Redhead risks serious sunburn to get a base tan.
Belgium's Ciné-Revue is one of the best film magazines of the mid-century era. It's also one of the hardest to scan. Not only do the pages need to be scanned in halves and joined via computer, but the tiny text makes lining the halves up a real challenge. We didn't think about that when we bought a stack of these in Paris several years back, and now the sheer effort involved causes us to doubt we'll ever get them all uploaded. But we managed to carve out a few hours, so today we have this issue from May 1975 with French actress Marlène Jobert doing a little topless boating on the cover, hopefully well slathered in sunscreen. Jobert also features in the beachy center spread wearing even less clothing (and theoretically more sunscreen), but the real star of this issue is Bette Davis, who receives a career retrospective with shots from seemingly every movie she ever made. You also get William Holden, Jane Birkin, Dominique Sanda, Sidney Poitier, Sophia Loren, Rita Hayworth, Agostina Belli, a feature on Steven Spielberg's Jaws, and much more, in forty-plus scans.
With house prices today, this is looking like a real bargain.
They just don't build them like they used to. Above you see a U.S. Energy Department photo that's been well-circulated around the internet showing the shell of a house that endured the Apple II nuclear test, a 29-kiloton shot fired today in 1955. The building was part of Survival Town, a collection of homes, fallout shelters, power systems, and communications hubs erected in the Nevada desert to gauge the effects of nuclear explosions on civilian structures. The effect, predictably, was catastrophic, but this one lived through it. With a little effort it could become a nice Airbnb.
A thorn in the side of the world.
The above photo shows the detonation of the Cactus nuclear device, which was set off today in 1958 on Enewetak Atoll, Marshall Islands, South Pacific, as part of Operation Hardtack I. Yes, there were so many nuclear tests during the ’50s and ’60s that quite a few occurred on the same day in different years. Instead of leaving a house behind Cactus left a crater 346 feet in diameter and forty feet deep. Which these days also could probably be made into an Airbnb.
She's as cool as the other side of the pillow.
Last year we shared some promo photos from Mari Atsumi's pinku flick Denki kurage: kawaii akuma, aka Play It Cool, but we held this rarity back for a year because we wanted to give it solo billing. So here you go. The film premiered today in 1970, and the other promo photos are here.
O Século Ilustrado showcases a top Hollywood beauty.
The Portuguese magazine O Século Ilustrado was the weekly supplement of Lisbon's daily newspaper O Século, which was published between 1880 and 1978. There's some pop culture and cinema content in the magazine, but it wasn't filled with thrilling visuals. The covers were sometimes an exception, though, such as this one that hit newsstands today in 1947 featuring an amazing shot of U.S. actress Martha Vickers—billed as “a star of cinema and radio.” During her short life she made a lasting impression in movies like The Big Sleep and Ruthless. The promo photo O Século Ilustrado editors used to create their cover appears below, and you can see that Vickers was a rare beauty. She died of cancer in 1971 aged forty-six.
A good kitchen always comes fully equipped.
We said last week we would not find any pulp on vacation. We were wrong. Our girlfriends wanted to go house shopping because that's their thing, even though none of us can afford to buy a house. On this occasion we were curious so we tagged along to check out this little hovel in the town center. It was in need of a total refit, but had good bones, as they say, as well as a roof terrace that killed. It had a kitchen from around, we'd wager, 1960, and as we stood there pondering how to shoehorn an oven and refrigerator into the place we looked down and noticed several boxes of Spanish language magazines and books. You can see them at right in the above photo. We bided our time until the real estate agent took our girlfriends upstairs, then we filled our pockets with as many books as we could realistically carry without looking like we'd actually stolen anything. You see three of the collection below, which we photographed in the house where we were staying. Don't let the floor scare you. It was a pretty nice place. Anyway, it just goes to show that pulp is everywhere, waiting to be ripped off by enterprising aficionados. We'll take a closer look at our finds and post something soon.
It's break time for Pulp Intl. And for a couple of other people too.
Our girlfriends are restless again and you know what that means—it's break time. So the website goes on standby while we head to an island for five or six days. We'll see if we can find some pulp items, but we think it's unlikely. The backend site redesign we mentioned is ongoing, and we'll finish it after we return. By now we don't have to tell you of the many thousands of interesting posts in here, so have a look around while we're gone, and we'll see you soon.
This nice pin-up style sticker was painted by legendary illustrator Rolf Armstrong for Kist Soda around 1930. Kist was created in 1922 by Citrus Products Company of Chicago, and was soon being manufactured in orange, ginger ale, lemon, and grape flavors. By the time Armstrong was brought in Kist had been licensed by the Quality Beverage Company, also based in Chicago. There's a bit of conflicting information online concerning the whos and whens, as always, but we just wanted to show you this very rare and pretty piece of Armstrong memorabilia.
Short of breath? Accelerated pulse rate? It might not be the altitude.
