Vintage Pulp Oct 11 2014
A REAL MOUTHFUL
Not only is she fun—she’s easy to swallow.

Souris à croquer means “chewable mouse.” Nothing more to add there, really, except to speculate that maybe it’s a slang phrase. French friends help us out. Moving on, you may already know the master illustrator Jean David, who signed his work J. David. Did he write this book? We have no idea, and neither did anyone else we asked. Considering J. David painted from the 1940s onward, and this book by Jean David appeared in 1958, it’s certainly possible they’re the same person. Note to selves: more research. Souris à croquer, by the way, means “chewable mouse.” Did we mention that already? Well, it bears repeating. The cover art here is not by J. David, but by Jihel, aka Jacques Leclerc. 

Update: Jo B. from Marseille has the answer, writing: "Souris à croquer" means "a mouse to eat."  "Mouse" is a little slang term (not vulgar) to designate a pretty girl. "Croquer" is the way you eat an apple, a bar of chocolate or something like that. I don't know the real word in English (munch, crunch?). Maybe we have two mice to crunch on the cover as "souris" can be one mouse or many mice.

Thanks so much Jo.

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Vintage Pulp Oct 11 2014
FATAL BALLET
Who can’t walk and chew gum at the same time now, smartass?

Above, another cool comic book cover, this one featuring a woman dressed vaguely like a ballet dancer seeming to scratch her ankle and shoot her enemy at the same time. Or maybe that’s just a normal French shooting pose, because they do everything with a bit more style. Actually, this is the French version of the Italian comic Satanik, created by Max Bunker and Magnus, and the character is Marny Bannister, a woman who develops a formula to make her beautiful, but with the side effect of turning her into a murderous criminal. The screen version starred Magda Konopka, who needs no formula of any sort to look good.

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Vintage Pulp Oct 10 2014
DOWNWARD SPIRAL
Where she stops nobody knows.

Where we stayed in Paris near the famed Sorbonne seemingly dozens of comic book shops had sprouted. Here’s an amazing cover that caught our eye—Dans les spirales du temps, from Elvifrance, number 103 in its Serie Verte, 1973. See more Elvifrance here, here, here, and here.

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Vintage Pulp Oct 9 2014
ENTRE NOUS
Deux for the price of one.

The above photos show the wares of one of the vintage booksellers known as “bouquinistes,” Parisian vendors found on the right bank of the River Seine from Pont Marie to Quai du Louvre, and on the left bank from Quai de la Tournelle to Quai Voltaire. Amazingly, they have been there in one form or another since the 1700s. We were lured to this specific bouquiniste by some issues of the weekly Nous Deux and grabbed a couple at half the asking price. Nous Deux was a version of a wildly successful Italian magazine called Grand Hôtel, and was established by the brother of the two men who had launched the Italian imprint. The cover art on Nous Deux is always spectacular. Since it was a reiteration of the Italian magazine, the art was often Italian in origin, mainly by Walter Molino and Giulio Bertoletti, and inside each issue appeared a few more illustrations and twenty pages of photo fiction. This particular cover from 1951 is by Bertoletti for the story “Incident sur la Canebiere,” and features the charming scene of a woman with her heel stuck in a trolley track being rescued by a passing stud. Interestingly, later issues of Nous Deux were illustrated by Aslan, and those are rare indeed.

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Vintage Pulp Oct 9 2014
ROMA AMORE
You can't spell romance without Rome.

Nous Deux was an ongoing concern that spawned dozens of romance novels. Éditions Mondiales-Del Duca put out a Collection Nous Deux, of which the above, Sous les platanes de Rome, aka Under the Trees of Rome, is number 95, appearing in 1958. It was written by Lucienne Peverelly, aka Luciana Perverelli, aka Greta Granor, who penned several Nous Deux novels. Peverelly was possibly the same person as Lucienne Royer, but we’re still trying to confirm that. 

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Vintage Pulp Oct 9 2014
SPECIAL INVITATION
Sometimes a look says everything words can’t.

Below you see an issue of Folies de Paris et de Hollywood that was published yesterday in 1966. The cover star is popular glamour model Margaret Nolan, aka Vicki Kennedy, who also appears inside. More on her and Folies later. 


 
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Vintage Pulp Oct 2 2014
GOLDEN GIRL
What did she have to show for her three years in Hollywood? Little more than a colorful description of it.


Paris Plaisirs was devoted to lifestyle and arts, with an emphasis on dance. We’ve featured it several times, such as here and here. The above issue appeared this month in 1925, and the cover shows golden Ginette Maddie, who in addition to performing at the Cinéma Français appeared in twenty films between 1922 and 1958, including under the direction of Alfred Machin and Julien Duvivier. At one point she scored a contract with MGM, and was whisked to Hollywood where she sat in a villa waiting for work that never came. Her complaints confused her acquaintances—after all, she was drawing a salary, so what did it matter if she worked? She wasn’t even the only idle foreigner on the scene. Russian actor Ivan Mosjoukine was also wandering about town drawing checks while waiting for roles that never materialized.

