Modern Pulp Jun 2 2016
POLICIACO FORCE
Novedades Editores takes readers on a five city tour of street crime and murder.

Mexican pulp art has grown in popularity in recent years, thanks to the efforts of vendors and collectors. It differs from U.S. pulp in that it was produced decades later—during the 1970s and forward. The covers you see here today are prime examples of what is generally classified as Mexican pulp, made for the comic book series El libro policiaco, or "The Police Book," and published by Novedades Editores during the early 2000s. The series was so popular that, like the U.S. television show C.S.I., the books diversified into multiple cities—New Orleans, New York City, Miami, Chicago, and San Francisco. Each city's stories centered around a local police department staffed by a multi-ethnic array of cops and support personnel. And as the banner text proclaims, the interior art was indeed in color, ninety-two pages of it per issue. All the covers here were created by Jorge Aviña, an artist who began his career during the 1970s, and has had his work exhibited in London, Switzerland, Barcelona, and Paris. We'll have more from El libro policiaco a bit later.


diggfacebookstumbledelicious

Modern Pulp Apr 17 2016
ROOM IN ROME
In search of the perfect O.

There's nothing special about this poster for Mado kara Roma ga mieru, aka Roma dalla finestra, aka Rome from a Window, other than perhaps that it's double-sided, as you see at right. But the movie does feature Kimiko Nakayama, which is no small thing. Shot in Italy by a Japanese director with a mostly Italian cast and crew, it's the story of a photographer named Carlo, his wife, Nakayama's character O, and the various sexual entanglements these three experience, both between themselves and with others.
 
This being a movie from Japan's infamous roman porno genre, it's in no way a surprise that the photographer meets O because he comes across her peeing. She happens to be doing this at the monument marking the site where Italian director Pier Paolo Pasolini was murdered in 1975, beaten to death by an assailant or assailants then run over several times with his own car. When Carlo and O get together later for fun and games she comments upon the prodigious size of his member, to which he responds that he is of normal Italian size. As a joke, it can cut both ways, as can many aspects of the movie.
 
In general, it's all very weird, possibly because director Masuo Ikeda, who also wrote the screenplay, was foremost a painter, sculptor, ceramist, printmaker and award-winning novelist who only dabbled in film direction. The sense of artistic freedom, in terms of not being concerned with following norms, really shows. With an atmospheric soundtrack from Paul Mauriat (the sleeve is just above and right) that is better remembered than the actual movie, Mado kara Roma ga mieru, aka Roma dalla finestra premiered in Japan today in 1982. And just because we had it laying around, below is a shot of Nakayama to go along with one we shared several years ago.
 


diggfacebookstumbledelicious

Modern Pulp Jan 22 2016
CANDID CAMERA
How far would you go to get the perfect shot?


A freelance photographer who has spent his career documenting the mean streets of New York City, always arriving in the aftermath of terrible events, finds himself presented with the opportunity to photograph a gangland massacre at the instant it occurs. One crime family has decided to wipe out another and Joe Pesci's Leon Bernstein, aka the Great Bernzini, knows where and when it will happen. He wants up close photos and the only way he can get them is to be in the restaurant where the killings will happen. After two decades of seeing his photography ignored by the art world, he thinks pulling off this feat will make everyone take notice of him. Bernzini is reckless the same way Jimmy Stewart is in Rear Window, but in less cartoonish fashion because we’re taken inside his thought process and made to understand it.

There's more here of course—love, loneliness, social status, musings about art—but the shootout and whether Bernzini is crazy enough to shut himself in a room where one stray bullet could end his life is what the film is really about. The Public Eye, which appeared in 1992, was a clear influence (along with the French film Man Bites Dog), on the acclaimed 2014 thriller Nightcrawler, but this one is a period piece, set during 1942. While the historical details are convincing, director Howard Franklin and cinematographer Peter Suschitztky don't aim for a true noir look. The filmscape is dark, but not technically stylish. Still it's good, and it benefits from Pesci, who has a way of inhabiting roles to the extent that you can't imagine anyone else playing them. He makes the movie work.

diggfacebookstumbledelicious

Modern Pulp Dec 15 2015
MAX OVERDRIVE
The rocker, the roller, the out of controller.

