A BOLT FROM THE BLACK

You can't predict when it'll happen. You can only hope not to be there when it does.

We’re back to blaxploitation today. We screened the Fred Williamson actioner That Man Bolt last night, and you see its poster above with Fred in dual mode—in a tuxedo, and in a martial arts gi. Range, baby. Our range runs from t-shirts and shorts to t-shirts and jeans, but with good accessories. Williamson plays Jefferson Bolt, an ex-Special Forces captain-turned-industry best international courier, who’s strongarmed into carrying a million dollars from Hong Kong to Mexico City via Los Angeles.

Naturally, the moment he sets off people are trying to relieve him of the money, which he carries in a briefcase chained to his wrist. These aren’t ordinary thieves. It doesn’t take Williamson long to figure out that he’s being double-crossed. At first he thinks the million dollars is counterfeit, but he won’t know for sure what’s happening until after using fists, feet, and whatever happens to be handy to defeat the villains and get to the center of the plot.

There are several attractions to That Man Bolt. The most important is its ample budget. Location shooting took place not only in Hong Kong and Los Angeles, but Las Vegas, where Bolt is forced to make a detour. Another notable aspect is the film’s wide canvas and spy movie feel. Even more value is added by co-stars Teresa Graves and Miko Mayama, playing Bolt’s serial love interests. And lastly, there’s fair to decent action on land and water, including an extensive car chase that’s better than the usual fare.

You get the feeling Bolt was to be a recurring character, though it never happened. Even so, as blaxploitation movies go, That Man Bolt is a cut above. It has scope, good direction, humor that works, decent acting in parts, and a main character you can appreciate, mostly due to Williamson being a good screen presence. While many blaxploitation movies come bearing social commentary—which we consider indispensable to the form—Bolt mostly avoids it. That works out fine in this case, but let’s not make a habit of it. That Man Bolt premiered in the U.S. today in 1973.

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HISTORY REWIND

The headlines that mattered yesteryear.

1945—Franklin Roosevelt Dies

U.S. President Franklin D. Roosevelt dies of a cerebral hemorrhage while sitting for a portrait in the White House. After a White House funeral on April 14, Roosevelt’s body is transported by train to his hometown of Hyde Park, New York, and on April 15 he is buried in the rose garden of the Roosevelt family home.

1916—Richard Harding Davis Dies

American journalist, playwright, and author Richard Harding Davis dies of a heart attack at home in Philadelphia. Not widely known now, Davis was one of the most important and influential war correspondents ever, establishing his reputation by reporting on the Spanish-American War, the Second Boer War, and World War I, as well as his general travels to exotic lands.

1919—Zapata Is Killed

In Mexico, revolutionary leader Emiliano Zapata is shot dead by government forces in the state of Morelos, after a carefully planned ambush. Following the killing, Zapata’s revolutionary movement and his Liberation Army of the South slowly fall apart, but his political influence lasts in Mexico to the present day.

1925—Great Gatsby Is Published

F. Scott Fitzgerald’s novel The Great Gatsby is published in New York City by Charles Scribner’s Sons. Though Gatsby is Fitzgerald’s best known book today, it was not a success upon publication, and at the time of his death in 1940, Fitzgerald was mostly forgotten as a writer and considered himself to be a failure.

1968—Martin Luther King Buried

American clergyman and civil rights leader Martin Luther King, Jr., is buried five days after being shot dead on a Memphis, Tennessee motel balcony. April 7th had been declared a national day of mourning by President Lyndon B. Johnson, and King’s funeral on the 9th is attended by thousands of supporters, and Vice President Hubert Humphrey.

Edições de Ouro and Editora Tecnoprint published U.S. crime novels for the Brazilian market, with excellent reworked cover art to appeal to local sensibilities. We have a small collection worth seeing.
Walter Popp cover art for Richard Powell's 1954 crime novel Say It with Bullets.
There have been some serious injuries on pulp covers. This one is probably the most severe—at least in our imagination. It was painted for Stanley Morton's 1952 novel Yankee Trader.

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