Vintage Pulp Apr 15 2014
PRETTY IN PINK
I’m glad you think they’re pretty, but they’re not my underwear—they’re yours. One of my red dresses got mixed in with your laundry.

It’s been a while, so here’s another cover from Saber Books, Jack Moore’s Call of the Flesh, published in 1963, with art by Bill Edwards. You can see another cover from Saber here. 
 
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Vintage Pulp Apr 14 2014
PANTIES IN A BUNCH
Art Frahm illustrates the basic principles of gravity.

When we began posting Technicolor lithographs we mentioned that they were designed to replicate pin-up paintings. Today we thought we’d show you several of those traditional prints. These are by Art Frahm circa 1950 to 1955, and are entitled Fare Loser, No Time To Lose, Spare, Shakedown, and Hold Everything. You notice Frahm had a thing about fallen panties—indeed, he made them a trademark of his work. But in four of these you also see another peculiar preoccupation of his, namely celery. The girls carrying groceries all have stalks of celery protruding from their bags. And sometimes Frahm’s models also became encumbered with small dogs, which you see in the last two pieces. There are other quirky characteristics of his work, as well, and when you add it all up it’s a cocktail of Freudian weirdness, but one that made Frahm a top pin-up artist through the ’40s, ’50s and ’60s, and keeps his work highly collectible today. We will have more from him a bit later.

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Vintage Pulp Apr 12 2014
LEZ IS MORE
A girl named Joe.

Above, a cover for They Call Me Lez, 1963, authored by Jo Ann Radcliffe. The back of this, which you see below, reveals that Jo Ann Radcliff is in fact popular men’s magazine writer Joe Radcliff. Seems Jo Ann wrote as Joe for years, but outed herself for this book about a “searing social problem.” We doubt either Joe or Jo Ann were anything more than shell personae, as was often the case with this kind of literature, but we can’t confirm that suspicion. We’ll see if we can find more and circle back to this.

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Vintage Pulp Apr 11 2014
WHISPER OF THE KNIVES
Every celebrity’s time comes eventually.

Reading about celebrities in these old tabloids is a bit like reliving their fame in real time, and in this Whisper published this month in 1957 we get to observe Marilyn Monroe in mid-career. You know that stage. It’s the one where she’s no longer a sparkling new star, but hasn’t yet earned the status of a venerable old treasure. It’s the stage where almost overnight the very editors who were partners in constructing the edifice of fame begin to take it apart brick and girder, with sledgehammers and blowtorches. In this issue Whisper editors throw Monroe into their monthly crucible “The Pit,” an unenviable place you may remember from our post on Liberace a while back. Sometimes a celebrity behaves in such a way as to deserve harsh criticism, but generally that isn’t the case—only the narrative has changed, which itself reflects the belief in editorial circles that more magazines can be sold by tearing a person apart than by continuing to build them up. As we’ve mentioned before, we know a little bit about this, having spent many years working in media.

So what had Monroe done? What was Whisper so miffed about? Well, she had declared her craving to act in serious films. We’ll let Whisper hatchet man Tom Everleigh spin it for you in his own words: “And while the only success she’s ever had in films has been by rolling her hips and doing a lightweight Mae West routine, she’s suddenly going to become a “serious actress”—and would even love to render Shakespeare even!” There you have it, complete with two "evens," oddly. Monroe was the pits because she sought artistic growth. Everleigh describes every aspect of her career as crass manipulation and propaganda, which strikes us as pretty harsh, considering she was never in politics. But anyway, it does illustrate the point that when the script is primed to flip the flimsiest of pretexts will do. At this point in her career Monroe probably would have ended up in Whisper’s Pit whether she’d personally thwarted a terrorist attack or thrown a crate of golden retriever puppies in a woodchipper. Or put another way, when it’s your time to suffer the knives of the tabloids it’s simply your time. Monroe eventually did reach venerable old treasure status, but sadly, it was after her death five years after this issue appeared. We have a couple of scans of her, as well as a great page of Diana Dors with her husband Dennis Hamilton, below. 


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Vintage Pulp Apr 10 2014
ELLE OF A VIEW
Shake ya popotin, but watch yourself.

Above, a cover for Elle ondule du popotin, written by Jack Norton for Éditions Le Trotteur’s Collection Paprika and published in 1953. Norton was of course a pseudonym, in this case for Jean de Backer, who also wrote as Jacques Norton, Henry Ghils, and others. The title of this translates rather provocatively as “she sways her ass,” which is exactly what the artist seems to have been trying to depict with this femme fatale in sheer lingerie. That artist was Alex Pinon, a favorite of ours. We haven’t really begun to share his work the way we’d like, but we will, and in the meantime, if you click over to our keyholes collection from last July, you can see a few more Pinons there. By the way, “popotin”? That’s one of the funnier words for butt we’ve heard. Not great as a song lyric, but maybe we can work it into conversation sometime. 

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Vintage Pulp Apr 8 2014
LITTLE RED GAZETTE
The National Police Gazette packs a bigger punch than its size would suggest.

