RABBIT STEW

One small film for sci-fi, one giant Lepus for bad cinema.


This rare poster was made to promote Night of the Lepus, and those creepy eyes in the dark belong to rabbits. Giant rabbits. Lepus. Makes sense, right? Stuart Whitman, Rory Calhoun, Janet Leigh, and DeForest Kelly, post-Star Trek, star in what is supposed to be an epically bad film, but to us it was more like standard low level sci-fi or horror (take your pick). The special effects drag down the entire enterprise, but that’s almost par for the course when it comes to this genre during the time period. We can imagine the actors signing on and being told the special effects would carry the movie. “Yeah, we’ve got top people on this giant rabbit thing. They’ll look totally convincing!” Well, they don’t, but neither do the monsters in 90% of vintage sci-fi.

If we had to guess, we’d say one reason people think this film is so bad is that there are numerous inadvertently funny lines of dialogue, for example when Kelly says, “We’ve got three holes to blow,” and when Chuck Hayward says, “I’m ready to release the gas as soon as they come out.” But the script is coherent, and the acting is more than adequate, so those two positives alone keep this out of the Plan 9 and Starcrash sub-basement category, as it brings to life the story of scientists and ranchers trying to reduce the number of feral rabbits in Arizona. Researchers Whitman and Leigh turn to hormones to shut off the bunnies’ breeding capabilities, but this accidentally causes them to grow to enormous size—and makes them hopping mad too. In short order they overrun the nearby town and all the humans are fleeing for their lives.

Yes, the movie is silly. It’s a clinic in the limited utility of forced perspective for trying to make believable monsters, an endeavor additionally undermined by the inconvenient fact that giant bunnies are still cute. But can you really pass up the chance to see Bones from Star Trek ambling around the high desert? And Janet Leigh is always sight to behold, here settling deep into an elegant milfhood, forty five with a cotton candy afroperm that she makes look as regal as a platinum crown. Epically bad? It’s bad alright, mainly because it lacks distinction. But maybe you should just watch it and decide for yourself where it ranks. Night of the Lepus premiered today in 1972.

Femme Fatale Image

ABOUT

SEARCH PULP INTERNATIONAL

PULP INTL.
HISTORY REWIND

The headlines that mattered yesteryear.

1964—Mass Student Arrests in U.S.

In California, Police arrest over 800 students at the University of California, Berkeley, following their takeover and sit-in at the administration building in protest at the UC Regents’ decision to forbid protests on university property.

1968—U.S. Unemployment Hits Low

Unemployment figures are released revealing that the U.S. unemployment rate has fallen to 3.3 percent, the lowest rate for almost fifteen years. Going forward all the way to the current day, the figure never reaches this low level again.

1954—Joseph McCarthy Disciplined by Senate

In the United States, after standing idly by during years of communist witch hunts in Hollywood and beyond, the U.S. Senate votes 65 to 22 to condemn Joseph McCarthy for conduct bringing the Senate into dishonor and disrepute. The vote ruined McCarthy’s career.

1955—Rosa Parks Sparks Bus Boycott

In the U.S., in Montgomery, Alabama, seamstress Rosa Parks refuses to give her bus seat to a white man and is arrested for violating the city’s racial segregation laws, an incident which leads to the Montgomery Bus Boycott. The boycott resulted in a crippling financial deficit for the Montgomery public transit system, because the city’s African-American population were the bulk of the system’s ridership.

1936—Crystal Palace Gutted by Fire

In London, the landmark structure Crystal Palace, a 900,000 square foot glass and steel exhibition hall erected in 1851, is destroyed by fire. The Palace had been moved once and fallen into disrepair, and at the time of the fire was not in use. Two water towers survived the blaze, but these were later demolished, leaving no remnants of the original structure.

Barye Phillips cover art for Street of No Return by David Goodis.
Assorted paperback covers featuring hot rods and race cars.
A collection of red paperback covers from Dutch publisher De Vrije Pers.

VINTAGE ADVERTISING

Things you'd love to buy but can't anymore

Vintage Ad Image

Around the web