ONIBABA AND THE DEADLY THIEVES

When the world falls apart some things stay in place.

This fine tateken style poster was made to promote the Japanese historical drama Onibaba. That’s a word from Japanese folklore meaning something like “witch,” or “hag,” but with a sort of hellish or otherworldly connotation. Because of this theme, some sites call Onibaba a horror movie. Okay, sure. Whatever floats their boats. But whether you stretch the definition of horror to inlcude the film or not, there’s no doubt that it’s a dark excursion.

Set during Japan’s 14th century Nanboku-chō period during a war which has led to mass population displacement, impending starvation, and desperation, humanity’s worst instincts—always present to some degree—have come to the fore. Mother and daughter Nobuko Otawa and Jitsuko Yoshimura live in a marsh and survive by killing wandering soldiers and selling stolen weapons and armor. They’re on their own because Nobuko’s son Kichi—Jitsuko’s husband—was taken off to war along with their neighbor Kei Satô. When Satô finally returns he’s alone. Kichi was killed.

Satô immediately begins trying to sidle up to his buddy’s widow, and Jitsuko fairly quickly succumbs to his overtures, creating the possibility that Nobuko will have to survive alone—which she can’t. She can’t ambush, kill, and strip soldiers’ valuables solo. She feels angry, powerless, and dispairing in no particular order. Then a strange masked man arrives in the marsh, and she suddenly sees a way to separate the lovers. But the consequences of doing so could spin out of control.

Onibaba is a symbolism laden movie, with some nice surprises in the narrative. We won’t discuss either of those aspects to avoid spoilers, and we won’t go into detail about its ambiguous ending. What we’ll tell you is that it’s a visual masterpiece shot in lush black and white in the beautiful desolation of Inba Marsh, in Chiba Prefecture, and narratively its broken world, apocalypse adjacent feel works brilliantly as a backdrop for the bleak dramas of its characters. Horror movie? If horror is to see humanity with its restraints cut loose, then yes. Onibaba premiered in Japan yesterday in 1964.

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HISTORY REWIND

The headlines that mattered yesteryear.

1980—John Lennon Killed

Ex-Beatle John Lennon is shot four times in the back and killed by Mark David Chapman in front of The Dakota apartment building in New York City. Chapman had been stalking Lennon since October, and earlier that evening Lennon had autographed a copy of his album Double Fantasy for him.

1941—Japanese Attack Pearl Harbor

The Imperial Japanese Navy sends aircraft to attack the U.S. Pacific Fleet and its defending air forces at Pearl Harbor, Hawaii. While the U.S. lost battleships and other vessels, its aircraft carriers were not at Pearl Harbor and survived intact, robbing the Japanese of the total destruction of the Pacific Fleet they had hoped to achieve.

1989—Anti-Feminist Gunman Kills 14

In Montreal, Canada, at the École Polytechnique, a gunman shoots twenty-eight young women with a semi-automatic rifle, killing fourteen. The gunman claimed to be fighting feminism, which he believed had ruined his life. After the killings he turns the gun on himself and commits suicide.

1933—Prohibition Ends in United States

Utah becomes the 36th U.S. state to ratify the 21st Amendment to the United States Constitution, thus establishing the required 75% of states needed to overturn the 18th Amendment which had made the sale of alcohol illegal. But the criminal gangs that had gained power during Prohibition are now firmly established, and maintain an influence that continues unabated for decades.

1945—Flight 19 Vanishes without a Trace

During an overwater navigation training flight from Fort Lauderdale, five U.S. Navy TBM Avenger torpedo-bombers lose radio contact with their base and vanish. The disappearance takes place in what is popularly known as the Bermuda Triangle.

Cover art by the great Sandro Symeoni for Peter Cheyney's mystery He Walked in her Sleep, from Ace Books in 1949.
The mysterious artist who signed his or her work as F. Harf produced this beautiful cover in 1956 for the French publisher S.E.P.I.A.
Aslan art was borrowed for many covers by Dutch publisher Uitgeverij A.B.C. for its Collection Vamp. The piece used on Mike Splane's Nachtkatje is a good example.

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