But Maddie had been a shining star in the City of Light. Transforming into an earthly nobody in Hollywood didn’t sit well. Eventually she fled back to her home. She dismissed Hollywood as a “ville factice et sans âme peuplée de gens superficiels et insignifiants.” Loose translation: a dummy-populated city without soul, for superficial and insignificant people.” Joke’s on her, though—that’s what everyone from Hollywood thinks too. The time away had kept Maddie idle for three years, damaging her career, but she finally scored a new role in 1930 and acted in two films that year and the next before pretty much fading from the cinema scene. Inside Paris Plaisirs you get more dancers, some photography, plus art deco style drawings from Mario Laboccetta, J. Bonnotte, and others. All below. 

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Vintage Pulp Oct 2 2014
EATING OUR FILLE
Do you ever crave something so much you can almost taste it?


You know what we love? A really good fille mignon. Rare? Of course! You want them to be a bit salty outside, but tender inside. Soft as butter. See, the juices are the key. Pay attention, because we’re telling you something important here. The difference between a juicy fille and a dry one is, well, it’s really a matter of skill. You need a deft touch. Actually, it doesn’t go too far to call it an art, getting one so the juices are just brimming in there. Even thinking about the aroma makes our mouths water. We’re uh… We… Hold on—we just need to plug “fille” into the translator. Just one sec. Ah. Er, let us go back and see what we wrote. Okay… yeah, all good.

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Vintage Pulp Oct 1 2014
INTIMATE PORTRAIT
Naomi Tani gets roped into a weird situation.


Above is a poster for Genso fujin ezu, aka Fascination: Portrait of a Lady, aka Fantasy Portrait of a Wife, one of many S&M movies starring Naomi Tani, aka the Queen of Pink. In this one Tani plays Hisako, a bored housewife married to a conservative art professor. Hisako is beset by bizarre sexual daydreams, including one of being captured like a stray dog and stuck in a cage. Her frustrations soon center on Tachiki, a visionary art student her husband has expelled from school for being too modernist. Hisako and Tachiki soon begin meeting, and Tachiki introduces Hisako to a world of bondage and other dubious delights. The husband doesn’treally understand the extent of his wife’s straying until she doesn’t come home one night. Not entirely her fault, though, as she’s tied up in Tachiki’s flat. In the morning Tachiki is inspired by lingering rope impressions on Hisako’s flesh to attempt something more permanent—he tattoos her entire body with a rope design. Hisako’s husband, you can be sure, is going to be pissed.

That’s all we’ll say about the plot of Genso fujin ezu. The idea of a person’s transformation taking on psychic then physical dimensions is pretty clear, but daydreams of domination and humiliation just don’t resonate for us. Bondage and rope arts occupy an important place in Japanese culture, so maybe that’s simply the default direction for bored cinema wives, the same way American movies from the period often featured women taking a walk on the wild side with hot-rodders or counterculture types. That’s our best guess, anyway. Oniroku Dan is the mind behind the literary genre that birthed these films, and if we’d read any of his books we’d have a better idea exactly why Hisako veers into S&M, but failing that we’ll just take the movie on its own merits. Genso fujin ezu premiered today in 1977.


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Vintage Pulp Oct 1 2014
ROAD TO HELL
Trust me, this is the last place they’ll look for us.

Above, a Vega Books front for Frank Cannon’s Hide in Hell, with art of a fugitive and his female companion, who’s probably wondering why they can’t hide in the Bahamas or Bali. Cannon, by the way, also wrote Satan in Malibu, so apparently even the Prince of Darkness didn’t like spending time in Hell. 1964 on this.

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History Rewind
The headlines that mattered yesteryear.
October 24
1929—Stock Market Crashes
Black Thursday, a catastrophic crash on the New York Stock Exchange, occurs when the value of stocks suddenly declines and continues to decline for a month. The event leads to a subsequent crash in world stock prices and precipitates the Great Depression. This after famous economist Irving Fisher had declared that stock prices had reached a permanently high plateau.
October 23
1935—Four Gangsters Gunned Down in New Jersey
In Newark, New Jersey, the organized crime figures Dutch Schultz, Abe Landau, Otto Berman, and Bernard "Lulu" Rosencrantz are fatally shot at the Palace Chophouse restaurant. Schultz, who was the target, lingers in the hospital for about a day before dying. The killings are committed by a group of professional gunmen known as Murder, Inc., and the event becomes known as the Chophouse Massacre.
1950—Al Jolson Dies
Vaudeville and screen performer Al Jolson dies of a heart attack in San Francisco after a trip to Korea to entertain troops causes lung problems. Jolson is best known for his film The Jazz Singer, and for his performances in blackface make-up, which were not considered offensive at the time, but have now come to be seen as a form of racial bigotry.
October 22
1926—Houdini Fatally Punched in Stomach
After a performance in Montreal, Hungarian-born magician and escape artist Harry Houdini is approached by a university student named J. Gordon Whitehead, who asks if it is true that Houdini can endure any blow to the stomach. Before Houdini is ready Whitehead strikes him several times, causing internal injuries that lead to the magician's death.

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