We’d never heard of African Story, aka The Manipulator, before seeing this Italian promo poster painted by Renato Casaro. We were hoping for another semi-comical romp in the vein of Black Emmanuelle or The African Deal (i.e. lily white visitors are magically driven to get freaky in the bush with locals), but this film goes in a different direction. A famous singer named Rex Maynard runs away to South Africa with a powerful music producer’s daughter, prompting the producer to set up a fake kidnapping to scare the crooner and simultaneously generate publicity for his career. Somehow or other a group of actual kidnappers decide to put the bag on Rexie, and mayhem soon follows. Rex may be a soft jazz kind of singer, but he’s hard rock with his fists. He even uses judo to whip ass on several of his assailants. Luckily one of them packs a gun or they’d all have ended up in intensive care. Rex is also slippery as an eel, with his escapability aided by the kidnappers’ generally lax security.
We’d file this movie in the terrible-but-fun category, with Stephen Boyd, who played the rugged Messala in Bur Hur, here putting on his evil capitalist pants, beautiful Sylva Koscina playing the femme fatale, and Michael Kirner expending far more physical energy in the role of the pursued singer than you’d think possible for a guy with his body fat. African Story has virtually no Africans of the black variety in it, but then again this is the apartheid era we’re talking about. Blacks need not apply—particularly for speaking roles (except for those two fisherman guys who you’ll miss if you blink). In fact, you see very few blacks even in the backgrounds of shots. With sequences set in offices, hotels, nightclubs, pools, and at a *ahem* race track, their conspicuous absence reveals the reality of how all good things in South Africa were reserved for whites. And some bad things too, if you count the movie. African Story premiered today in 1971.
We’d file this movie in the terrible-but-fun category, with Stephen Boyd, who played the rugged Messala in Bur Hur, here putting on his evil capitalist pants, beautiful Sylva Koscina playing the femme fatale, and Michael Kirner expending far more physical energy in the role of the pursued singer than you’d think possible for a guy with his body fat. African Story has virtually no Africans of the black variety in it, but then again this is the apartheid era we’re talking about. Blacks need not apply—particularly for speaking roles (except for those two fisherman guys who you’ll miss if you blink). In fact, you see very few blacks even in the backgrounds of shots. With sequences set in offices, hotels, nightclubs, pools, and at a *ahem* race track, their conspicuous absence reveals the reality of how all good things in South Africa were reserved for whites. And some bad things too, if you count the movie. African Story premiered today in 1971.