Mad Max premiered in Australia in April 1979 and made its way to Japan a few months later. Significantly, the U.S. premiere came after Japan—as well as Portugal, Italy, Holland, and Spain—and when it finally happened it was at The Motorcycle Film Festival in Seguin, Texas, several months before a wide U.S. release. The point is it’s amazing how careful the filmmakers were about releasing the movie in what was the world’s most lucrative film market. They weren't sure how American audiences would react to something so leftfield, but of course it did well enough there to become a series, and now a rebooted franchise helmed by original director George Miller. The Japanese poster above, painted by Tom Beauvais, was made for the movie’s Tokyo premiere today in 1979.

diggfacebookstumbledelicious

Modern Pulp Nov 13 2015
THINGS CHANGE
Survival of the scariest.

It’s appropriate The Thing is about a monster that constantly evolves, because it’s another of those ’80s sci-fi movies, like Blade Runner, where most reviews of the day were unflattering, but have since evolved to acknowledge the high quality of the film. The Thing isn’t just great—it’s visionary. The cold, the vastness, the silence, the bone weariness of a bunch of working class scientists pitted against an interstellar horror right out of Lovecraft—a movie of this type could never be made today, as the less effective 2011 prequel proved. The ’80s Thing took the ’50s original and gave it grit and terror. The 2011 version lost the grit and, with its abundant CGI, managed only a few scares. You know, here’s the thing about CGI—producers always want the cutting edge of possibility, but those effects never look real. They’d be better off asking CGI techs to do only what they’ve truly mastered. Just because you can get the computers to render it doesn’t mean it looks good, or that it’s good storytelling. But don’t get us started. The above poster and promo pamphlet were made for the premiere of the second version of The Thing in Japan today in 1982. 

diggfacebookstumbledelicious

Modern Pulp Sep 24 2015
PROFIT MOTIVE
Hookers, sports cars, yachts, serious consideration as a U.S. presidential candidate—I can buy anything now!

Here’s that unidentified Mexican artist from a few weeks ago again and he’s got a theme going with the money and the cruelty. This time the tables are turned. The person with the cash in this piece entitled Matenme por Piedad, is about meet a bad end via strangulation, whereas last time the money guy was winning. We like this one better.

diggfacebookstumbledelicious

Modern Pulp Sep 15 2015
FUTURE SHOCK
1982 vision of a wrecked future gets better with time.

Did we already mention that the Blade Runner sequel will suck? We did, we think, and then expounded upon Ridley Scott’s fiasco Prometheus. But Blade Runner is an undisputed classic, one of our favorite films, part of a top ten that includes for us Casablanca, Chinatown, Altered States (and a few non-pulp movies such as Dazed and Confused). It’s worth noting that the movie wasn’t well reviewed upon release. Critics have slowly upgraded their opinions over time to the point where Blade Runner now has one of the highest ratings you’ll find. The upgrades are nice, but it’s kind of funny how far over critics’ heads the movie went at the time. It premiered in June 1982, and first showed in France today the same year. The French promo poster isn’t wonderful, and that’s why we have a collection of stills below to celebrate the watershed event of Blade Runner’s creation. These augment the promos we’ve already shared here, and here. Now let’s just hope they scrap that sequel. 

diggfacebookstumbledelicious

Modern Pulp Aug 28 2015
WALKING A TIGHTROPE
The makers of Female Teacher: Rope Hell needed to learn a lesson or two.


Based on a bdsm novel written by the acclaimed Oniroku Dan, Onna kyôshi nawa jigoku, aka Female Teacher: Rope Hell, is yet another Japanese exploration of the pleasures, pains, and limits of sexual obsession and bondage. Frankly, this one is a bit tedious. There’s a razor thin line between thoughtful and dangerous when dealing with this kind of material. When Japanese films, in particular, end up on the wrong side of that line, you really have a mess on your hands. We understand, yes, that bad men aren’t always punished in real life. But this isn’t real life. It's just a movie, and punishment is key. In fact, for us it’s the entire point. It’s the only thing that makes these films watchable. But in this case, the abusive male ties up the two objects of his obsession and is tormenting them when one of his candles sets an accidental fire. He and the bound women burn to death. His obsession destroyed them all. That’s the end. Roll credits. Hope we didn’t ruin it for you.

