This striking Roger Soubie promo poster for La maison des otages, aka The Desperate Hours, doesn’t leave much doubt about what happens to Humphrey Bogart, but even without the poster there wouldn’t be any doubt. Bogart stars, in his last villain role, as an ex-con who takes a family hostage in order to use their home as a hideout. During the Leave It To Beaver 1950s there was no way his character was going to go unpunished for pointing a gun at a kid. Even seeing it in the promo image below makes you cringe a little, doesn’t it? But the inevitable consequences of Bogart’s actions aren’t the point—how he struggles to maintain the constantly evolving hostage scenario is what generates the drama, and the imprisoned family aren’t his only problem. La maison des otages is a later noir, but a better one. It opened in France today in 1956.
1916—Rockwell's First Post Cover Appears
The Saturday Evening Post publishes Norman Rockwell’s painting “Boy with Baby Carriage”, marking the first time his work appears on the cover of that magazine. Rockwell would go to paint many covers for the Post, becoming indelibly linked with the publication. During his long career Rockwell would eventually paint more than four thousand pieces, the vast majority of which are not on public display due to private ownership and destruction by fire.