MAKER’S MARK

Moses the calf is either a sign from God or proof of evolution.

A calf was born this yuletide season—but not just any calf. This one has a cross on its head. It was born in Connecticut on the farm of Brad Davis and Megan Johnson. At first, the newborn’s cruciform marking was obscured because his mother Fuzzy had rearranged it by licking the fur on his head. But when the calf dried, his owners beheld the cross and they were amazed. “It was really quite a sight,” Davis told his local newspaper. “The first night that he was here, when we shut the lights out late at night, the only thing you could see in here was that cross showing in the dark. It was really quite a feeling. It made the hair stand up on the back of my neck, actually.” Co-owner Johnson says Moses will never see the inside of a slaughterhouse. “We’re going to make sure he gets a good life and doesn’t get eaten,” she promised. 

Over on the opposite side of the cultural chasm, an evolutionary scientist would suggest that Moses is not a sign from God but rather a textbook example of natural selection. Because of a pattern that randomly appeared on the calf’s head, he gets to live to a ripe old age rather than end up as a Big Kahuna Burger, which means the likelihood he’ll one day sire an offspring with a cross on its head is fractionally higher. Each time a similar pattern appears, there’s a chance that cow will likewise be spared the abbatoir and will in turn reproduce, which means, given thousands of years, an entire species of untouchable cows might be roaming the American landscape with crosses on their heads. So is Moses an example of divine intervention or Darwinian science? Let the debate begin.

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HISTORY REWIND

The headlines that mattered yesteryear.

1937—Carothers Patents Nylon

Wallace H. Carothers, an American chemist, inventor and the leader of organic chemistry at DuPont Corporation, receives a patent for a silk substitute fabric called nylon. Carothers was a depressive who for years carried a cyanide capsule on a watch chain in case he wanted to commit suicide, but his genius helped produce other polymers such as neoprene and polyester. He eventually did take cyanide—not in pill form, but dissolved in lemon juice—resulting in his death in late 1937.

1933—Franklin Roosevelt Survives Assassination Attempt

In Miami, Florida, Giuseppe Zangara attempts to shoot President-elect Franklin D. Roosevelt, but is restrained by a crowd and, in the course of firing five wild shots, hits five people, including Chicago, Illinois Mayor Anton J. Cermak, who dies of his wounds three weeks later. Zangara is quickly tried and sentenced to eighty years in jail for attempted murder, but is later convicted of murder when Cermak dies. Zangara is sentenced to death and executed in Florida’s electric chair.

1929—Seven Men Shot Dead in Chicago

Seven people, six of them gangster rivals of Al Capone’s South Side gang, are machine gunned to death in Chicago, Illinois, in an event that would become known as the St. Valentine’s Day Massacre. Because two of the shooters were dressed as police officers, it was initially thought that police might have been responsible, but an investigation soon proved the killings were gang related. The slaughter exceeded anything yet seen in the United States at that time.

1935—Jury Finds Hauptmann Guilty

A jury in Flemington, New Jersey finds Bruno Hauptmann guilty of the 1932 kidnapping and murder of the Lindbergh baby, the son of Charles Lindbergh. Hauptmann is sentenced to death and executed in 1936. For decades, his widow Anna fights to have his named cleared, claiming that Hauptmann did not commit the crime, and was instead a victim of prosecutorial misconduct, but her claims are ultimately dismissed in 1984 after the U.S. Supreme Court refuses to address the case.

Uncredited cover art for Day Keene’s 1952 novel Wake Up to Murder.
Another uncredited artist produces another beautiful digest cover. This time it's for Norman Bligh's Waterfront Hotel, from Quarter Books.
Above is more artwork from the prolific Alain Gourdon, better known as Aslan, for the 1955 Paul S. Nouvel novel Macadam Sérénade.
Uncredited art for Merle Miller's 1949 political drama The Sure Thing.

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