The fixation Japanese film has with sexual abuse is curious. It often occurs for pretty straightforward narrative reasons—rape, or perhaps the murder of husbands and children, or often all three, are the triggers that transform women into terrifying revenants. The mostly thirty-something writers and directors who conceived these plots were taking swipes at Japan’s patriarchal social structure by first explicitly revealing a sexist status quo, then allowing feminine power to demolish it. Or so it seems to us. In that way pinku does not differ from blaxploitation. In those, it’s a racist status quo that is revealed and demolished. However revenge movies represent only a slice of the Japanese whole. Many films feature degradation without revenge, in which case we think it needs to be very carefully done to avoid endorsing such behavior. Major fail on that account here. All respect to Oniroku Dan, but excesses such as a forced enema and subsequent sloppy evacuation onto a man’s face are not things we can get behind, so to speak. Onna kyôshi nawa jigoku premiered in Japan today in 1981.

diggfacebookstumbledelicious

Modern Pulp Aug 26 2015
BACK IN THE STRADDLE
I’d love to chat, but I really have to split now.


Not all of our Japanese posters are of the vintage variety, and the eye-catching piece you see above is an example from our stash of newer promo art. It was made for Ranchijo: Bikyaku Feromon, which translates to—ready for this?—something like “turbulent slut legs pheromone.” Hey, we just work here. The movie never had a Western release, so there’s never been a Western title assigned to it, which means a ridiculous literal translation from the Japanese is all you get. Maybe one of our readers out in that part of the world will write in with a better interpretation. 

The movie is about a university professor who becomes obsessed with a rhythmic gymnast played by Sayaka Kitagawa. Basically, what you have here is an erotic production built around the idea of flexibility, because flexibility is Kitagawa’s thing—she’s gotten bent in most of her flicks and she’s really good at it. In this one she does a bit with a hula hoop that’s rather interesting and, while wearing pink lingerie, performs some standing splits similar to what you see on the poster. 59 minutes of mind- and body-bending fun, Ranchijo: Bikyaku Feromon premiered in Japan today in 2004.

diggfacebookstumbledelicious

Modern Pulp Aug 18 2015
PULP EVICTION
What do I look like? A guy with a heart or something? Don’t let the door hit you in the culo on the way out.

This piece of Mexican pulp-style art depicting a woman being evicted by an evil landlord was made during the early 1980s, but it’s appropriate for today’s era of millions of evictions a year, which goes to show that the more shit changes the more it stays the same. The piece is entitled El pez grande... roba al chico, or “the big fish robs the small one,” a phrase that pretty much sums up the last few decades. The painting was made for a Mexican graphic novel series entitled Jungla de asfalto, or Asphalt Jungle, and it’s probably the most technically accomplished piece of Mexican cover art we’ve come across. It’s initialed, but, as you can see, in such baroque style that it’s impossible to discern the letters. What do you think? Is that “FE”? “TE”? We have no idea. Thus the piece is unidentified, at least for now. See more Mexican pulp-style art beginning here. 

