizzas, please. And the delivery boy will need scuba gear.
What's the collective noun for a group of mermaids? A school? A shoal? A bevy? No idea. But above and below we have some beautiful Technicolor postcards featuring a— Well, since they seem to be having so much fun let's call them a party of mermaids, who were participants in a popular aquatic show in Weeki Wachee Springs, Florida. A 430 acre water park was built there in 1947 with numerous areas, and the mermaid show made its home in a large pool dubbed the Underwater Grand Canyon. By the 1950s Weeki Wachee Springs was one of the nation's most popular tourist stops.
The spot reached its zenith during the 1960s, when the swimmers staged ten performances a day, but its popularity waned from that point. Usually these stories of protracted decline end with something wonderful and weird disappearing forever, but just when it looked like the mermaids might go extinct, the Florida government stepped in and converted Weeki Wachee Springs into a state park. Thanks to that bit of legislative goodness the party of mermaids exists to this day, spreading fun and making memories. These cards are all from the 1950s and 1960s. Want to see more underwater beauty? Check out the Los Angeles Aqua Maidens here, and the famous Belita underwater here. |
The headlines that mattered yesteryear.
1942—Ted Williams Enlists
Baseball player Ted Williams of the Boston Red Sox enlists in the United States Marine Corps, where he undergoes flight training and eventually serves as a flight instructor in Pensacola, Florida. The years he lost to World War II (and later another year to the Korean War) considerably diminished his career baseball statistics, but even so, he is indisputably one of greatest players in the history of the sport.
1924—Leopold and Loeb Murder Bobby Franks
Two wealthy University of Chicago students named Richard Loeb and Nathan Leopold, Jr. murder 14-year-old Bobby Franks, motivated by no other reason than to prove their intellectual superiority by committing a perfect crime. But the duo are caught and sentenced to life in prison. Their crime becomes known as a "thrill killing", and their story later inspires various works of art, including the 1929 play Rope by Patrick Hamilton, and Alfred Hitchcock's 1948 film of the same name.
1916—Rockwell's First Post Cover Appears
The Saturday Evening Post publishes Norman Rockwell's painting "Boy with Baby Carriage", marking the first time his work appears on the cover of that magazine. Rockwell would go to paint many covers for the Post, becoming indelibly linked with the publication. During his long career Rockwell would eventually paint more than four thousand pieces, the vast majority of which are not on public display due to private ownership and destruction by fire.
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