WHY, IT’S ELEMENTARY

Look, I've found something! I bet this advances the plot!


Here’s another nice panel length poster for the 1937 mystery comedy Super-Sleuth. The term “door panel,” which is a commonly used designation, is a bit deceptive. These are nowhere near the size of a door. The dimensions are twenty by sixty, or sometimes fourteen by thirty-six—in any case around three times taller than wide. The dimensions of this one aren’t actually quite there. It’s closer to two-point-five-to one. Close enough, as far as we’re concerned. Anyway, we’ve been unearthing a lot of this style of promo lately, and we like them because the arrangement of visual elements and text are pleasing to our amateur eyes.

In the movie, an egotistical actor played by Jack Oakie, whose signature character is a sleuth, criticizes the LAPD and ends up in a press feud with them. He’s been critical because he and other Hollywood stars have been receiving threatening letters from “the Poison Pen,” but the cops have no idea who’s sending them. Oakie gets his chance to prove whether he can be a real life sleuth when there’s a shooting on his movie set. While Super-Sleuth is billed as slapstick mystery, the mystery part is not delivered. There’s only ever one true suspect. We suppose it’s difficult to write in red herrings and twists when a film is 75 minutes long. Still, having the sinister and secretive weirdo be the murderer is a little too elementary.

Though many of the characters, including Oakie, are buffoons, there’s also, it must be noted, a ridiculous black stereotype played by Willie Best, who sometimes acted under the moniker Sleep ‘n’ Eat. He’s often reviled for his portrayals now, but in a 1934 interview he said, “What’s an actor going to do? Either you do it or get out.” It’s the dilemma of all actors—do your level best with what you’re given or end up on the do-not-hire list. Super-Sleuth doesn’t give its actors a lot to work with, but Oakie, Best, the beautiful Ann Sothern and the rest put their all into it and the result is a passable slapstick (non) mystery with a handful of genuine laughs. It premiered in the U.S. today in 1937.
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HISTORY REWIND

The headlines that mattered yesteryear.

1980—John Lennon Killed

Ex-Beatle John Lennon is shot four times in the back and killed by Mark David Chapman in front of The Dakota apartment building in New York City. Chapman had been stalking Lennon since October, and earlier that evening Lennon had autographed a copy of his album Double Fantasy for him.

1941—Japanese Attack Pearl Harbor

The Imperial Japanese Navy sends aircraft to attack the U.S. Pacific Fleet and its defending air forces at Pearl Harbor, Hawaii. While the U.S. lost battleships and other vessels, its aircraft carriers were not at Pearl Harbor and survived intact, robbing the Japanese of the total destruction of the Pacific Fleet they had hoped to achieve.

1989—Anti-Feminist Gunman Kills 14

In Montreal, Canada, at the École Polytechnique, a gunman shoots twenty-eight young women with a semi-automatic rifle, killing fourteen. The gunman claimed to be fighting feminism, which he believed had ruined his life. After the killings he turns the gun on himself and commits suicide.

1933—Prohibition Ends in United States

Utah becomes the 36th U.S. state to ratify the 21st Amendment to the United States Constitution, thus establishing the required 75% of states needed to overturn the 18th Amendment which had made the sale of alcohol illegal. But the criminal gangs that had gained power during Prohibition are now firmly established, and maintain an influence that continues unabated for decades.

1945—Flight 19 Vanishes without a Trace

During an overwater navigation training flight from Fort Lauderdale, five U.S. Navy TBM Avenger torpedo-bombers lose radio contact with their base and vanish. The disappearance takes place in what is popularly known as the Bermuda Triangle.

Barye Phillips cover art for Street of No Return by David Goodis.
Assorted paperback covers featuring hot rods and race cars.

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