Since we're from Denver (we know it's tough to keep track because we've written about living in L.A., San Francisco, Guatemala, and the Philippines, but we are indeed from the Mile High City) we thought we'd share this promo for the Noir City Film Festival's new Denver edition. This particular noir fest (there are several) is affiliated with the San Fran fest, so it's not a surprise to see that they're reusing the art from the 8th San Francisco get together. What is a surprise is that the event is at the Alamo Drafthouse in Littleton—i.e. suburbia. Usually these events are held at historic cinemas such as the Castro in San Francisco or the Egyptian in Los Angeles. Denver has a few landmark cinemas, including the Mayan right in the city center. We assume it wasn't available. But on the plus side crime author James Ellroy will be co-hosting at the Alamo along with Film Noir Foundation president Eddie Muller. The festival will be a quickie—three days and six great thrillers: The Prowler, 711 Ocean Drive, Wicked as They Come, The Lineup, He Walked by Night, and I Walk Alone. Denverites, we highly recommend seeing film noir on a big screen. Opportunities in cities like New York, San Fran, L.A. and Chicago abound. Opportunities in the mountain west are rare. Take advantage.
Clearly they have consent issues.
Monsters may be horrible but you can't fault their taste. To borrow a line from one of their number, they're automatically attracted to beautiful. It's like a magnet. We wonder if it's possible their need is an unconscious manifestation of the id of male Hollywood screenwriters. Or were the writers deliberately making commentaries about male power, nuclear paranoia, and environmental degradation? Well, those are questions for smarter people than us. We take monsters at face value. Maybe that's not what we mean—some don't even have proper faces. What we mean is we judge them as individuals. Most monsters are direct, like Pongo, above, trying to impress Maris Wrixon in the 1945 movie White Pongo, while some, on the other claw, are more circumspect. But the language barrier usually sabotages their delicate efforts. “I know an independently owned café that serves a killer macchiato,” comes out as a series of glottal grunts. “I loved La La Land too and I think the naysayers are mainly joyless jazz purists,” comes out as a sustained sodden hiss. Even if these vocalizations could give a true indication of the inner depths of a monster's personality, women generally wouldn't give them a shot anyway, because despite what they say, looks really do matter. What's a monster to do?
This Island Earth, with Faith Domergue.
The Time Machine, with Yvette Mimieux.
Creature from the Black Lagoon, with Julie Adams.
The Alligator People, with Beverly Garland.
The Man from Planet X, with Margaret Field.
Robot Monster, with Claudia Barrett.
The Beach Girls and the Monster, with Sue Casey.
The Monster of Piedras Blancas, with Jeanne Carmen.
The Day of the Triffids, with Janette Scott.
It! the Terror from Beyond Space, with Shirley Patterson.
I Walked with a Zombie, with Christine Gordon.
From Hell It Came.
I Was a Teenage Werewolf, with Dawn Richard.
It Conquered the World, with Beverly Garland again crushing a monster's hopes for love and fulfillment.
El retorno del Hombre Lobo, aka Night of the Werewolf.
Empire of the Ants, with Joan Collins.
I Married a Monster from Outer Space, with Gloria Talbott.
The Wolf Man, with Evelyn Ankers.
The headlines that mattered yesteryear.
1916—Rockwell's First Post Cover Appears
The Saturday Evening Post publishes Norman Rockwell's painting "Boy with Baby Carriage", marking the first time his work appears on the cover of that magazine. Rockwell would go to paint many covers for the Post, becoming indelibly linked with the publication. During his long career Rockwell would eventually paint more than four thousand pieces, the vast majority of which are not on public display due to private ownership and destruction by fire.
1962—Marilyn Monroe Sings to John F. Kennedy
A birthday salute to U.S. President John F. Kennedy takes place at Madison Square Garden, in New York City. The highlight is Marilyn Monroe's breathy rendition of "Happy Birthday," which does more to fuel speculation that the two were sexually involved than any actual evidence.
1926—Aimee Semple McPherson Disappears
In the U.S., Canadian born evangelist Aimee Semple McPherson disappears from Venice Beach, California in the middle of the afternoon. She is initially thought to have drowned, but on June 23, McPherson stumbles out of the desert in Agua Prieta, a Mexican town across the border from Douglas, Arizona, claiming to have been kidnapped, drugged, tortured and held for ransom in a shack by two people named Steve and Mexicali Rose. However, it soon becomes clear that McPherson's tale is fabricated, though to this day the reasons behind it remain unknown.
1964—Mods and Rockers Jailed After Riots
In Britain, scores of youths are jailed following a weekend of violent clashes between gangs of Mods and Rockers in Brighton and other south coast resorts. Mods listened to ska music and The Who, wore suits and rode Italian scooters, while Rockers listened to Elvis and Gene Vincent, and rode motorcycles. These differences triggered the violence.
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