This April 1944 National Police Gazette totals a mere sixteen pages, including both covers. During the early 1950s the page count would rise, pretty much doubling and remaining that way for most of the next three decades. But small though this issue may be, it still contains some interesting items, such as blurbs on singer Frank Sinatra and baseballer Bob Feller, as well as an attractive cover featuring Betty Duval, and interior photos of other beauty queens. The most notable item is probably the centerfold, which is reserved for Marjorie Tallchief, a full-blooded scion of the Osage Nation who as a ballerina rose to the lofty position of première danseuse étoile of the Paris Opera Ballet. Some online sources say Marjorie Tallchief was aka Maria Tallchief, while others say the two were sisters. It’s the latter group that have it correct—Marjorie and Maria were separate people, and both were acclaimed ballerinas. They were also part of a generation of Native American ballet dancers—including Yvonne Chouteau and Rosella Hightower—to achieve widespread fame around the same time. Scans below.

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Vintage Pulp Apr 7 2014
HOMELY SWEET HOMELY
With a face like that he must have a hell of a personality.

Above, a cover of The National Insider published today in 1963 with an inset of an adulteress, along with her husband and her lover, the latter of whom is so ugly we have to wonder if these three are from a carnival and he’s the monkey-faced boy. Can’t tell you, though, because we don’t have the interior of the issue. See a few more Insider covers here. 

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Vintage Pulp Apr 5 2014
THE FOX AND THE HOUNDS
They might catch her but they can never tame her.

There’s nothing we can write about Pam Grier’s blaxploitation thriller Foxy Brown that hasn't already been written. But our site wouldn’t be complete without an entry on this film, so above are two American promo posters, and below are some production stills. Foxy Brown was made using the same basic blueprint as 1973’s Coffy, and in fact was originally written as a sequel to the earlier film. Why American International ditched the sequel concept and denied itself a franchise is unclear, but the movie was a hit anyway. We love it, but in honesty, it’s clunkily written and badly acted, however we can also sense how visceral and different it must have felt at the time. At the very least, it’s worth seeing for Grier’s groovy opening dance number. Foxy Brown premiered today in 1974.

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Vintage Pulp Apr 4 2014
SPREAD THE LOVE
Eyes still closed? Good. Remember I said I brought something special for you to eat? Okay, open your eyes.

This none too subtle paperback front comes from Robert Bonfils for 1969’s The Pink Box, published by Greenleaf Classics for its Candid Reader line, and credited to imaginary house author John Dexter so as not to incriminate the guilty party. What we like most about this cover is how half of it is taken up by a featureless white blanket. It’s almost as if Bonfils painted the fun part, then shrugged and said, “Eh, that’ll do.” We agree. It does just fine.

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Vintage Pulp Apr 3 2014
CULTURAL EXCHANGE
Japanese cinema invades Eastern Europe.


You know we love Japanese movie posters. We’ve shared at least a hundred. Today, for something different, we have a set of posters made during the 1950s and 1960s to advertise Japanese movies that played in the now defunct country of Yugoslavia. It was a place that had one of the most distinct design aesthetics in vintage promo art, as you can see in these examples, as well in other pieces we’ve shared here, here, and here. Ex-Yu memorabilia goes for a pretty penny, and some of these posters would cost upwards of $400.00 to buy. The movie above is Akira Kurosawa’s Seven Samurai, and the ones below are Yasuzô Masumura’s A Wife Confesses, Umetsugu Inoue’s Man Who Causes a Storm, Haku Komori’s Soldiers’ Girls, and Oichi Beware of Samurai.

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History Rewind
The headlines that mattered yesteryear.
April 16
1943—First LSD Trip Takes Place
Swiss scientist Albert Hofmann, while working at Sandoz Laboratories in Basel, accidentally absorbs lysergic acid diethylamide, better known as LSD, and thus discovers its psychedelic properties. He had first synthesized the substance five years earlier but hadn't been aware of its effects. He goes on to write scores of articles and books about his creation.
April 15
1912—The Titanic Sinks
Two and a half hours after striking an iceberg in the North Atlantic Ocean on its maiden voyage, the British passenger liner RMS Titanic sinks, dragging 1,517 people to their deaths. The number of dead amount to more than fifty percent of the passengers, due mainly to the fact the liner was not equipped with enough lifeboats.
1947—Robinson Breaks Color Line
African-American baseball player Jackie Robinson officially breaks Major League Baseball's color line when he debuts for the Brooklyn Dodgers. Several dark skinned men had played professional baseball around the beginning of the twentieth century, but Robinson was the first to overcome the official segregation policy called—ironically, in retrospect—the "gentleman's agreement".
April 14
1935—Dust Storm Strikes U.S.
Exacerbated by a long drought combined with poor soil conservation techniques that caused excessive soil erosion on farmlands, a huge dust storm known as Black Sunday rages across Texas, Oklahoma, and several other states, literally turning day to night and redistributing an estimated 300,000 tons of topsoil.

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