THE GREAT SATAN

Politics turn out to be hell—literally.


The Hell Candidate, which was written by Graham Masterton using the pseudonym Thomas Luke, first appeared in bookstores in July 1980. Ronald Reagan, who unwittingly provided Luke with inspiration, became the Republican nominee for president the same month. The book did well, but was almost forgotten until recently. In the last few months we’ve seen completely worn copies of the paperback version for sale online for $150. We got ours for $13 because, fortunately, not everyone researches book prices before they post them on an auction site. Why do people suddenly want to read The Hell Candidate again? Well, it has to do with the campaign of a certain Donald J. Trump. While the parallels are interesting and terrifying, the important aspect of the book is that it deals with contemporary American politics. Its lesson is that horrible candidates appear because voters secretly like them. Do we agree? Not entirely. But considering how useless most U.S. political candidates are, it’s a point worth consideration.
 
The basic idea in The Hell Candidate is that an otherwise affable politician of moderately conservative bent named Hunter Peal is possessed by Satan and becomes a profane, warmongering, sexually violent monster. His aides and friends are horrified by the change in his personality and are sure he’s doomed to flame out on the campaign trail, but a strange thing happens—the American people love him. His promises of violent action against foreign enemies and unrestrained plenty on the home front propel him closer and closer to the Oval Office. His promises are impossible. They’re simply a means to power. But they keep working. From his early campaign stops in the sticks to massive rallies in major cities, candidate Peal utilizes doublespeak, tricks, illusions, and tortures to rise onto political center stage. He’s beyond ruthless. Early in the book he rapes his wife eight times in one night—and admits it with pride. Later he dispatches a debate opponent by magically afflicting him with diarrhea. Yeah, it’s that kind of book.

Could such a story really be worth reading? We think so. There’s real terror, and some moments of insight, like this one:

Suddenly you’re prepared to rationalize all those weird things you saw at Allen’s Corners, and suddenly you’re prepared to rationalize the fact that good old Hunter Peal has turned into a raving rightwing fascist [snip] and you know why? Because you’re like every other creep around every other presidential candidate. If the candidate looks like he’s winning then you’ll forgive him anything. Rape, murder, fraud—anything.”

Hunter isn’t guilty of any of those things.”

He raped his wife didn’t he?”

While The Hell Candidate is unambiguously a political allegory of at least minor historical significance, and it’s also a unique horror novel, it’s additionally an early-to-mid example of transgressive fiction—in fact a defining example, though it’s never appeared on a list of such books we’ve ever seen. But consider—transgressive fiction deals with characters who break free of perceived social norms in violent, sexual, or illicit ways, and such characters often seem mentally ill or nihilistic. Hunter Peal, once possessed, pointedly destroys all boundaries of socially acceptable behavior through repeated acts of profanity, depravity, cruelty, and shockingly lethal violence. Meanwhile other characters spend ample time misunderstanding his satanic nature, instead discussing whether he’s merely gone insane.

It’s similar in some ways to American Psycho—a landmark transgressive book critics mostly failed to understand. Peal becomes an embodiment of America’s impulses toward violence in the same way Patrick Bateman becomes an embodiment of runaway capitalism. The books are also similar in that their violence is so vivid that merely reading it can make you feel complicit. That Peal’s victims are sometimes forced through mind control to respond to his blood-drenched brutality as though they’re in the throes of sexual ecstasy will do a number on your head. But this is the Devil we’re talking about. Such sexualized hyperviolence fits—at least in terms of how he’s conceptualized in Western lore. Masterton pulls no punches. The Hell Candidate is visceral, pornographic, and utterly enervating, often terrible to experience, but a modern pulp masterpiece.
 
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HISTORY REWIND

The headlines that mattered yesteryear.

1959—Dark Side of Moon Revealed

The Soviet space probe Luna 3 transmits the first photographs of the far side of the moon. The photos generate great interest, and scientists are surprised to see mountainous terrain, very different from the near side, and only two seas, which the Soviets name Mare Moscovrae (Sea of Moscow) and Mare Desiderii (Sea of Desire).

1966—LSD Declared Illegal in U.S.

LSD, which was originally synthesized by a Swiss doctor and was later secretly used by the CIA on military personnel, prostitutes, the mentally ill, and members of the general public in a project code named MKULTRA, is designated a controlled substance in the United States.

1945—Hollywood Black Friday

A six month strike by Hollywood set decorators becomes a riot at the gates of Warner Brothers Studios when strikers and replacement workers clash. The event helps bring about the passage of the Taft-Hartley Act, which, among other things, prohibits unions from contributing to political campaigns and requires union leaders to affirm they are not supporters of the Communist Party.

1957—Sputnik Circles Earth

The Soviet Union launches the satellite Sputnik I, which becomes the first artificial object to orbit the Earth. It orbits for two months and provides valuable information about the density of the upper atmosphere. It also panics the United States into a space race that eventually culminates in the U.S. moon landing.

1970—Janis Joplin Overdoses

American blues singer Janis Joplin is found dead on the floor of her motel room in Los Angeles. The cause of death is determined to be an overdose of heroin, possibly combined with the effects of alcohol.

Classic science fiction from James Grazier with uncredited cover art.
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