|Vintage Pulp||Feb 13 2017|
The pulpification of ancient literature takes another strange turn as Edizioni Le Lucciole presents this 1970 paperback L'antiragione, or “the anti-reason,” which, incredibly, is a collection of writings by the Greek astronomer and mathematician Aristarchus of Samos, the guy who lived from 310 to 230 B.C. and presented the first model that placed the Sun at the center of the known universe with the Earth in orbit around it. Yeah. And when you can solve a mystery that vast, the question of how a femme fatale got a hoop stuck in her undies is really nothing. The art, which conversely is really something, is by the always great Benedetto Caroselli.
|Vintage Pulp||Feb 12 2017|
We have a strong affinity for Morocco after our adventures there a few years ago, so any movie that references that strange and wonderful country is one we must seek out. The Woman from Tangier, starring Adele Jergens, is basically another attempt to catch Casablanca lightning in a bottle. The story deals with a dancer in trouble with the law trying to flee from Morocco to Gibratar, but being sidetracked when the ship she's sailing on has its safe robbed and its purser murdered. Detective work follows, conducted by insurance investigator and love interest Stephen Dunne. Together he and Jergens solve the mystery, which of course loops tidiliy right back to her original difficulties.
We're fascinated by how outward looking Hollywood was during the 1940s. Though most of the productions never left Southern California, the action was set in dozens of countries. In the thriller/film noir category alone we've seen Gilda and Cornered (Argentina), The Shanghai Gesture, Bermuda Mystery, To Have and Have Not (Martinique), Temptation (Egypt), Sundown (Sénégal), Appointment in Honduras, and The Mask of Dimitrios (Turkey), not to mentions dozens of others set wholly or partly in France, England, Spain, and Mexico. The Woman from Tangier, then, was part of a well established trend. It premiered in the U.S. today in 1948.
|Vintage Pulp||Feb 12 2017|
This National Spotlite published today in 1968 features cover star Naemi Priegel, a West German television actress and singer who reached the height of her fame during the 1970s. Inside are many interesting Hollywood tidbits, including former child star Hayley Mills allegedly describing herself as a tigress in bed, Marlon Brando beating up two party crashers, Elvis Presley breaking the arm of someone to whom he was demonstrating a karate hold, Richard Burton being pursued by a chorus girl who claimed he fathered her child, Gene Tierney and her husband Howard Lee getting into a public spat, and John Wayne slugging an autograph seeker who mistook him for Robert Mitchum. Was any of this stuff true? We have no idea, but it sure is interesting reading. You can see more in the same vein at our tabloid index, located at this link.
|Vintage Pulp||Feb 12 2017|
Above you see a poster from the former Yugoslavia, in Serbo-Croatian (we think), for the film Devojka za zabavu, starring Beba Lončar. We haven't watched this, so no summary, but it's available should you feel the urge. We're primarily interested in the art. The poster says this is a Španjolski film, or Spanish film, and indeed it was originally made in Spain as Amor en un espejo, and titled in the U.S. Cover Girl. The poster was adapted from the Spanish promo art painted by Carlos Escobar, who signed his work as Esc. On the Spanish version his signature is prominent, but the Yugoslavians decided to wipe it out for some reason. We already showed one example of Escobar's talent featuring Sharon Tate, and it may be one of the most beautiful of the hundreds of posters to adorn Pulp Intl. over the years. This one, which uses the lovely Lončar as a model, is also good. Evidence of what a big star the Serb actress was in her native Yugoslavia exists in her name, thrice repeated above the film's title, which is not how the Spanish poster was set up. Check out the Tate promo here. And check out Lončar here. Amor en un espejo premiered in Spain today in 1968.
|Vintage Pulp||Feb 10 2017|
If you swallow a key does it become a pass key? Just wondering. Whatever you call it, you won't be seeing it again for up to three days, according to what we read about human digestion. But we digress. Above is a beautiful cover for Call Girl by Gail Jordan, aka Peggy Gaddis, for Quarter Books, copyright 1949 with uncredited art. If you've never visited the blog Sleazy Digest Books, we suggest heading over there for a look at this cover and many others in the same style.
|Vintage Pulp||Feb 10 2017|
Did you know the main character in Super Fly is named Priest? Over time he's become known as Superfly, but in the film the term comes up only once—when someone says to Priest, “You always got some super fly shit!” He's referring to cocaine. Priest is a drug dealer, but he wants out and will do whatever it takes to make that happen. This is one of the better blaxploitation flicks. Ron O'Neal's Priest is tough but three-dimensional, showing vulnerability, confusion, even desperation. Dynamic if uneven direction from Gordon Parks, Jr. and a propulsive soundtrack by Curtis Mayfield help put the whole concept over. In fact, after you watch the movie, you should listen to the album, particularly the sparkling, “Give Me Your Love,” which we think is one of the most immaculately constructed soul tunes ever written. Super Fly premiered in the U.S. in the summer of 1972 and opened in Japan today in 1973.
|Vintage Pulp||Feb 8 2017|
As if Tarantelli's pass at a McGinnis ass wasn't enough, we found another copy of the same pose, executed by another Italian artist, this time the great Mario de Berardinis. His piece promotes the 1975 erotic comedy La nottata, or “The Night,” which starred Sara Sperati and Susanna Javicoli. Did de Berardinis imitate Tarantelli or McGinnis? We don't know, but he truly was a genius, so copying is officially forgiven. You can see our original write-up on The Bombshell here.
|Vintage Pulp||Feb 7 2017|
Rafael DeSoto painted this cover for the 1951 Dell paperback edition of Martha Albrand's 1950 novel Wait for the Dawn. This is one of the author's many romance thrillers, and what you get is a woman living in France who meets the perfect man, only to find out that he's a murderous goon. Pretty much every woman will have experienced that at some point. But this guy isn't all bad—he's rich, and as we know that buys a lot of second chances. Albrand was born in Germany as Heidi Loewengard, and wrote as Albrand, Katrin Holland, and Christine Lambert. In all she churned out around forty novels and was respected enough that an award was named after her, the Martha Albrand Award for First Nonfiction, which was active from 1989 to 2006, then discontinued. You can see a couple more cool DeSoto covers here and here.
|Vintage Pulp||Feb 6 2017|
We're very interested in Australian men's magazines. Today we have a new entry for you—Cavalcade, published by Kenneth G. Murray, the same person that gave the world Adam. This issue from February 1956, has a killer cover—uncredited, which is par for K.G. Murray Publishing. There aren't many art or photo pages inside, but we've posted the ones that were there. You may have noticed the somewhat weird slogan “The Know Yourself Magazine.” We guess the idea being peddled is that Cavalcade helped men become better versions of themselves. It sounds almost zen, almost like the Buddha would say it. But then you open it and see all the raunchy cartoons and bikini beauties and realize—no, it's just a regular men's magazine. And if you bought it, you probably knew yourself quite well already. We may get back to this one a bit later.
|Vintage Pulp||Feb 5 2017|
William Ard's Like Ice She Was stars his detective creation Lou Largo in a missing persons case. He's looking for a former prostitute who robbed a Montreal casino owner and fled to Miami. He finds her, but the situation escalates to murder and an attempted frame-up. This character was supposed to tentpole a series, and it did, but this was the second and last Largo written by Ard, as he died after writing it. The books thereafter were ghost written by Lawrence Block, and later John Jakes. Like Ice She Was is copyright 1960, and the Monarch Books cover guide has the art as uncredited, which is a shame.