It must be jelly ’cuz jam don’t shake like that.
We got curious about Nai Bonet, who we’d never heard of until last week, and after taking a stroll around the internet discovered she was pretty famous in her day and even released a 1966 single for which you see the sleeve above. The song is called “Jelly Belly,” with “The Seventh Veil” on the flipside. Bonet teaches fans to do her trademark Jelly Belly dance, which we can only imagine led to many sprained backs in mid-century America. But maybe you want to try. The instructions are in like Danish, but here’s the gist:
1: Clap your hands together and gently bow…
2: Put your hands over your head and I’ll show you how…
3: First you inhale (pull your tummy in)
4: Then you exhale (push your tummy out)
5: Hips go up…
6: …and down
7: Tummy round and round…
8: Shoulders shivering…
9: Everything a-quivering.
And presumably it's rinse and repeat at that point. For extra inspiration you can hear "Jelly Belly" here. Just remember—if you pull something, rest it, apply ice, and dream up a much better story about your injury than you were trying to get everything a-quivering.
Reiko Oshida delights the senses.
Above are the front and rear cover for pinky violence icon Reiko Oshida’s album Nani ga doshite kounatta, which translates to something roughly along the lines of “Why does this happen?” It’s available with a couple of different covers, but we like the above version with its array of playful Oshidas. The rear is also nice, and some enterprising Tumblr.com user dug up an enlargement, which, since Oshida is a Pulp Intl. fave, we thought we’d share with you, just below. But what of the music, you ask? It falls, we suppose, into the kayokyoku category, which is to say it’s Western-inspired. We like it, but maybe you should judge its merits for yourself. Check out the album’s title song.
La Muse de l’existentialisme et Miles.
This striking promo art for French singer Juliette Gréco and Disques Fontana (a subsidiary of the Dutch label Philips Records) was created by the famous illustrator O’Kley in 1956. The art was reused for record covers, as you see below. Gréco, an actress as well as singer, was a fixture in the Saint-Germain-des-Prés area of Paris, and her acquaintanceships with such figures as Jean-Paul Sartre and Maurice Merleau-Ponty earned her the nickname La Muse de l’existentialisme—the existentialists’ muse. She was also, according to Miles Davis, one of the great loves of his life, and the feeling was reciprocated, so that wins major points right there because Miles was the bomb.
Moving on to the art, O’Kley was a pseudonym for Nantes-born Pierre Gilardeau, the man behind some of the most collectable Folies Bergère posters. He also illustrated many book covers and movie posters, and after a long career just died in 2007. We’ve tracked down some good examples of his art and we’ll get back to him a bit later. You can see another Fontana post here.
Spread-eagled Aslan art helped cure the guilt of buying pirated music.
We said we were done with France for the moment, but we’re veering back there briefly today to show you this Cure album sleeve featuring art from the French painter Aslan. Live at Paradiso is a bootleg, same as the other Aslan-fronted Cure record we showed you back in January. The people who pressed this weren’t messing around, either—they opted for one of the artist’s more explicit paintings. No complaints here, but we bet Aslan was a bit annoyed when he saw his work appropriated yet again. It wouldn’t be the last time. We’ll get to more bootleg sleeves a bit later.
She'll make you feel like singing.
Above is a beautiful Japanese album cover featuring 1950s/1960s glamour model Virginia Gordon, who's fronting a collection of latin jazz piano pieces by various artists. The image is taken from a session she did for the men's magazine Rogue that appeared in its June 1961 issue. We've also provided a close-up and a third image showing a fuller frame from that sitting. Just because. And If you want to see another spectacular image of Miss Gordon we posted a couple of years ago click here.
And now, ladies and gentlemen, my next feat will be to make several career-killing mistakes.
Above is a 1957 promo photo of American dancer/singer Rose Hardaway, who came from nowheresville Arkansas and achieved international stardom that saw her perform on the glittering stages of New York, London, and Paris. Unfortunately, she also spent a lot of time in tabloids, district courts, and eventually federal prison, but perhaps we’ll get to that later. Instead, as a bonus, below is the sleeve of the 1960 album she made with The Sammy Lowe Orchestra It’s Time for Rose Hardaway, which has one of the great covers of the period.
Mr. Bonfils goes for Washington.
According to Robert Bonfils’ website this is an example of his early work. We find it surprising, but there can’t be a more authoritative source (though that source has been neglected for years). Anyway, since the last Bonfils pieces we showed you were quite racy we thought we’d present his other side. This cheerful and classy LP sleeve for Dinah Washington’s Blazing Ballads is from 1952.
If the song had been anywhere near as good as the cover art it would have sold millions.
Today we’re back to the recently deceased Aslan, aka Alain Gourdon, bringing another of his album sleeves to light. Unlike the amazing Cure bootleg we posted before, this appears to be licensed usage of Aslan’s work by the French group Super Nana for their 1987 maxi single “Lachez les chiens.” The title has something to do with dogs, apparently, which is appropriate, because this song is a bag of flaming poo. Even our fine appreciation for dance music can’t help us enjoy this awful electro disco effort. Just our opinion, though—you can listen for yourself here, if you’re inclined. We’ll have more from Aslan soon.
Barbara Nichols gets a leg up.
Berlin After Dark is an obscure record, but the sleeve caught our eye because the cover star boldly showing every millimeter of leg she possesses looked familiar. Turns out she’s American actress Barbara Nichols. She doesn’t sing on the record, but it was not uncommon during the period when this was released (1962) to use celebrity photos on record sleeves. Four years ago we put together a collection of sixty album covers featuring famous actresses (with the difference that they all actually sang on the records) and you can see those examples here. We also have two great promos of Barbara Nichols, once again showing a lot of leg, here.
The headlines that mattered yesteryear.
1985—Gotti Ascends to Mafia Throne
In New York City, mafiosi Paul Castellano and Thomas Bilotti are shot dead on the orders of John Gotti, paving the way for Gotti to assume leadership of the powerful Gambino crime family. Gotti is eventually arrested by federal authorities in 1990, and dies of throat cancer in 2002 in a federal prison hospital.
1944—Bandleader Glenn Miller Disappears
World famous big band leader Glenn Miller, who was flying from England to Paris in a small plane, disappears over the English Channel. One theory holds that his plane was knocked down by bombs jettisoned from bombers passing high above after an aborted raid on Germany, but no cause of his disappearance is officially listed, and no trace of Miller, the crew, or the plane is ever found.
1973—Getty Heir Found Alive
John Paul Getty III, grandson of American billionaire J. Paul Getty, is found alive near Naples, Italy, after being kidnapped by an Italian gang on July 10, 1973. The gang members had cut off his ear and mailed it to Getty III, but he otherwise is in good health.
1911—Team Reaches South Pole
Norwegian explorer Roald Amundsen, along with his team Olav Bjaaland, Helmer Hanssen, Sverre Hassel, and Oscar Wisting, becomes the first person to reach the South Pole. After a celebrated career, Amundsen eventually disappears in 1928 while returning from a search and rescue flight at the North Pole. His body is never found.
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