Vintage Pulp Mar 15 2015
B&W TELEVISAO
Rádio & Televisão offers a glimpse into entertainment during Portugal’s dark dictatorship years.

Our recent post of Movie Mirror reminded us that we have other magazine collections in the hard drive, so today we present Rádio & Televisão, which was a Portuguese celeb publication. You may have noticed that Florbela Queiroz earns three covers in three years. She was one of Portugal’s biggest stars during the late-1960s, which was toward the end of António de Oliveira Salazar’s U.S.-backed, corporatist military dictatorship. Other covers go to Ana Leiria, British actress Cilla Black, and figures we don't recognize. Even though the design of Rádio & Televisão changed pretty much immediately after the country was freed from its long bondage, we prefer the retro look of these dictatorship-era covers. A few of the images came from the Portuguese music blog Ié-Ié, so thanks for those.

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Vintage Pulp Mar 14 2015
FAIR TRADE
An equitable exchange of services.

Are you old enough to have experienced the swinging craze? We aren’t, and we wouldn’t have taken part anyway (are you reading this, Pulp Intl. girlfriends?), but it does look kind of fun on vintage paperbacks (you aren't reading this are you, Pulp Intl. girlfriends?). We’ve shared a few covers in the past dealing with the subject of swapping, and you can see a few here, here, and here. For today we decided it was finally time to do what every pulp site must—put together a large, swap-themed collection of sleaze paperback covers. So above and below is a vast assortment for your enjoyment. The trick with these was to make sure they weren’t all from Greenleaf Classics, which is a company that through its imprints Companion, Candid, Adult, Nightstand, et al, published hundreds of swapping novels. That means we had to look far afield to avoid having the entire collection come from that publisher. We think we’ve done a good job (though we will put together a Greenleaf-only swapping collection later—it’s mandatory). Want to see even more swapping books? Try the excellent sleaze fiction website triplexbooks.com.

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Vintage Pulp Mar 11 2015
EYE OF THE TIGRESS
Just a woman and her will to survive.

This cover for The Passionate Tigress by John Saxon, aka James Noble Gifford, has art signed “Border.” We’ve never heard of him or her before, and as you can imagine, we can’t possibly hope to isolate a person with a name like that using internet searches. The people at the Greenleaf Classics website think this could be Ernest Chiriacka, and we agree the resemblance is uncanny, but absent confirmation this illustrator goes in the mystery category. 1959 on this. 

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Vintage Pulp Mar 10 2015
GOING SAILING
Nobody’s Faut but her own.

Above is a great piece of Jef de Wulf art of an amorous sailor and an interested woman for Jacques Marlène’s Faut que tu y passes, cheri!. The book appeared in 1952 from Lutécia Editions à Lyon as part of their Pour lire la nuit collection. We gather the novel was censored in France in 1955. The title Faut que tu y passes, cheri! translates to something like “You have to pass it, darling.” Here again we have a French phrase that doesn’t quite translate into English. Usually we get e-mailed about these, but our e-mailer is down, and we’re well aware of it. We’ll get to fixing that soonish, along with the pulp uploader. In the meantime, you can still contact us at editor@pulpinternational.com if you care to explain this title more fully.
 
Update: So we got several reponses to this question.
 
From the blog oncle-archibald.blogspot.com we learned that the title translates roughly to, "I will have my wicked way with you, darling!" This is in reference to the French expression "passer a la casserole," which has a sexual interpretation and translates, "to have his wicked way with you."
 
From our friend Jo B. we get a similar interpretation. He says it's a way of saying, "You’ve got to make love with me, you’ve got no way to escape this... (faut que tu y passes). He explains further: In French, they also say, “Il faut que tu passes à la casserole,” which means, "You’ve got to go in the saucepan." Strange, ain’t it ? Sometimes, we also say that for people who want to get a job (at the television, for example or in a company).
 
So there you go. We're giving serious thought to learning this language. There are thousands of French speakers around here anyway, and it would come in handy. Oncle Archibald has lots of similar book covers, by the way, and we recommend clicking over there for a look.

 
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Vintage Pulp Mar 7 2015
JUST A MINUIT
Midnight twice in the same day.

We mentioned a while back that the cheapie tabloid Midnight was printed in Montreal, which made it more of a Canadian than American publication. Above you see a rare cover of Minuit, which was the Canadian Midnight. This hit newsstands today in 1966, and it’s basically a duplicate of the Nobu McCarthy cover we shared on this day last year. Well, not an exact duplicate. As you can see by looking at the image on the right, the cover text on the U.S. version says: “I’m wild, wicked, and willing,” but on Minuit McCarthy says, “Je dis ‘oui’ aux hommes,” which means, “I say ‘yes’ to men.” The sentiment is the same, but we're reasonably sure both lines were made up by Midnight—and Minuit—editors. Thanks to the website viellemarde.com for this image. 

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Vintage Pulp Mar 6 2015
FOLDABLE FATALES
Americans may have perfected the art, but the French got there first.

During the last few months we shared three Technicolor lithographs with glassine overlays of clothing that could be peeled back to reveal a nude model, and mentioned we thought the technique originated in France with Paris-Hollywood, a cover of which see above. The magazine began publishing déshabillable—i.e. undressable—pin-ups in 1950, whereas the American undressables we’ve found date from no earlier than 1953. Though Statesiders may have been latecomers to the party, once they got the technique down they churned overlay pin-ups out by the hundreds. You can see three here, here, and here, and we’ll share more later.

