Let’s not debate it. Jamie Summers was the hottest partly mechanical woman ever to appear on television. Perhaps that has to do with the fact that she was one of the only partly mechanical woman to ever appear on television, but let’s not quibble. The series The Bionic Woman, starring Lindsay Wagner as a tennis pro-turned-spy who had assorted cybernetic body parts, ran on American television for three years from 1976 to 1978, and was syndicated for Japan starting in 1977. She was originally created as a sort of Bride of Frankenstein for Lee Majors’ popular ABC character Steve Austin on The Six Million Dollar Man. At the end of a two-part episode Jamie Summers died, but the character had been so popular that a method was contrived for bringing her back from the dead. A year later—presto!—she had her own series on which she battled a sasquatch, got roughed up by Fembots, and malfunctioned a few times, all while searching for but never quite managing to find that special someone.
The Bionic Woman spun off books, board games, and yes, even music, as evidenced by the 45 rpm record sleeve at top of the show’s theme song by Jerry Fielding. We checked out a few episodes of the show online, and let’s just say that while it hasn’t aged well in terms of fx or dramatic content (and it’s exactly the sort of thing our girlfriends laugh at because of all the high-waisted jeans, jumpsuits and feathered hair), there is a sort of sweetness to it all that’s hard (for us, anyway) to resist. Ah, the Cold War. It seems so quaint now. If you have the inclination and the spare time, you can see a clip here.