diggfacebookstumbledelicious

Next Page
Featured Pulp
japanese themed aslan cover
cure bootleg by aslan
five aslan fontana sleeves
aslan trio for grand damier
ASLAN Harper Lee cover
ASLAN COVER FOr Dekobra
Four Aslan Covers for Parme
History Rewind
The headlines that mattered yesteryear.
July 02
1937—Amelia Earhart Disappears
Amelia Earhart fails to arrive at Howland Island during her around the world flight, prompting a search for her and navigator Fred Noonan in the South Pacific Ocean. No wreckage and no bodies are ever found.
1964—Civil Rights Bill Becomes Law
U.S. President Lyndon Johnson signs the Civil Rights Bill into law, which makes the exclusion of African-Americans from elections, schools, unions, restaurants, hotels, bars, cinemas and other public institutions and facilities illegal. A side effect of the Bill is the immediate reversal of American political allegiance, as most southern voters abandon the Democratic Party for the Republican Party.
1997—Jimmy Stewart Dies
Beloved actor Jimmy Stewart, who starred in such films as Rear Window and Vertigo, dies at age eighty-nine at his home in Beverly Hills, California of a blood clot in his lung.
July 01
1941—NBC Airs First Official TV Commercial
NBC broadcasts the first TV commercial to be sanctioned by the Federal Communications Commission. The FCC began licensing commercial television stations in May 1941, granting the first license to NBC. During a Dodgers-Phillies game broadcast July 1, NBC ran its first commercial, from Bulova, who paid $9 to advertise its watches.
1963—Kim Philby Named as Spy
The British Government admits that former high-ranking intelligence diplomat Kim Philby had worked as a Soviet agent. Philby was a member of the spy ring now known as the Cambridge Five, along with Donald Maclean, Guy Burgess, Anthony Blunt and John Cairncross. Of the five, Philby is believed to have been most successful in providing classified information to the Soviet Union. He defected to Russia, was feted as a hero and even given his commemorative stamp, before dying in 1988 at the age of seventy-six.
1997—Robert Mitchum Dies
American actor Robert Mitchum dies in his home in Santa Barbara, California. He had starred in films such as Out of the Past, Blood on the Moon, and Night of the Hunter, was called "the soul of film noir," and had a reputation for coolness that would go unmatched until Frank Sinatra arrived on the scene.
June 30
1908—Tunguska Explosion Occurs
Near the Podkamennaya Tunguska River in what is now Krasnoyarsk Krai in Russia, a large meteoroid or comet explodes at five to ten kilometers above the Earth's surface with a force of about twenty megatons of TNT. The explosion is a thousand times more powerful than the Hiroshima atomic blast, knocks over an estimated 80 million trees and generates a shock wave estimated to have been 5.0 on the Richter scale.
1971—Soviet Cosmonauts Perish
Soviet cosmonauts Vladislav Volkov, Georgi Dobrovolski and Viktor Patsayev, who served as the first crew of the world's first space station Salyut 1, die when their spacecraft Soyuz 11 depressurizes during preparations for re-entry. They are the only humans to die in space (as opposed to the upper atmosphere).

Advertise Here
Reader Pulp
It's easy. We have an uploader that makes it a snap. Use it to submit your art, text, header, and subhead. Your post can be funny, serious, or anything in between, as long as it's vintage pulp. You'll get a byline and experience the fleeting pride of free authorship. We'll edit your post for typos, but the rest is up to you. Click here to give us your best shot.

Pulp Covers
Pulp art from around the web
mundobocado.blogspot.com/2016/05/biblioteca-oro-de-pablo-ramirez.html cabinetofcurioustreasures.blogspot.com/2016/06/pulp-sleaze.html
deltalivres.canalblog.com/archives/2013/10/05/28152756.html glorioustrash.blogspot.com/2016/06/spykill.html
consumedandjudged.blogspot.com/2012/05/passion-trap-1960.html aligemker-books.blogspot.com
Pulp Advertising
Things you'd love to buy but can't anymore
PulpInternational.com Vintage Ads
www.easternkicks.com
moscasdemantequilla.wordpress.com
filmnoirfoundation.tumblr.com
pour15minutesdamour.blogspot.com
www.pulpcurry.com
thehorrorclub.blogspot.com
mundobocado.blogspot.com
templeofschlock.blogspot.com
greenleaf-classics-books.com
aligemker-books.blogspot.com
bullesdejapon.fr
bolsilibrosblog.blogspot.com
thelastdrivein.com
derangedlacrimes.com
www.shocktillyoudrop.com
www.thesmokinggun.com
www.deadline.com
www.truecrimelibrary.co.uk
www.weirdasianews.com
salmongutter.blogspot.com
www.glamourgirlsofthesilverscreen.com
tsutpen.blogspot.com
creepingirrelevance.tumblr.com
thepulpfictionproject.blogspot.com
burleskateer.tumblr.com
www.cinemaretro.com
aucarrefouretrange.blogspot.com
eldesvandelabuelito.wordpress.com
menspulpmags.com
killercoversoftheweek.blogspot.com
About Email Legal RSS RSS Tabloid Femmes Fatales Hollywoodland Intl. Notebook Mondo Bizarro Musiquarium Politique Diabolique Sex Files Sportswire