This bright poster was made for The Locket, a noir adjacent psychological mystery that premiered today in 1946. Laraine Day and Gene Raymond play a couple about to be married. Raymond thinks himself to be the luckiest man alive, but just before the wedding a stranger arrives to tell Raymond that the perfect Day has a dark past involving not only secrets, but an uncontrollable obsession. The stranger says that in this past he and Day met and fell in love, then he was visited by a man who told him that—here it comes—Day had a dark past. That stranger, played by Robert Mitchum, then tells a story related to Day’s childhood.
The Locket is famed for its flashback within a flashback within a flashback structure, and though that sounds complex there’s no trouble keeping four layers of narrative straight. Layer two and three are the bulk of the movie, and those are the ones with Mitchum, one of Hollywood’s great golden stars, easily watchable in all contexts. With Mitchum doing his thing, the solid Day in the lead as the woman with, not a past, but pasts, and a structure that draws viewers in, The Locket is a winner. Its only flaw is that the audience expectations of the time (and/or the requirements of the Hays Code censorship regime) prevented an ending about four minutes earlier. Watch it and you’ll see what we mean.