The artist responsible for painting the centerfold in this issue of Paris-Hollywood was Roger Brard, and he was the brush for most of those the magazine featured, but at least one other artist was involved too. Elsewhere in the issue you get showgirls, showgirls, and more showgirls, including a three page spread on la vagabonde Cirque Z dancer and world traveler Katrina, a Venice carnival-inspired set involving a model wearing a lace mask (she also gets the back cover), and a weird photo essay with knives and six-shooters. All of this is from 1952. We have twenty scans below, and you can see many more issues of Paris-Hollywood by clicking its keywords at the bottom of this post.

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Vintage Pulp Mar 5 2015
COMING UP SHORT
It’s great that you’re early to rise, sweetie. Too bad you’re also quick to finish.

Above, the cover of Arnold E. Grisman’s Early To Rise with art by Robert Maguire. It’s a rags to riches story about a young guy fresh out of the army who becomes a fabric dye tycoon. Doesn’t sound thrilling, does it? Well, there are also trade secrets, connections to Indian maharajahs, and romance, if that helps. 1958 on this originally, with the Berkeley paperback appearing in ’59. 

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Vintage Pulp Mar 4 2015
TOUCH OF EVIL
Um, I think we’re going to need some revisions to this script.

Above, the cover of Amy Harris’s 1962 novel Touch Me Gently, in which a woman’s personality changes after she’s attacked and violated during a midnight dip in the local swimming hole. The virgin-to-vengeful-vamp transformation triggered by a rape is an all-too-common scenario found everywhere from sleaze fiction to ’70s sexploitation cinema to Japanese pinku films. On the one hand it’s always highly distasteful; on the other it acknowledges the existence of these terrible events and allows women violent revenge. In terms of artistic merit, you have to judge on a case-by-case basis. But that’s what it’s always about with difficult subjects, isn’t it? Done right, valuable understanding can result. The cover art by Paul Rader is excellent. No problem understanding that at all. 

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Vintage Pulp Mar 4 2015
PRIVATE PRACTICE
We have no idea what she’s doing, but she’s really good at it.

This Technicolor lithograph from Champion Line is entitled “Practice Session.” We don’t know what the unidentified model is practicing, though. The panca pose from Ashtanga yoga? The funky worm? Whatever she’s doing she looks good. No year on this one, but figure around 1960 (actually 1953 or 1954 on the original shot, with the print coming sometime later—see below).

Update: We got an e-mail from Marcos: "I just wanted to say that the woman in your post is American model and former Playmate Diane Hunter. She was first known as Donna Hunter, and her real name is Gale Rita Morin. She appeared two times in Playboy magazine. She was first featured in the last page of the debut issue of the magazine in 1953 (the iconic Marilyn Monroe issue). She also posed as the centerfold in 1954, becoming the first Miss November ever. She is still alive and she is a wonderful woman.
 
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Vintage Pulp Mar 3 2015
SWAMP AND CIRCUMSTANCE
Sometimes your neighbors can be a real drag.

Today we have another issue of Australia’s Adam magazine, this time from March 1964. While the cover is similar to those of later editions, the contents are more focused on literature and less on scantily clad models. The art illustrates Jack Blake’s “Crosses of Blood,” the tale of a young couple named Hank and Gina living in the wild swamps of northern Australia who are beset by an escaped mental patient. The story is less adventure than pure horror, with the lunatic determined to see his parents—who happened to both be dead and buried nearby. He forces the couple to help him dig up the corpses, and the story ends, surprisingly, with Gina being dragged through the swamp bleeding and covered with leeches, before finally being shotgunned in the face. Pretty downbeat stuff, but decently written and convincingly frightening. We have thirteen scans below and thirty-nine other issues of Adam you can see by clicking here.

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History Rewind
The headlines that mattered yesteryear.
March 28
1910—First Seaplane Takes Flight
Frenchman Henri Fabre, who had studied airplane and propeller designs and had also patented a system of flotation devices, accomplishes the first take-off from water at Martinque, France, in a plane he called Le Canard, or "the duck."
1953—Jim Thorpe Dies
American athlete Jim Thorpe, who was one of the most prolific sportsmen ever and won Olympic gold medals in the 1912 pentathlon and decathlon, played American football at the collegiate and professional levels, and also played professional baseball and basketball, dies of a heart attack.
March 27
1958—Khrushchev Becomes Premier
Nikita Khrushchev becomes premier of the Soviet Union. During his time in power he is responsible for the partial de-Stalinization of the Soviet Union, and presides over the rise of the early Soviet space program, but his many policy failures lead to him being deposed in October 1964. After his removal he is pensioned off and lives quietly the rest of his life, eventually dying of heart disease in 1971.
March 26
1997—Heaven's Gate Cult Members Found Dead
In San Diego, thirty-nine members of a cult called Heaven's Gate are found dead after committing suicide in the belief that a UFO hidden in tail of the Hale-Bopp comet was a signal that it was time to leave Earth for a higher plane of existence. The cult members killed themselves by ingesting pudding and applesauce laced with poison.

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