FROM MUSCLE BEACH TO MURDER

Pageant winner fulfilled show business and personal ambitions. Then things went wrong.


Beauty pageants are a bit silly, perhaps, but the participants are generally ambitious people who see them as stepping stones to show business or modeling. And in mid-century Los Angeles in particular, even minor pageants occasionally led to stardom. In the above photos high school student Barbara Thomason wins the crown of Miss Muscle Beach 1954. Listed at 5 foot 3 inches and 110 pounds, she was a body-building enthusiast, and in the shot just below she celebrates her hard fought win by pumping a bit of iron while photographers click away and a crowd watches.

Did Thomason’s victory lead to bigger things? Maybe not directly, but it probably helped. She was a habitual pageant participant who also won Miss Huntington Beach, Miss Van Ness, Miss Bay Beach, Miss Southwest Los Angeles, Miss Pacific Coast, Queen of Southern California,and ten other titles. All that winning finally got her noticed by Hollywood movers and shakers. In 1955, performing under the name Carolyn Mitchell, she made her acting debut on the television show Crossroads, and in 1958 co-starred in two Roger Corman b-movies, The Crybaby Killer and Dragstrip Riot.
 
But she put her career on hold when she met and married a star—Mickey Rooney, who was nearly seventeen years her senior and nearly two inches her junior. Their union had problems from the beginning. The couple married secretly in Mexico because Rooney was still awaiting a divorce from actress Elaine Mahnken. They would have to wait almost two years before the law allowed them to wed in the U.S. Legalities, though doubtless bothersome, were the least of their problems. During the next six years, during which Thomason bore four children, Rooney indulged in numerous affairs.

It should probably be noted here that Thomason was Rooney’s fifth wife. Among the predecessors were goddesses like Ava Gardner and Martha Vickers. We don’t know what Thomason’s expectations of marriage were, but clearly Rooney didn’t know the meaning of the phrase “for better or worse.” The affairs continued, and eventually Thomason did the same with a temperamental Yugoslavian actor named Milos Milosevic, who performed under the name Milos Milos. But what was good for goose was not good for the gander—Rooney found out about these international relations, moved out of the Brentwood house he shared with Thomason, and filed for divorce, charging mental cruelty. The nerve, right?

On the morning of January 31, 1966, while Rooney was in St. John’s Hospital recovering from an intestinal infection he’d picked up in the Philippines, Thomason and Milosevic were found together on the bathroom floor of the Brentwood house, dead. Milosevic had shot Thomason under the chin and killed himself with a temple shot using a chrome-plated .38 Rooney had bought in 1964. The consensus is Thomason had decided to dump Milosevic and he flipped out.

The photos below show Thomason on Muscle Beach during her halcyon years there, a mere teenager, frolicking in the sun, filled with youthful hopes for a good life. She won beauty titles, acted in films, married an icon, and had four children. Any of those accomplishments would have been good legacies. Instead her death at twenty-nine overshadowed all the rest, and she’s remembered as another celebrity murder victim, Hollywood style, which is always somehow both sensational and banal.

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HISTORY REWIND

The headlines that mattered yesteryear.

1971—First of the Pentagon Papers Are Published

The New York Times begins publication of the Pentagon Papers, a top-secret U.S. Department of Defense history of the country’s political-military involvement in Vietnam from 1945 to 1967. The papers reveal that the U.S. had deliberately expanded its war with carpet bombing of Cambodia and Laos, coastal raids on North Vietnam, and Marine Corps attacks, and that four presidential administrations, from Truman to Johnson, had deliberately misled the public regarding their intentions toward Vietnam.

1978—Son of Sam Goes to Prison

David Berkowitz, the New York City serial killer known as Son of Sam, is sentenced to 365 years in prison for six killings. Berkowitz had acquired his nickname from letters addressed to the NYPD and columnist Jimmy Breslin. He is eventually caught when a chain of events beginning with a parking ticket leads to his car being searched and police discovering ammunition and maps of crime scenes.

1963—Buddhist Monk Immolates Himself

In South Vietnam, Buddhist monk Thích Quảng Đức burns to death after dousing himself with gasoline and lighting a match. He does it to protest the persecution of Buddhists by the Ngô Đình Diệm led government, choosing a busy Saigon intersection for his protest. An image of the monk being consumed by flames as he sits crosslegged on the pavement, shot by Malcolm Browne, wins a Pulitzer Prize and becomes one of the most shocking and recognizable photos ever published.

1935—AA Founded

In New York City, Dr. Robert Smith and William Griffith Wilson, who were both recovering alcoholics, establish the organization Alcoholics Anonymous, which pioneers a 12-step rehabilitation program that is so helpful and popular it eventually spreads to every corner of the globe.

1973—John Paul Getty III Is Kidnapped

John Paul Getty III, grandson of billionaire oil tycoon J. Paul Getty, is kidnapped in Rome, Italy. The elder Getty ignores a ransom demand for $17 million, thinking it is a joke. When John Paul’s ear later arrives in the mail along with a note promising further mutilation, he negotiates the ransom down to $2.9 million, which he pays only on the condition that John Paul repay him at four percent interest. Getty’s kidnappers are never caught.

Swapping literature was a major subset of midcentury publishing. Ten years ago we shared a good-sized collection of swapping paperbacks from assorted authors.
Photo illustration art from Brazilian publisher Edições de Ouro for Bruno Fischer's A Bela Assassina.
Cover art by Italian illustrator Giovanni Benvenuti for the James Bond novel Vivi e lascia morire, better known as Live and Let Die.
Uncredited cover art in comic book style for Harry Whittington's You'll Die Next!

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